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Производитель David Zwirner


In 1303, Giotto, then considered the preeminent painter in Italy, was commissioned to paint the Arena Chapel in Padua. The resulting Chapel and its panels, detailing the history, birth, life and death of Christ, rank among the greatest artworks ever created.
John Ruskin (1819-1900) redefined art criticism in the 19th century through his attention to detail, his playful and engaging prose and the conviction with which he discussed the subjects that mattered most to him. Here Ruskin examines Giotto's panels and brings them to life, describing their many hidden details, all the result of Giotto's unrivaled genius. 
The Arundel Society first published "Giotto and His Works in Padua" between 1853 and 1860. Long out of print, it stands as Ruskin's most compelling set of reflections on Giotto's masterpiece - an artwork that, in Ruskin's estimation, changed the very course of art history. Originally accompanied by a set of black-and-white woodcuts of the panels in the Chapel, this new edition presents each panel in vivid color photography, adding a useful visual aid to Ruskin's lyrical descriptions. The result is a book that serves not only as an introduction for students of art history, but also as a discussion of what it means to be a great artist, by one of the most influential writers ever to tackle visual art.

Giotto and His Works in Padua

Производитель: David Zwirner

Цена: 947.00 руб.

Описание:
In 1303, Giotto, then considered the preeminent painter in Italy, was commissioned to paint the Arena Chapel in Padua. The resulting Chapel and its panels, detailing the history, birth, life and death of Christ, rank among the greatest artworks ever created. John Ruskin (1819-1900) redefined art criticism in the 19th century through his attention to detail, his playful and engaging prose and the conviction with which he discussed the subjects that mattered most to him. Here Ruskin examines Giotto's panels and brings them to life, describing their many hidden details, all the result of Giotto's unrivaled genius. The Arundel Society first published "Giotto and His Works in Padua" between 1853 and 1860. Long out of print, it stands as Ruskin's most compelling set of reflections on Giotto's masterpiece - an artwork that, in Ruskin's estimation, changed the very course of art history. Originally accompanied by a set of black-and-white woodcuts of the panels in the Chapel, this new edition presents each panel in vivid color photography, adding a useful visual aid to Ruskin's lyrical descriptions. The result is a book that serves not only as an introduction for students of art history, but also as a discussion of what it means to be a great artist, by one of the most influential writers ever to tackle visual art.


Up to his untimely death in 2006 at 41, Jason Rhoades carried out a continuous assault on aesthetic conventions and the rules governing the art world wryly subverting those very conditions by using them as materials for his work. In 2002, Rhoades introduced the world to his PeaRoeFoam, a brand new product and revolutionary new material created from whole green peas, fish-bait style salmon eggs, and white virgin-beaded foam. When combined with non-toxic glue, they transform into a versatile, fast-drying, and ultimately hard material that he intended for both utilitarian as well as artistic uses his detailed step-by-step instructions accompanied do it yourself kits complete with everything needed to make PeaRoeFoam. This seminal publication is the first to examine and situate the PeaRoeFoam project within Rhoadess career and to acknowledge it's importance within the framework of his practice. Much like the exhibition it accompanies, which presents many of the individual components for the first time since their original installations, the book discusses and reproduces those initial presentations in depth, and includes an abundance of archival documents and photographs, installation views of all three shows, as well as the artists diagrams and drawings related to their creation. The publication also features a personal and revealing essay by David Zwirner, who began showing Rhoadess work in the early 1990s, new scholarship by Julien Bismuth, and selected interviews from the Jason Rhoades Oral History project, conceived by Lucas Zwirner and Dylan Kenny, who have interviewed over fifty artists, curators, friends, collaborators, art historians, and others who intimately knew the artist including curator and art historian Linda Norden.

Jason Rhoades. PeaRoeFoam

Производитель: David Zwirner

Цена: 3204.00 руб.

