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Книги
Производитель Fuel Publishing


Soviets features unpublished drawings from the archive of Danzig Baldaev. Made in secret, they satirize the Communist Party system and expose the absurdities of Soviet life. Baldaev touches on a wide range of subjects, from drinking (Alcoholics and Shirkers) to the Afghan war (The Shady Enterprise), via dissent (Censorship, Paranoia and Suspicion) and religion (Atheism as an Ideology). He reveals the cracks in the crumbling socialist structure, describing the realities of living in a country whose leaders are in pursuit of an ideal that will never arrive. The drawings date from the 1950s to the period immediately before the fall of the Soviet Union in 1991, with caricatures exposing communism's winners and losers: the stagnation of the system, the corruption of its politicians and the effect of this on the ordinary soviet citizen. Baldaev's drawings are contrasted with classic propaganda-style photographs taken by Sergei Vasiliev for the newspaper Vercherny Chelyabinsk. These photographs depict the world the Communist leaders dreamed of: where the local factory produced its millionth tractor and heroic workers fulfilled their five-year plans. It is impossible to imagine the daily reality of living under such a system; this book shows us - both broadly and in minute detail - what it must have been like.

Soviets

Производитель: Fuel Publishing

Цена: 4188.00 руб.

Описание:
Soviets features unpublished drawings from the archive of Danzig Baldaev. Made in secret, they satirize the Communist Party system and expose the absurdities of Soviet life. Baldaev touches on a wide range of subjects, from drinking (Alcoholics and Shirkers) to the Afghan war (The Shady Enterprise), via dissent (Censorship, Paranoia and Suspicion) and religion (Atheism as an Ideology). He reveals the cracks in the crumbling socialist structure, describing the realities of living in a country whose leaders are in pursuit of an ideal that will never arrive. The drawings date from the 1950s to the period immediately before the fall of the Soviet Union in 1991, with caricatures exposing communism's winners and losers: the stagnation of the system, the corruption of its politicians and the effect of this on the ordinary soviet citizen. Baldaev's drawings are contrasted with classic propaganda-style photographs taken by Sergei Vasiliev for the newspaper Vercherny Chelyabinsk. These photographs depict the world the Communist leaders dreamed of: where the local factory produced its millionth tractor and heroic workers fulfilled their five-year plans. It is impossible to imagine the daily reality of living under such a system; this book shows us - both broadly and in minute detail - what it must have been like.


A collection of previously unpublished postcards from the former Eastern Bloc - sinister, funny, poignant and surreal, they depict the social and architectural values of the period.
Brutal concrete hotels, futurist TV towers, heroic worker statues - this collection of Soviet era postcards documents the uncompromising landscape of the Eastern Bloc through its buildings and monuments. They are interspersed with quotes from prominent figures of the time, that both support and confound the ideologies presented in the images.
In contrast to the photographs of a ruined and abandoned Soviet empire we are accustomed to seeing today, the scenes depicted here publicise the bright future of communism: social housing blocks, Palaces of Culture and monuments to Comradeship. Dating from the 1960s to the 1980s, they offer a nostalgic yet revealing insight into social and architectural values of the time, acting as a window through which we can examine cars, people, and of course, buildings. These postcards, sanctioned by the authorities, intended to show the world what living in communism looked like.
Instead, this postcard propaganda inadvertently communicates other messages: outside the House of Political Enlightenment in Yerevan, the flowerbed reads Glory to the Communist Party of the Soviet Union'; in Novopolotsk, art school pupils paint plein air, their subject is a housing estate; at the Irkutsk Polytechnic Institute students stroll past a five metre tall concrete hammer and sickle.

Brutal Bloc

Производитель: Fuel Publishing

Цена: 4407.00 руб.

Описание:
A collection of previously unpublished postcards from the former Eastern Bloc - sinister, funny, poignant and surreal, they depict the social and architectural values of the period. Brutal concrete hotels, futurist TV towers, heroic worker statues - this collection of Soviet era postcards documents the uncompromising landscape of the Eastern Bloc through its buildings and monuments. They are interspersed with quotes from prominent figures of the time, that both support and confound the ideologies presented in the images. In contrast to the photographs of a ruined and abandoned Soviet empire we are accustomed to seeing today, the scenes depicted here publicise the bright future of communism: social housing blocks, Palaces of Culture and monuments to Comradeship. Dating from the 1960s to the 1980s, they offer a nostalgic yet revealing insight into social and architectural values of the time, acting as a window through which we can examine cars, people, and of course, buildings. These postcards, sanctioned by the authorities, intended to show the world what living in communism looked like. Instead, this postcard propaganda inadvertently communicates other messages: outside the House of Political Enlightenment in Yerevan, the flowerbed reads Glory to the Communist Party of the Soviet Union'; in Novopolotsk, art school pupils paint plein air, their subject is a housing estate; at the Irkutsk Polytechnic Institute students stroll past a five metre tall concrete hammer and sickle.