Описание:
Up to his untimely death in 2006 at 41, Jason Rhoades carried out a continuous assault on aesthetic conventions and the rules governing the art world wryly subverting those very conditions by using them as materials for his work. In 2002, Rhoades introduced the world to his PeaRoeFoam, a brand new product and revolutionary new material created from whole green peas, fish-bait style salmon eggs, and white virgin-beaded foam. When combined with non-toxic glue, they transform into a versatile, fast-drying, and ultimately hard material that he intended for both utilitarian as well as artistic uses his detailed step-by-step instructions accompanied do it yourself kits complete with everything needed to make PeaRoeFoam. This seminal publication is the first to examine and situate the PeaRoeFoam project within Rhoadess career and to acknowledge it's importance within the framework of his practice. Much like the exhibition it accompanies, which presents many of the individual components for the first time since their original installations, the book discusses and reproduces those initial presentations in depth, and includes an abundance of archival documents and photographs, installation views of all three shows, as well as the artists diagrams and drawings related to their creation. The publication also features a personal and revealing essay by David Zwirner, who began showing Rhoadess work in the early 1990s, new scholarship by Julien Bismuth, and selected interviews from the Jason Rhoades Oral History project, conceived by Lucas Zwirner and Dylan Kenny, who have interviewed over fifty artists, curators, friends, collaborators, art historians, and others who intimately knew the artist including curator and art historian Linda Norden.


Vernon Lee - a pseudonym of Violet Paget (1856-1935) - is the most important female aesthetician to come out of 19th-century England. Though she was widely known for her supernatural fictions, Lee never gained the recognition she so clearly deserved for her contributions in the fields of aesthetics, philosophy of empathy and art criticism. An early follower of Walter Pater, she wrote with an extreme attention to her own responses to artworks, and a level of psychological sensitivity rarely seen in any aesthetic writing. Today, she is largely understudied and rarely read, her aesthetic writings long out of print.
Now, David Zwirner Books reintroduces her writing through the first-ever English publication of The Psychology of an Art Writer (1903) along with selections from her groundbreaking Gallery Diaries (1901-4), breathtaking accounts of Lee's own experiences with the great paintings and sculptures she traveled to see. Ranging from assessments of the way mood affects our ability to appreciate art to descriptions of powerful personal experiences with artworks, these writings provide profound insights into the fields of psychology and aesthetics.

The Psychology of an Art Writer

Производитель: David Zwirner

Цена: 966.00 руб.

Описание:
Vernon Lee - a pseudonym of Violet Paget (1856-1935) - is the most important female aesthetician to come out of 19th-century England. Though she was widely known for her supernatural fictions, Lee never gained the recognition she so clearly deserved for her contributions in the fields of aesthetics, philosophy of empathy and art criticism. An early follower of Walter Pater, she wrote with an extreme attention to her own responses to artworks, and a level of psychological sensitivity rarely seen in any aesthetic writing. Today, she is largely understudied and rarely read, her aesthetic writings long out of print. Now, David Zwirner Books reintroduces her writing through the first-ever English publication of The Psychology of an Art Writer (1903) along with selections from her groundbreaking Gallery Diaries (1901-4), breathtaking accounts of Lee's own experiences with the great paintings and sculptures she traveled to see. Ranging from assessments of the way mood affects our ability to appreciate art to descriptions of powerful personal experiences with artworks, these writings provide profound insights into the fields of psychology and aesthetics.


Raymond Pettibon: Homo Americanus presents over 600 works from every part of the artist's career, the majority of which have never been published before. Arranged thematically in 32 chapters, it charts the appearance and development of the themes that have defined Pettibon's oeuvre. Sections are introduced with excerpts from interviews with the artist, and are further discussed in an appendix by curator Ulrich Loock. Also featured are biographical notes compiled by Lucas Zwirner. This catalogue is the first to tackle Pettibon's work as a whole - as a kind of hive-mind of American culture whose various branches constantly address and reinterpret one another. Of particular interest are Pettibon's own readings of individual works in the book. In excerpts paired with corresponding images, Pettibon guides readers through his complex turns of thought, inviting readers to enter more deeply into his thinking. Published for a major Pettibon retrospective in Europe, the book includes a complete facsimile of his first artist's book, Captive Chains - unavailable for decades - plus early drawings completed with his nephew, record covers, flyers and sections dedicated to collages and drawings from the 1980s to today. This is the definitive Pettibon volume for novices and experts alike.

Raymond Pettibon: Homo Americanus. Collected Works

Производитель: David Zwirner

Цена: 3752.00 руб.