Since the first atomic bomb was dropped, humankind has been haunted by the idea of nuclear apocalypse. That nightmare almost became reality in 1986, when an accident at the USSR's Chernobyl Nuclear Power Plant triggered the world's worst radiological crisis. The events of that night are well documented - but history didn't stop there. Chernobyl, as a place, remains very much alive today. In "Chernobyl: A Stalkers Guide", researcher Darmon Richter journeys into the contemporary Exclusion Zone, venturing deeper than any previously published account. While thousands of foreign visitors congregate around a handful of curated sites, beyond the tourist hotspots lies a wild and mysterious land the size of a small country. In the forests of Chernobyl, historic village settlements and Soviet-era utopianism have lain abandoned since the time of the disaster - overshadowed by vast, unearthly mega-structures designed to win the Cold War. Richter combines photographs of discoveries made during his numerous visits to the Zone with the voices of those who witnessed history - engineers, scientists, police and evacuees. He explores evacuated regions in both Ukraine and Belarus, finding forgotten ghost towns and Soviet monuments lost deep in irradiated forests. He gains exclusive access inside the most secure areas of the power plant itself, and joins the "stalkers" of Chernobyl as he sets out on a high-stakes illegal hike to the heart of the Exclusion Zone.

Chernobyl: A Stalkers Guide

Производитель: Fuel Publishing

Цена: 4566.00 руб.

Описание:
Since the first atomic bomb was dropped, humankind has been haunted by the idea of nuclear apocalypse. That nightmare almost became reality in 1986, when an accident at the USSR's Chernobyl Nuclear Power Plant triggered the world's worst radiological crisis. The events of that night are well documented - but history didn't stop there. Chernobyl, as a place, remains very much alive today. In "Chernobyl: A Stalkers Guide", researcher Darmon Richter journeys into the contemporary Exclusion Zone, venturing deeper than any previously published account. While thousands of foreign visitors congregate around a handful of curated sites, beyond the tourist hotspots lies a wild and mysterious land the size of a small country. In the forests of Chernobyl, historic village settlements and Soviet-era utopianism have lain abandoned since the time of the disaster - overshadowed by vast, unearthly mega-structures designed to win the Cold War. Richter combines photographs of discoveries made during his numerous visits to the Zone with the voices of those who witnessed history - engineers, scientists, police and evacuees. He explores evacuated regions in both Ukraine and Belarus, finding forgotten ghost towns and Soviet monuments lost deep in irradiated forests. He gains exclusive access inside the most secure areas of the power plant itself, and joins the "stalkers" of Chernobyl as he sets out on a high-stakes illegal hike to the heart of the Exclusion Zone.


Despite the borders of the USSR being closed to majority of it's population, Soviet citizens were among the world's most frequent flyers.
Following the 1917 Revolution, Vladimir Lenin made the development of aviation a priority. Assisted by advertising campaigns by artists such as Alexander Rodchenko, Soviet society was mobilised to establish an air fleet - from the very beginning of the USSR through to it's demise in 1991, Soviet aviation flew it's own unique path.
This book unfolds the story of Soviet air travel, from early carriers like Deruluft and Dobrolet, to the enigmatic Aeroflot. Organised like an Air Force, with a vast fleet of aircraft and helicopters, Aeroflot was the world's biggest air carrier of passengers and cargo, responsible for a wider range of duties than any other airline.
In an era when it was still common to smoke on board, the Aeroflot emblem appeared on cigarette packets, matchboxes and many other everyday goods. Aeroflot publicity alerted domestic passengers to new destinations or proudly presented the introduction of faster, more comfortable aircraft, while colourful advertising enticed Western travellers to use Aeroflot's international services.
"Aeroflot. Fly Soviet" uses this ephemera to illustrate a parallel aviation universe that existed for 70 years. It pays tribute to generations of aircraft engineers, designers, pilots, ticket sellers, flight dispatchers, air traffic controllers, ground handlers and flight attendants, who jointly created this remarkable chapter of Soviet civil aviation history.

Aeroflot. Fly Soviet

Производитель: Fuel Publishing

Цена: 5885.00 руб.

Описание:
Despite the borders of the USSR being closed to majority of it's population, Soviet citizens were among the world's most frequent flyers. Following the 1917 Revolution, Vladimir Lenin made the development of aviation a priority. Assisted by advertising campaigns by artists such as Alexander Rodchenko, Soviet society was mobilised to establish an air fleet - from the very beginning of the USSR through to it's demise in 1991, Soviet aviation flew it's own unique path. This book unfolds the story of Soviet air travel, from early carriers like Deruluft and Dobrolet, to the enigmatic Aeroflot. Organised like an Air Force, with a vast fleet of aircraft and helicopters, Aeroflot was the world's biggest air carrier of passengers and cargo, responsible for a wider range of duties than any other airline. In an era when it was still common to smoke on board, the Aeroflot emblem appeared on cigarette packets, matchboxes and many other everyday goods. Aeroflot publicity alerted domestic passengers to new destinations or proudly presented the introduction of faster, more comfortable aircraft, while colourful advertising enticed Western travellers to use Aeroflot's international services. "Aeroflot. Fly Soviet" uses this ephemera to illustrate a parallel aviation universe that existed for 70 years. It pays tribute to generations of aircraft engineers, designers, pilots, ticket sellers, flight dispatchers, air traffic controllers, ground handlers and flight attendants, who jointly created this remarkable chapter of Soviet civil aviation history.


Quentin n'en croit pas ses yeux : le paquet depose de nuit dans sa boite aux lettres contient une broche sertie de pierres precieuses, soeur jumelle d'un joyau porte par la reine d'Angleterre. Un bijou historique que l'on pensait perdu depuis la fin tragique des Romanov, les derniers tsars de Russie. Pour l'avocat de Quentin, l'imprevisible Sam Douglass, c'est le point de depart d'une enquete dangereuse mais fertile en revelations. Riche aussi en rencontres: un couple d'academiciens atypiques, un sosie de Raspoutine, et surtout la belle et mysterieuse Tacha. . . Mais autour de Sam Douglaiss, les morts s'accumulent. Quelqu'un veut le faire renoncer. Quelqu'un veut occulter la verite.

L'ombre des Romanov (Тень Романовых)

Производитель: Fuel Publishing

Цена: 1424.00 руб.

Описание:
Quentin n'en croit pas ses yeux : le paquet depose de nuit dans sa boite aux lettres contient une broche sertie de pierres precieuses, soeur jumelle d'un joyau porte par la reine d'Angleterre. Un bijou historique que l'on pensait perdu depuis la fin tragique des Romanov, les derniers tsars de Russie. Pour l'avocat de Quentin, l'imprevisible Sam Douglass, c'est le point de depart d'une enquete dangereuse mais fertile en revelations. Riche aussi en rencontres: un couple d'academiciens atypiques, un sosie de Raspoutine, et surtout la belle et mysterieuse Tacha. . . Mais autour de Sam Douglaiss, les morts s'accumulent. Quelqu'un veut le faire renoncer. Quelqu'un veut occulter la verite.


The second volume of the Russian Criminal Tattoo Encyclopaedia contains completely new drawings, text and photographs from Danzig Baldaev and Sergei Vasiliev. During his fifty years working as a prison guard in St Petersburgs notorious Kresty Prison, Baldaev diligently recorded over 3,000 criminal tattoos, documenting their meanings within this closed society. This volume further explores the extremes of this incredible collection. Published 3rd July 2006, reprinted in 2011.

Russian Criminal Tattoo Encyclopaedia Volume II

Производитель: Fuel Publishing

Цена: 1857.00 руб.

Описание:
The second volume of the Russian Criminal Tattoo Encyclopaedia contains completely new drawings, text and photographs from Danzig Baldaev and Sergei Vasiliev. During his fifty years working as a prison guard in St Petersburgs notorious Kresty Prison, Baldaev diligently recorded over 3,000 criminal tattoos, documenting their meanings within this closed society. This volume further explores the extremes of this incredible collection. Published 3rd July 2006, reprinted in 2011.


In the process of decommunisation, Ukraine has toppled all its Lenin monuments. The authors have hunted down and photographed these banned Soviet statues, revealing their inglorious fate. As Russia celebrates the 100th anniversary of the Bolshevik revolution, Ukraine struggles to achieve complete decommunization. Perhaps the most dramatic demonstration of this process is the phenomenon of Leninopad (Lenin-fall)—the toppling of Lenin statues. In 2015 the Ukrainian parliament passed legislation banning these monuments as symbols of the obsolete Soviet regime. From an original population of 5500 in 1991, today not a single Lenin statue remains standing in Ukraine.
Photographer Niels Ackermann and journalist Sébastien Gobert, both based in Kyiv, have scoured the country in search of the remains of these toppled figures. They found them in the most unlikely of places: Lenin inhabits gardens, scrap yards and store rooms. He has fallen on hard times—cut into pieces; daubed with paint in the colors of the Ukrainian flag; transformed into a Cossack or Darth Vader—but despite these attempts to reduce their status, the statues retain a sinister quality, resisting all efforts to separate them from their history.
These compelling images are combined with witness testimonies to form a unique insight, revealing how Ukrainians perceive their country, and how they are grappling with the legacy of their Soviet past to conceive a new vision of the future.

Looking for Lenin

Производитель: Fuel Publishing

Цена: 2328.00 руб.

Описание:
In the process of decommunisation, Ukraine has toppled all its Lenin monuments. The authors have hunted down and photographed these banned Soviet statues, revealing their inglorious fate. As Russia celebrates the 100th anniversary of the Bolshevik revolution, Ukraine struggles to achieve complete decommunization. Perhaps the most dramatic demonstration of this process is the phenomenon of Leninopad (Lenin-fall)—the toppling of Lenin statues. In 2015 the Ukrainian parliament passed legislation banning these monuments as symbols of the obsolete Soviet regime. From an original population of 5500 in 1991, today not a single Lenin statue remains standing in Ukraine. Photographer Niels Ackermann and journalist Sébastien Gobert, both based in Kyiv, have scoured the country in search of the remains of these toppled figures. They found them in the most unlikely of places: Lenin inhabits gardens, scrap yards and store rooms. He has fallen on hard times—cut into pieces; daubed with paint in the colors of the Ukrainian flag; transformed into a Cossack or Darth Vader—but despite these attempts to reduce their status, the statues retain a sinister quality, resisting all efforts to separate them from their history. These compelling images are combined with witness testimonies to form a unique insight, revealing how Ukrainians perceive their country, and how they are grappling with the legacy of their Soviet past to conceive a new vision of the future.