Описание:
Raymond Pettibon: Homo Americanus presents over 600 works from every part of the artist's career, the majority of which have never been published before. Arranged thematically in 32 chapters, it charts the appearance and development of the themes that have defined Pettibon's oeuvre. Sections are introduced with excerpts from interviews with the artist, and are further discussed in an appendix by curator Ulrich Loock. Also featured are biographical notes compiled by Lucas Zwirner. This catalogue is the first to tackle Pettibon's work as a whole - as a kind of hive-mind of American culture whose various branches constantly address and reinterpret one another. Of particular interest are Pettibon's own readings of individual works in the book. In excerpts paired with corresponding images, Pettibon guides readers through his complex turns of thought, inviting readers to enter more deeply into his thinking. Published for a major Pettibon retrospective in Europe, the book includes a complete facsimile of his first artist's book, Captive Chains - unavailable for decades - plus early drawings completed with his nephew, record covers, flyers and sections dedicated to collages and drawings from the 1980s to today. This is the definitive Pettibon volume for novices and experts alike.


Lying deep within the urban metropolis of Hong Kong, Happy Valley is one of the most iconic racecourses in the world. It is also the chief source of inspiration for a new body of work by American artist Marcel Dzama. 
Jockeys ride through waves and cathedrals, Chinese symbols pulled from racing paraphernalia adorn the edges of paper, and bats swoop, hunting for prey. Dzama's distinct visions of the racetrack come alive through a series of large-scale paintings and drawings, transposing imagery from his prolific oeuvre into this adrenaline-filled sporting arena. His new works reflect on the culture of horseracing and how the track has become not only a symbol of sport, but also of commerce, class, and wealth. This publication includes a conversation between Dzama and Laila Pedro. Published on the occasion of his solo exhibition at David Zwirner, Hong Kong, in 2019, Marcel Dzama: Crossing the Line is available in both English only and bilingual English/traditional Chinese editions.

Crossing the Line

Производитель: David Zwirner

Цена: 1853.00 руб.

Описание:
Lying deep within the urban metropolis of Hong Kong, Happy Valley is one of the most iconic racecourses in the world. It is also the chief source of inspiration for a new body of work by American artist Marcel Dzama. Jockeys ride through waves and cathedrals, Chinese symbols pulled from racing paraphernalia adorn the edges of paper, and bats swoop, hunting for prey. Dzama's distinct visions of the racetrack come alive through a series of large-scale paintings and drawings, transposing imagery from his prolific oeuvre into this adrenaline-filled sporting arena. His new works reflect on the culture of horseracing and how the track has become not only a symbol of sport, but also of commerce, class, and wealth. This publication includes a conversation between Dzama and Laila Pedro. Published on the occasion of his solo exhibition at David Zwirner, Hong Kong, in 2019, Marcel Dzama: Crossing the Line is available in both English only and bilingual English/traditional Chinese editions.


One of the most significant artists to emerge in the late 1980s and early 1990s, Felix Gonzalez-Torres' (1957-96) reduced formal vocabulary, conceptual rigor and evocative use of everyday materials resonates with meaning that is at once specific and mutable, rigorous and generous, poetic and political.
Featuring several key bodies of work from throughout the artist's career, this publication showcases a series of distinct installations at David Zwirner in New York in 2017. Together, in their radical openness to interventions of site, audience and context, the works on view challenge perceived notions of what constitutes an exhibition space, a public, an artwork itself. Despite the resolute abstraction of much of his work, Gonzalez-Torres worked with familiar materials, from his iconic candy spill works to his evocative light string pieces, to mirrors, clocks and curtains. His work activates the architecture of the various spaces, the physicality of the viewer, the past and present, continuously maintaining its relevance.
Opening with details of the exhibition and images of visitors in the spaces, the publication walks the reader through each piece. New texts by Gregg Bordowitz and David Breslin explore the works included while contextualizing Gonzalez-Torres' contribution to art history.

Felix Gonzalez Torres

Производитель: David Zwirner

Цена: 2346.00 руб.

Описание:
One of the most significant artists to emerge in the late 1980s and early 1990s, Felix Gonzalez-Torres' (1957-96) reduced formal vocabulary, conceptual rigor and evocative use of everyday materials resonates with meaning that is at once specific and mutable, rigorous and generous, poetic and political. Featuring several key bodies of work from throughout the artist's career, this publication showcases a series of distinct installations at David Zwirner in New York in 2017. Together, in their radical openness to interventions of site, audience and context, the works on view challenge perceived notions of what constitutes an exhibition space, a public, an artwork itself. Despite the resolute abstraction of much of his work, Gonzalez-Torres worked with familiar materials, from his iconic candy spill works to his evocative light string pieces, to mirrors, clocks and curtains. His work activates the architecture of the various spaces, the physicality of the viewer, the past and present, continuously maintaining its relevance. Opening with details of the exhibition and images of visitors in the spaces, the publication walks the reader through each piece. New texts by Gregg Bordowitz and David Breslin explore the works included while contextualizing Gonzalez-Torres' contribution to art history.


Over the past decade, New York artist Jordan Wolfson has gained a reputation for his surprising, thought-provoking works in a wide range of media, including video, sculpture, installation, photography, and performance. This illustrated artists book is the product of close collaboration between Wolfson and the book designer Joseph Logan. Initially conceived to document the artists 2014 exhibition at David Zwirner in New York his first with the gallery, debuting new sculptural work, a critically acclaimed video, and his much-discussed animatronic sculpture (Female figure) 2014 the publication ultimately exists as a hybrid between an exhibition catalogue and a stand-alone expression of Wolfsons vision. Featuring large colour plates, it is anchored by extensive photo documentation of (Female figure) 2014, which combines film, installation, and performance in the figure of a curvaceous, scantily clad woman covered in dirt marks and wearing a witch mask. The majority of these photographs were taken by Andreas Laszlo Konrath. In addition, Mario Testino has also contributed a suite of images. While the book focuses primarily on the animatronic sculpture, it also includes detailed reproductions of Wolfsons recent series of wall-mounted sculptures. A short text by the artist provides context and background for all visual material, fleshing out this original document on an intriguing figure of contemporary art.

California

Производитель: David Zwirner

Цена: 2145.00 руб.

Описание:
Over the past decade, New York artist Jordan Wolfson has gained a reputation for his surprising, thought-provoking works in a wide range of media, including video, sculpture, installation, photography, and performance. This illustrated artists book is the product of close collaboration between Wolfson and the book designer Joseph Logan. Initially conceived to document the artists 2014 exhibition at David Zwirner in New York his first with the gallery, debuting new sculptural work, a critically acclaimed video, and his much-discussed animatronic sculpture (Female figure) 2014 the publication ultimately exists as a hybrid between an exhibition catalogue and a stand-alone expression of Wolfsons vision. Featuring large colour plates, it is anchored by extensive photo documentation of (Female figure) 2014, which combines film, installation, and performance in the figure of a curvaceous, scantily clad woman covered in dirt marks and wearing a witch mask. The majority of these photographs were taken by Andreas Laszlo Konrath. In addition, Mario Testino has also contributed a suite of images. While the book focuses primarily on the animatronic sculpture, it also includes detailed reproductions of Wolfsons recent series of wall-mounted sculptures. A short text by the artist provides context and background for all visual material, fleshing out this original document on an intriguing figure of contemporary art.


The latest from the renowned painter Marlene Dumas's new works respond more than ever to the uncertainty and sensuality of the painting process itself. Allowing the structure of the canvases and the materiality of the paint greater freedom to inform the development of her compositions, the artist has likened the creation of these works to the act of falling in love: an unpredictable and open-ended process that is as filled with awkwardness and anxiety as it is with bliss and discovery. "Myths & Mortals" documents a selection of new paintings debuted in the spring of 2018 at David Zwirner, New York ranging from monumental nude figures to intimately scaled canvases that present details of bodily parts and facial features. Several nearly ten foot tall paintings focus on individual figures, including a number of male and female nudes and a seemingly solemn bride, whose expression is obscured behind a floor-length veil. Like the Greek gods and goddesses, the figures in these paintings are at once larger than life and overwhelmingly human. The smaller scale paintings referred to by the artist as "erotic landscapes" present a variety of fragmentary images: eyes, lips, nipples, or lovers locked in a kiss. Evident across all of these works is the artist's uniquely sensitive treatment of the human form and her constantly evolving experimentation with color and texture. Alongside these new paintings, Dumas presents an expansive series of thirty two works on paper originally created for a Dutch translation of William Shakespeare's narrative poem Venus & Adonis (1593) by Hafid Bouazza (2016). "Myths & Mortals" is accompanied by new scholarship on the artist by Claire Messud and a text by Dumas herself.

Myths & Mortals

Производитель: David Zwirner

Цена: 6043.00 руб.