From the acclaimed authors of the Russian Criminal Tattoo Encyclopaedias and Soviet Space Dogs comes Alcohol, a glorious and exhaustive collection of previously unpublished Soviet anti-alcohol posters. The book includes examples from the 1960s through to the 1980s, but focuses on posters produced during Mikhail Gorbachev’s campaign initiated in 1985. These posters attempted to sober up Soviet citizens by forcing them to confront the issues associated with excessive alcohol consumption. This government-led urgency allowed the poster designers to present the anti-alcohol message in the most graphic terms: they depicted drunks literally trapped inside the bottle or being strangled by “the green snake.” Their protagonists are paralytic freeloaders and shirkers who always neglect their families, drive under the influence, produce substandard work, are smashed when pregnant and present a constant danger to fellow citizens. A two-part essay by renowned cultural historian Alexei Plutser-Sarno attempts to explain, from a Russian perspective, the reasons behind this phenomenon.

Alcohol: Soviet Anti-Alcohol Poster

Производитель: Fuel Publishing

Цена: 3203.00 руб.

Описание:
From the acclaimed authors of the Russian Criminal Tattoo Encyclopaedias and Soviet Space Dogs comes Alcohol, a glorious and exhaustive collection of previously unpublished Soviet anti-alcohol posters. The book includes examples from the 1960s through to the 1980s, but focuses on posters produced during Mikhail Gorbachev’s campaign initiated in 1985. These posters attempted to sober up Soviet citizens by forcing them to confront the issues associated with excessive alcohol consumption. This government-led urgency allowed the poster designers to present the anti-alcohol message in the most graphic terms: they depicted drunks literally trapped inside the bottle or being strangled by “the green snake.” Their protagonists are paralytic freeloaders and shirkers who always neglect their families, drive under the influence, produce substandard work, are smashed when pregnant and present a constant danger to fellow citizens. A two-part essay by renowned cultural historian Alexei Plutser-Sarno attempts to explain, from a Russian perspective, the reasons behind this phenomenon.


A guidebook to the wild world of communist minimalism in Tito's Yugoslavia Spomenik the Serbo-Croat/Slovenian word for monument refers to the memorials built in Tito's Republic of Yugoslavia from the 1960s to the 1980s, marking the horror of the occupation and the defeat of Axis forces during World War II. Hundreds were built across the country, from coastal resorts to remote mountains. Through these imaginative forms of concrete and steel, a classless, forward-looking socialist society, free of ethnic tensions, was envisaged. Instead of looking to the ideologically aligned Soviet Union for artistic inspiration, Tito turned to the West and works of abstract expressionism and minimalism. This allowed Yugoslavia to develop its own distinct identity through the monuments, turning them into political tools, articulating Tito's personal vision of a new tomorrow. Today, following the breakup of the country and the subsequent Yugoslav Wars of the 1990s, some have been destroyed or abandoned. Many have suffered the consequences of ethnic tensions: once viewed as symbols of hope, they are now the focus of resentment and anger. This book brings together the largest collection of spomeniks published to date. Each has been extensively photographed and researched by the author, making this book the most comprehensive survey of this obscure and fascinating architectural phenomenon. The inside of the book's dust jacket opens out as a map, giving the exact geographic coordinates for each monument.

Spomenik Monument Database

Производитель: Fuel Publishing

Цена: 2718.00 руб.

Описание:
A guidebook to the wild world of communist minimalism in Tito's Yugoslavia Spomenik the Serbo-Croat/Slovenian word for monument refers to the memorials built in Tito's Republic of Yugoslavia from the 1960s to the 1980s, marking the horror of the occupation and the defeat of Axis forces during World War II. Hundreds were built across the country, from coastal resorts to remote mountains. Through these imaginative forms of concrete and steel, a classless, forward-looking socialist society, free of ethnic tensions, was envisaged. Instead of looking to the ideologically aligned Soviet Union for artistic inspiration, Tito turned to the West and works of abstract expressionism and minimalism. This allowed Yugoslavia to develop its own distinct identity through the monuments, turning them into political tools, articulating Tito's personal vision of a new tomorrow. Today, following the breakup of the country and the subsequent Yugoslav Wars of the 1990s, some have been destroyed or abandoned. Many have suffered the consequences of ethnic tensions: once viewed as symbols of hope, they are now the focus of resentment and anger. This book brings together the largest collection of spomeniks published to date. Each has been extensively photographed and researched by the author, making this book the most comprehensive survey of this obscure and fascinating architectural phenomenon. The inside of the book's dust jacket opens out as a map, giving the exact geographic coordinates for each monument.


It's a rare graphic designer who hasn't contemplated setting up his or her own studio. It's part of a designer's DNA to want to own and run a studio. Many do, while others spend a lifetime wondering if they should. But where does the ambitious designer go for advice and guidance? 
Who better than the founders of some of the best design studios in the world? 
Tony Brook and Adrian Shaughnessy conduct penetrating interviews with a group of visionary graphic designers who have formed and run landmark international design studios. In a series of candid and revealing interviews, manyof the leading figures in contemporary graphic design reveal the secrets behind creating a vibrant studio culture.

Studio Culture

Производитель: Fuel Publishing

Цена: 1073.00 руб.

Описание:
It's a rare graphic designer who hasn't contemplated setting up his or her own studio. It's part of a designer's DNA to want to own and run a studio. Many do, while others spend a lifetime wondering if they should. But where does the ambitious designer go for advice and guidance? Who better than the founders of some of the best design studios in the world? Tony Brook and Adrian Shaughnessy conduct penetrating interviews with a group of visionary graphic designers who have formed and run landmark international design studios. In a series of candid and revealing interviews, manyof the leading figures in contemporary graphic design reveal the secrets behind creating a vibrant studio culture.