Описание:
The latest from the renowned painter Marlene Dumas's new works respond more than ever to the uncertainty and sensuality of the painting process itself. Allowing the structure of the canvases and the materiality of the paint greater freedom to inform the development of her compositions, the artist has likened the creation of these works to the act of falling in love: an unpredictable and open-ended process that is as filled with awkwardness and anxiety as it is with bliss and discovery. "Myths & Mortals" documents a selection of new paintings debuted in the spring of 2018 at David Zwirner, New York ranging from monumental nude figures to intimately scaled canvases that present details of bodily parts and facial features. Several nearly ten foot tall paintings focus on individual figures, including a number of male and female nudes and a seemingly solemn bride, whose expression is obscured behind a floor-length veil. Like the Greek gods and goddesses, the figures in these paintings are at once larger than life and overwhelmingly human. The smaller scale paintings referred to by the artist as "erotic landscapes" present a variety of fragmentary images: eyes, lips, nipples, or lovers locked in a kiss. Evident across all of these works is the artist's uniquely sensitive treatment of the human form and her constantly evolving experimentation with color and texture. Alongside these new paintings, Dumas presents an expansive series of thirty two works on paper originally created for a Dutch translation of William Shakespeare's narrative poem Venus & Adonis (1593) by Hafid Bouazza (2016). "Myths & Mortals" is accompanied by new scholarship on the artist by Claire Messud and a text by Dumas herself.


Providing a crucial record of the painter Noah Davis's extraordinary oeuvre, this monograph tells the story of a brilliant artist and cultural force through the eyes of his friends and collaborators.
Despite his exceedingly premature death at the age of 32, Noah Davis created emotionally charged work that places him firmly in the canon of great American painting. Stirring, elusive, and attuned to the history of painting, his compositions infuse scenes from everyday life with a magical realist atmosphere and contain traces of his abiding interest in artists such as Marlene Dumas, Kerry James Marshall, Fairfield Porter, Mark Rothko, and Luc Tuymans.
This catalogue is published on the occasion of the 2020 exhibition at David Zwirner, New York, which travels to the Underground Museum in Los Angeles, a space that Davis founded with his wife, artist Karon Davis. In her introduction, catalogue essay, and interviews with important figures in Davis's life, curator Helen Molesworth shows how the artist's generosity and sense of responsibility galvanized a uniquely supportive artistic community, culture, and vision. Through color illustrations and archival photographs, the book captures the intimate yet expansive spirit of a studio visit with the artist.

Noah Davis

Производитель: David Zwirner

Цена: 5710.00 руб.

Описание:
Providing a crucial record of the painter Noah Davis's extraordinary oeuvre, this monograph tells the story of a brilliant artist and cultural force through the eyes of his friends and collaborators. Despite his exceedingly premature death at the age of 32, Noah Davis created emotionally charged work that places him firmly in the canon of great American painting. Stirring, elusive, and attuned to the history of painting, his compositions infuse scenes from everyday life with a magical realist atmosphere and contain traces of his abiding interest in artists such as Marlene Dumas, Kerry James Marshall, Fairfield Porter, Mark Rothko, and Luc Tuymans. This catalogue is published on the occasion of the 2020 exhibition at David Zwirner, New York, which travels to the Underground Museum in Los Angeles, a space that Davis founded with his wife, artist Karon Davis. In her introduction, catalogue essay, and interviews with important figures in Davis's life, curator Helen Molesworth shows how the artist's generosity and sense of responsibility galvanized a uniquely supportive artistic community, culture, and vision. Through color illustrations and archival photographs, the book captures the intimate yet expansive spirit of a studio visit with the artist.