Moscow-based Russian artist Olga Chernysheva, a graduate of the Moscow Cinema Academy and the Rijksakademie, Amsterdam, captures quotidian life in post-communist Russia. Embedded within social reality, Chernyshevas photographs carry nonetheless a lyricism and beauty that tacitly transforms the ordinary scenes and sights of and around Moscow into the extraordinary, and at times, seemingly miraculous. Chernyshevas work frequently expresses a social interest in relation to how her country is changing. In her Moscow Area series she might highlight those things frequently relegated to the edges of society and consciousness, such as a group of the elderly in a home, an old lady entering a church to pray, or the queues of people entering and exiting the Moscow underground metro system. Whilst one can frequently read disillusionment, loss and isolation in Chernyshevas images, one also sees signs of life and renewal, perseverance and warmth in what they depict. Her films and photographs transcend their documentary function, investigating instead the very fabric of the individuality, stoicism and self-sufficiency of the Russian character, meditating at the same time on the role of the artist in a time of change. Olga Chernysheva is the catalogue to accompany her exhibition at Anya Stonelake/White Space Gallery in London. Featuring over 40 images of her photographs and video stills, it includes the transcript of a conversation between Olga Chernysheva and Professor Robert Storr, as well as an introductory text to her work by Dr. Ekaterina Andreeva.

Olga Chernysheva

Производитель: Fuel Publishing

Цена: 1638.00 руб.

Описание:
Moscow-based Russian artist Olga Chernysheva, a graduate of the Moscow Cinema Academy and the Rijksakademie, Amsterdam, captures quotidian life in post-communist Russia. Embedded within social reality, Chernyshevas photographs carry nonetheless a lyricism and beauty that tacitly transforms the ordinary scenes and sights of and around Moscow into the extraordinary, and at times, seemingly miraculous. Chernyshevas work frequently expresses a social interest in relation to how her country is changing. In her Moscow Area series she might highlight those things frequently relegated to the edges of society and consciousness, such as a group of the elderly in a home, an old lady entering a church to pray, or the queues of people entering and exiting the Moscow underground metro system. Whilst one can frequently read disillusionment, loss and isolation in Chernyshevas images, one also sees signs of life and renewal, perseverance and warmth in what they depict. Her films and photographs transcend their documentary function, investigating instead the very fabric of the individuality, stoicism and self-sufficiency of the Russian character, meditating at the same time on the role of the artist in a time of change. Olga Chernysheva is the catalogue to accompany her exhibition at Anya Stonelake/White Space Gallery in London. Featuring over 40 images of her photographs and video stills, it includes the transcript of a conversation between Olga Chernysheva and Professor Robert Storr, as well as an introductory text to her work by Dr. Ekaterina Andreeva.


This book reveals the importance of playing cards in Russian criminal culture. The handmade decks are beautiful works of art in their own right. Prohibited by the prison authorities, they are constructed from innocuous materials procured from the everyday routine of prison life. During construction both the cards and their designs are adroitly manipulated so they can be read. Once they are completed, the virtuoso player prowls the prison, searching for a suitable victim. This process is described here for the first time. Extensive diagrams show how the cards are made, while decks of actual prison cards are reproduced in facsimile.
The book also features a further 150 photographs from the Arkady Bronnikov collection. The texts and captions accompanying these images reveal the connection between the criminal hierarchy, tattoos and playing cards. The respect commanded by any criminal was directly related to his ability to play, and win, at cards. The game was viewed as a means to demonstrate cunning and bravado. Failure to pay a gambling debt could result in a forcibly applied pornographic tattoo, lowering its bearer's status. The loser would also be made to pay the "pricker" (tattooist). Fingers, ears, even eyes might be lost - cut off in the presence of other prisoners as witnesses. Russian Criminal Tattoos and Playing Cards provides unique insight into the design of these playing cards and their link to the Russian criminal underworld.

Russian Criminal Tattoos and Playing Cards

Производитель: Fuel Publishing

Цена: 2571.00 руб.

Описание:
This book reveals the importance of playing cards in Russian criminal culture. The handmade decks are beautiful works of art in their own right. Prohibited by the prison authorities, they are constructed from innocuous materials procured from the everyday routine of prison life. During construction both the cards and their designs are adroitly manipulated so they can be read. Once they are completed, the virtuoso player prowls the prison, searching for a suitable victim. This process is described here for the first time. Extensive diagrams show how the cards are made, while decks of actual prison cards are reproduced in facsimile. The book also features a further 150 photographs from the Arkady Bronnikov collection. The texts and captions accompanying these images reveal the connection between the criminal hierarchy, tattoos and playing cards. The respect commanded by any criminal was directly related to his ability to play, and win, at cards. The game was viewed as a means to demonstrate cunning and bravado. Failure to pay a gambling debt could result in a forcibly applied pornographic tattoo, lowering its bearer's status. The loser would also be made to pay the "pricker" (tattooist). Fingers, ears, even eyes might be lost - cut off in the presence of other prisoners as witnesses. Russian Criminal Tattoos and Playing Cards provides unique insight into the design of these playing cards and their link to the Russian criminal underworld.


On the heels of his bestselling Soviet Bus Stops, photographer Christopher Herwig locates fresh wonders of the Soviet vernacular in Georgia, Ukraine and Russia itself After the popular and critical success of his first book, Soviet Bus Stops, photographer Christopher Herwig has returned to the former Soviet Union to hunt for more. In this second volume, as well as discovering new stops in the remotest areas of Georgia and Ukraine, Herwig turns his camera to Russia itself. Following exhaustive research, he drove more than 9,000 miles from coast to coast across the largest country in the world, in pursuit of new examples of this singular architectural form. A foreword by renowned architecture and culture critic Owen Hatherley reveals new information on the origins of the Soviet bus stop. Examining the government policy that allowed these small architectural forms to flourish, he explains how they reflected Soviet values, and how ultimately they remained - despite their incredible individuality - far-flung outposts of Soviet ideology. The diversity of architectural approaches is staggering: juxtaposed alongside a slew of audacious modern and brutal designs, there are bus stops shaped as trains, birds, light bulbs, rockets, castles, even a bus stop incorporating a statue of St. George slaying the dragon. An essential companion to the first volume, this book provides a valuable document of these important and unique constructions.

Soviet Bus Stops. Volume II

Производитель: Fuel Publishing

Цена: 2283.00 руб.

Описание:
On the heels of his bestselling Soviet Bus Stops, photographer Christopher Herwig locates fresh wonders of the Soviet vernacular in Georgia, Ukraine and Russia itself After the popular and critical success of his first book, Soviet Bus Stops, photographer Christopher Herwig has returned to the former Soviet Union to hunt for more. In this second volume, as well as discovering new stops in the remotest areas of Georgia and Ukraine, Herwig turns his camera to Russia itself. Following exhaustive research, he drove more than 9,000 miles from coast to coast across the largest country in the world, in pursuit of new examples of this singular architectural form. A foreword by renowned architecture and culture critic Owen Hatherley reveals new information on the origins of the Soviet bus stop. Examining the government policy that allowed these small architectural forms to flourish, he explains how they reflected Soviet values, and how ultimately they remained - despite their incredible individuality - far-flung outposts of Soviet ideology. The diversity of architectural approaches is staggering: juxtaposed alongside a slew of audacious modern and brutal designs, there are bus stops shaped as trains, birds, light bulbs, rockets, castles, even a bus stop incorporating a statue of St. George slaying the dragon. An essential companion to the first volume, this book provides a valuable document of these important and unique constructions.


Occasionally a book is published that reveals a subculture you never dreamt existed. More rarely, that book goes on to become a phenomenon of its own. The 2004 publication of the Russian Criminal Tattoo Encyclopaedia was such a phenomenon, spawning two further volumes and alerting a fascinated readership worldwide to the extraordinary and hermetic world of Russian criminal tattoos (David Cronenberg, for example, made regular use of the Encyclopaedia during the making of his 2007 movie Eastern Promises). Now, Fuel has reprinted volume one of this bestselling series, whose first edition already fetches considerable sums online. The photographs, drawings and texts published in this book are part of a collection of more than 3,000 tattoos accumulated over a lifetime by a prison attendant named Danzig Baldaev. Tattoos were his gateway into a secret world in which he acted as ethnographer, recording the rituals of a closed society. The icons and tribal languages he documented are artful, distasteful, sexually explicit and sometimes just strange, reflecting as they do the lives and traditions of Russian convicts. Skulls, swastikas, harems of naked women, a smiling Al Capone, medieval knights in armor, daggers sheathed in blood, benign images of Christ, sweet-faced mothers and their babies, armies of tanks and a horned Lenin: these are the signs by which the people of this hidden world mark and identify themselves. With a foreword by Danzig Baldaev, and an introduction by Alexei Plutser-Sarno, exploring the symbolism of the Russian criminal tattoo.

Russian Criminal Tattoo Encyclopaedia Volume 1

Производитель: Fuel Publishing

Цена: 1857.00 руб.

Описание:
Occasionally a book is published that reveals a subculture you never dreamt existed. More rarely, that book goes on to become a phenomenon of its own. The 2004 publication of the Russian Criminal Tattoo Encyclopaedia was such a phenomenon, spawning two further volumes and alerting a fascinated readership worldwide to the extraordinary and hermetic world of Russian criminal tattoos (David Cronenberg, for example, made regular use of the Encyclopaedia during the making of his 2007 movie Eastern Promises). Now, Fuel has reprinted volume one of this bestselling series, whose first edition already fetches considerable sums online. The photographs, drawings and texts published in this book are part of a collection of more than 3,000 tattoos accumulated over a lifetime by a prison attendant named Danzig Baldaev. Tattoos were his gateway into a secret world in which he acted as ethnographer, recording the rituals of a closed society. The icons and tribal languages he documented are artful, distasteful, sexually explicit and sometimes just strange, reflecting as they do the lives and traditions of Russian convicts. Skulls, swastikas, harems of naked women, a smiling Al Capone, medieval knights in armor, daggers sheathed in blood, benign images of Christ, sweet-faced mothers and their babies, armies of tanks and a horned Lenin: these are the signs by which the people of this hidden world mark and identify themselves. With a foreword by Danzig Baldaev, and an introduction by Alexei Plutser-Sarno, exploring the symbolism of the Russian criminal tattoo.