Phoebe Hoban's definitive biography of the renowned American painter Alice Neel tells the unforgettable story of an artist whose life spanned the twentieth century, from women's suffrage through the Depression, McCarthyism, the civil rights movement, the sexual revolution, and feminism. Throughout her life and work, Neel constantly challenged convention, ultimately gaining an enduring place in the canon.
Alice Neel's stated goal was to "capture the zeitgeist". Born into a proper Victorian family at the turn of the twentieth century, Neel reached voting age during suffrage. A quintessential bohemian, she was one of the first artists participating in the Easel Project of the Works Progress Administration, documenting the challenges of life during the Depression. An avowed humanist, Neel chose to paint the world around her, sticking to figurative work even during the peak of abstract expressionism. Neel never ceased pushing the envelope, creating a unique chronicle of her time.
Neel was fiercely democratic in selecting her subjects, who represent an extraordinarily diverse population from such legendary figures as Joe Gould to her Spanish Harlem neighbors in the 1940s, the art critic Meyer Shapiro, Nobel Laureate Linus Pauling, Andy Warhol, and major figures of the labor, civil rights and feminist movements-producing an indelible portrait of twentieth century America. By dictating her own terms, Neel was able to transcend such personal tragedy as the death of her infant daughter, Santillana, a nervous breakdown and suicide attempts, and the separation from her second child, Isabetta. After spending much of her career in relative obscurity, Neel finally received a major museum retrospective in 1974, at the Whitney Museum of American Art, in New York.
In this first paperback edition of the authoritative biography of Alice Neel, which serves also as a cultural history of twentieth century New York, the author Phoebe Hoban documents the tumultuous life of the artist in vivid detail, creating a portrait of the artist as incisive as Neel's relentlessly honest paintings. With a new introduction by Hoban that explores Neel's enduring relevance, this biography is essential to understanding and appreciating the life and work of one of America's foremost artists.

Alice Neel. The Art of Not Sitting Pretty

Производитель: David Zwirner

Цена: 2844.00 руб.

Описание:
Phoebe Hoban's definitive biography of the renowned American painter Alice Neel tells the unforgettable story of an artist whose life spanned the twentieth century, from women's suffrage through the Depression, McCarthyism, the civil rights movement, the sexual revolution, and feminism. Throughout her life and work, Neel constantly challenged convention, ultimately gaining an enduring place in the canon. Alice Neel's stated goal was to "capture the zeitgeist". Born into a proper Victorian family at the turn of the twentieth century, Neel reached voting age during suffrage. A quintessential bohemian, she was one of the first artists participating in the Easel Project of the Works Progress Administration, documenting the challenges of life during the Depression. An avowed humanist, Neel chose to paint the world around her, sticking to figurative work even during the peak of abstract expressionism. Neel never ceased pushing the envelope, creating a unique chronicle of her time. Neel was fiercely democratic in selecting her subjects, who represent an extraordinarily diverse population from such legendary figures as Joe Gould to her Spanish Harlem neighbors in the 1940s, the art critic Meyer Shapiro, Nobel Laureate Linus Pauling, Andy Warhol, and major figures of the labor, civil rights and feminist movements-producing an indelible portrait of twentieth century America. By dictating her own terms, Neel was able to transcend such personal tragedy as the death of her infant daughter, Santillana, a nervous breakdown and suicide attempts, and the separation from her second child, Isabetta. After spending much of her career in relative obscurity, Neel finally received a major museum retrospective in 1974, at the Whitney Museum of American Art, in New York. In this first paperback edition of the authoritative biography of Alice Neel, which serves also as a cultural history of twentieth century New York, the author Phoebe Hoban documents the tumultuous life of the artist in vivid detail, creating a portrait of the artist as incisive as Neel's relentlessly honest paintings. With a new introduction by Hoban that explores Neel's enduring relevance, this biography is essential to understanding and appreciating the life and work of one of America's foremost artists.


The year before he died, in what was one of the most difficult yet prolific periods of his life, Paul Klee created his most surprising and innovative works.
In 1939, the year before his death from a long illness and against a backdrop of sociopolitical turmoil and the outbreak of World War II, Klee worked with a vigor and inventiveness that rivaled even the most productive periods of his youth. This book illuminates the artist's response to his personal difficulties and the era's broader realities through imagery that is tirelessly inventive by turns political, solemn, playful, humorous, and poetic.
The works featured testify to Klee's restless drive to experiment with form and material. His use of adhesive, grease, oil, chalk, and watercolor, among other media, resulted in surfaces that are not only visually striking, but also highly tactile and original. Not unlike a diary, the drawings are often meditative reflections on the pains and pleasures of life their titles, among them Monsters in readiness and Struggles with himself, signal Klee's frame of mind.
Renowned art historian Dawn Ades looks at this group of drawings in the context of their time and as indicative of a pivotal moment in art history. Moved by this late period of Klee's oeuvre, American artist Richard Tuttle responds to specific works in the form of a dialogical poem. This stunning publication highlights the novelty and ingenuity of Klee's late works, which deeply affected the generation of artists-including Anni Albers, Jean Dubuffet, Mark Tobey, and Zao Wou Ki that emerged after World War II and continues to captivate artists and viewers alike today.