A complete standard Western deck of 52 playing cards and 2 jokers, making them suitable for any card game. 
This deck of cards has been put together using four different sets (one for each suit) made by Russian criminals in prisons during the 1980s. Prohibited by the prison authorities, they are constructed from innocuous materials procured from the everyday routine of prison life, their unique designs skillfully manipulated so that they could be read. 
The respect commanded by any criminal was directly related to his ability to play, and win, at cards. Being "lucky" at cards was also seen as a good omen (even if the winner cheated, as this practice is acceptable within the thieves world). A thief could stake anything in a card game, a finger, an arm, the life of another inmate, or even his own. If he lost, the debt had to be paid immediately. The penalty for defaulting was expulsion, a forcibly applied tattoo or in some cases, death. 
Confiscated and destroyed by the authorities, original decks are difficult to obtain and often incomplete. The authentic designs reproduced here have been taken from original cards collected over the last ten years by the authors. A standard Russian deck contains only 36 cards. This pack has been adapted to make a complete standard Western deck of 52 cards.

Russian Criminal Playing Cards

Производитель: Fuel Publishing

Цена: 1525.00 руб.

Описание:
A complete standard Western deck of 52 playing cards and 2 jokers, making them suitable for any card game. This deck of cards has been put together using four different sets (one for each suit) made by Russian criminals in prisons during the 1980s. Prohibited by the prison authorities, they are constructed from innocuous materials procured from the everyday routine of prison life, their unique designs skillfully manipulated so that they could be read. The respect commanded by any criminal was directly related to his ability to play, and win, at cards. Being "lucky" at cards was also seen as a good omen (even if the winner cheated, as this practice is acceptable within the thieves world). A thief could stake anything in a card game, a finger, an arm, the life of another inmate, or even his own. If he lost, the debt had to be paid immediately. The penalty for defaulting was expulsion, a forcibly applied tattoo or in some cases, death. Confiscated and destroyed by the authorities, original decks are difficult to obtain and often incomplete. The authentic designs reproduced here have been taken from original cards collected over the last ten years by the authors. A standard Russian deck contains only 36 cards. This pack has been adapted to make a complete standard Western deck of 52 cards.


Russian Criminal Tattoo Police Files Volume I features more than 180 photographs of Russian criminal tattoos and official police papers from the collection of Arkady Bronnikov, regarded as Russia’s foremost authority on criminal tattoo iconography. From the mid-1960s to the late 1980s, Bronnikov worked as a senior expert in criminalistics at the USSR Ministry of Internal Affairs, and part of his duties involved visiting the correctional institutions of the Ural and Siberia regions. It was there that he interviewed convicts, gathering information and taking photographs of their tattoos, amassing one of the most comprehensive archives of this phenomenon. Bronnikov regularly helped to solve criminal cases across Russia by using his collection of tattoos to identify culprits and corpses. Selections from Bronnikov’s collection, which includes more than 900 photographs, will be published by Fuel in two volumes. The Bronnikov collection was made exclusively for police use, to further the understanding of the language of these tattoos and to act as an aid in the identification and apprehension of criminals in the field. Unimpeded by artistic aspirations, these amazing vernacular photographs present a seemingly straightforward representation of criminal society. Every image discloses evidence of an inmate’s character: aggressive, vulnerable, melancholic, conceited. The prisoners’ bodies display an unofficial history waiting to be deciphered, told not just through tattoos, but also in scars and missing digits. Yet close inspection seems only to make the language of the tattoos more baffling and incredible, pointing to the unimaginable lives of this previously unacknowledged caste.

Russian Criminal Tattoo Police Files: Volume I

Производитель: Fuel Publishing

Цена: 1886.00 руб.

Описание:
Russian Criminal Tattoo Police Files Volume I features more than 180 photographs of Russian criminal tattoos and official police papers from the collection of Arkady Bronnikov, regarded as Russia’s foremost authority on criminal tattoo iconography. From the mid-1960s to the late 1980s, Bronnikov worked as a senior expert in criminalistics at the USSR Ministry of Internal Affairs, and part of his duties involved visiting the correctional institutions of the Ural and Siberia regions. It was there that he interviewed convicts, gathering information and taking photographs of their tattoos, amassing one of the most comprehensive archives of this phenomenon. Bronnikov regularly helped to solve criminal cases across Russia by using his collection of tattoos to identify culprits and corpses. Selections from Bronnikov’s collection, which includes more than 900 photographs, will be published by Fuel in two volumes. The Bronnikov collection was made exclusively for police use, to further the understanding of the language of these tattoos and to act as an aid in the identification and apprehension of criminals in the field. Unimpeded by artistic aspirations, these amazing vernacular photographs present a seemingly straightforward representation of criminal society. Every image discloses evidence of an inmate’s character: aggressive, vulnerable, melancholic, conceited. The prisoners’ bodies display an unofficial history waiting to be deciphered, told not just through tattoos, but also in scars and missing digits. Yet close inspection seems only to make the language of the tattoos more baffling and incredible, pointing to the unimaginable lives of this previously unacknowledged caste.