Paul Klee: 1939

Производитель: David Zwirner

Цена: 5107.00 руб.

Описание:
The year before he died, in what was one of the most difficult yet prolific periods of his life, Paul Klee created his most surprising and innovative works. In 1939, the year before his death from a long illness and against a backdrop of sociopolitical turmoil and the outbreak of World War II, Klee worked with a vigor and inventiveness that rivaled even the most productive periods of his youth. This book illuminates the artist's response to his personal difficulties and the era's broader realities through imagery that is tirelessly inventive by turns political, solemn, playful, humorous, and poetic. The works featured testify to Klee's restless drive to experiment with form and material. His use of adhesive, grease, oil, chalk, and watercolor, among other media, resulted in surfaces that are not only visually striking, but also highly tactile and original. Not unlike a diary, the drawings are often meditative reflections on the pains and pleasures of life their titles, among them Monsters in readiness and Struggles with himself, signal Klee's frame of mind. Renowned art historian Dawn Ades looks at this group of drawings in the context of their time and as indicative of a pivotal moment in art history. Moved by this late period of Klee's oeuvre, American artist Richard Tuttle responds to specific works in the form of a dialogical poem. This stunning publication highlights the novelty and ingenuity of Klee's late works, which deeply affected the generation of artists-including Anni Albers, Jean Dubuffet, Mark Tobey, and Zao Wou Ki that emerged after World War II and continues to captivate artists and viewers alike today.


Joan Mitchell: I carry my landscapes around with me

Производитель: David Zwirner

Цена: 4356.00 руб.




An unprecedented catalogue exploring the affinities and contrasts between Josef Albers and Giorgio Morandi-two of modern art's greatest painters.
Rarely seen together, the artwork of Josef Albers (1888-1976) and Giorgio Morandi (1890-1964) shares many similarities. Although they never met, both artists worked in series as they explored difference and potential through their distinctive treatment of color, shape, form, and morphology. They were also both influenced by Cezanne. As master illusionists and experts in proportion, they tackle similar conceits from different perspectives. Albers focused on the effects of subtle or bold changes and interactions in color, while Morandi made still lifes that treat simple objects as a cast of characters on a stage, exploring their relationship in space.
Published on the occasion of the critically acclaimed exhibition "Albers and Morandi: Never Finished", the book illuminates the visual conversation between these two artists. With the exhibition hailed by The New Yorker's Peter Schjeldahl as "one of the best... I've ever seen", this publication brings this unusual, thought-provoking pairing to your home. Gorgeous reproductions are accompanied by a roundtable about form and color between the exhibition's curator, David Leiber; Heinz Liesbrock, the director of the Josef Albers Museum Quadrat Bottrop, Germany; and Nicholas Fox Weber, the director of Josef and Anni Albers Foundation, as well as an essay by the Morandi expert and founder of the Center for Italian Modern Art, Laura Mattioli.

Never Finished

Производитель: David Zwirner

Цена: 4356.00 руб.

Описание:
An unprecedented catalogue exploring the affinities and contrasts between Josef Albers and Giorgio Morandi-two of modern art's greatest painters. Rarely seen together, the artwork of Josef Albers (1888-1976) and Giorgio Morandi (1890-1964) shares many similarities. Although they never met, both artists worked in series as they explored difference and potential through their distinctive treatment of color, shape, form, and morphology. They were also both influenced by Cezanne. As master illusionists and experts in proportion, they tackle similar conceits from different perspectives. Albers focused on the effects of subtle or bold changes and interactions in color, while Morandi made still lifes that treat simple objects as a cast of characters on a stage, exploring their relationship in space. Published on the occasion of the critically acclaimed exhibition "Albers and Morandi: Never Finished", the book illuminates the visual conversation between these two artists. With the exhibition hailed by The New Yorker's Peter Schjeldahl as "one of the best... I've ever seen", this publication brings this unusual, thought-provoking pairing to your home. Gorgeous reproductions are accompanied by a roundtable about form and color between the exhibition's curator, David Leiber; Heinz Liesbrock, the director of the Josef Albers Museum Quadrat Bottrop, Germany; and Nicholas Fox Weber, the director of Josef and Anni Albers Foundation, as well as an essay by the Morandi expert and founder of the Center for Italian Modern Art, Laura Mattioli.



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