Visiting a Soviet sanatorium is like stepping back in time. Originally built in the 1920s, they afforded workers a place to holiday, courtesy of a state-funded voucher system. At their peak they were visited by millions of citizens across the USSR every year. A combination of medical institution and spa, the era’s sanatoriums are among the most innovative buildings of their time.
Although aesthetically diverse, Soviet utopian values permeated every aspect of these structures; Western holidays were perceived as decadent. By contrast, sanatorium breaks were intended to edify and strengthen visitors: health professionals carefully monitored guests throughout their stay, so they could return to work with renewed vigor. Certain sanatoriums became known for their specialist treatments, such as crude-oil baths, radon water douches and stints in underground salt caves.
While today some sanatoriums are in critical states of decline, many are still fully operational and continue to offer their Soviet-era treatments to visitors. Using specially commissioned photographs by leading photographers of the post-Soviet territories, and texts by sanatorium expert Maryam Omidi, this book documents over 45 sanatoriums and their unconventional treatments. From Armenia to Uzbekistan, it represents the most comprehensive survey to date of this fascinating and previously overlooked Soviet institution.

Holidays in Soviet Sanatoriums

Производитель: Fuel Publishing

Цена: 2283.00 руб.

Описание:
Visiting a Soviet sanatorium is like stepping back in time. Originally built in the 1920s, they afforded workers a place to holiday, courtesy of a state-funded voucher system. At their peak they were visited by millions of citizens across the USSR every year. A combination of medical institution and spa, the era’s sanatoriums are among the most innovative buildings of their time. Although aesthetically diverse, Soviet utopian values permeated every aspect of these structures; Western holidays were perceived as decadent. By contrast, sanatorium breaks were intended to edify and strengthen visitors: health professionals carefully monitored guests throughout their stay, so they could return to work with renewed vigor. Certain sanatoriums became known for their specialist treatments, such as crude-oil baths, radon water douches and stints in underground salt caves. While today some sanatoriums are in critical states of decline, many are still fully operational and continue to offer their Soviet-era treatments to visitors. Using specially commissioned photographs by leading photographers of the post-Soviet territories, and texts by sanatorium expert Maryam Omidi, this book documents over 45 sanatoriums and their unconventional treatments. From Armenia to Uzbekistan, it represents the most comprehensive survey to date of this fascinating and previously overlooked Soviet institution.


This beautifully produced boxed set of 53 postcards contains stunning images from the best-selling Russian Criminal Tattoo Encyclopaedia series of books. These hugely popular and influential books document the Russian criminal tattoo, revealing their hidden meanings. The motifs depicted represent the uncensored lives of the criminal classes; their tattoos were a secret tribal language, a method of showing status within the prison system. By turn they are extraordinary, artful, explicit or just strange, reflecting the lives and traditions of this previously hidden world. The box features 25 original sheet drawings by Danzig Baldaev and 25 photographs by Sergei Vasiliev. Each has a detailed description of the meaning of each tattoo on the reverse. Also included is a postcard of each of the three book covers. The drawings printed on the postcards are facsimiles of Baldaevs original sheets, reproduced directly from the Russian Criminal Tattoo Archive.

Russian Criminal Tattoo Encyclopaedia Postcards

Производитель: Fuel Publishing

Цена: 1986.00 руб.

Описание:
This beautifully produced boxed set of 53 postcards contains stunning images from the best-selling Russian Criminal Tattoo Encyclopaedia series of books. These hugely popular and influential books document the Russian criminal tattoo, revealing their hidden meanings. The motifs depicted represent the uncensored lives of the criminal classes; their tattoos were a secret tribal language, a method of showing status within the prison system. By turn they are extraordinary, artful, explicit or just strange, reflecting the lives and traditions of this previously hidden world. The box features 25 original sheet drawings by Danzig Baldaev and 25 photographs by Sergei Vasiliev. Each has a detailed description of the meaning of each tattoo on the reverse. Also included is a postcard of each of the three book covers. The drawings printed on the postcards are facsimiles of Baldaevs original sheets, reproduced directly from the Russian Criminal Tattoo Archive.


London is Patrick Keiller's highly imaginative psychogeographic journey through (and history of) London, as undertaken by an unnamed narrator and his companion, Robinson. The unseen pair complete a series of excursions around the city, in an attempt to investigate what Robinson calls "the problem of London", in so doing the palimpsest of the city is revealed.
London is a unique take on the essay-film format, with scathing reflections on the recent past, enlivened by offbeat humour and wide-ranging literary anecdotes. The amazing locations reveal the familiar London of the near past: Concorde almost touches suburban houses as it takes off; Union Jacks fly from Wembley Stadium's Twin Towers and pigeons flock around tourists in Trafalgar Square. These images, in combination with the script, allow us to see beyond the London presented on the page.
It is both a fascinating reflection on the diverse histories of Britain's capital and an illuminating record of 1992, the year of John Major's re-election, IRA bombs and the first crack in the House of Windsor. The book is the first time the film has been fully reproduced in print and contains an introduction from the director.

London

Производитель: Fuel Publishing

Цена: 2913.00 руб.

Описание:
London is Patrick Keiller's highly imaginative psychogeographic journey through (and history of) London, as undertaken by an unnamed narrator and his companion, Robinson. The unseen pair complete a series of excursions around the city, in an attempt to investigate what Robinson calls "the problem of London", in so doing the palimpsest of the city is revealed. London is a unique take on the essay-film format, with scathing reflections on the recent past, enlivened by offbeat humour and wide-ranging literary anecdotes. The amazing locations reveal the familiar London of the near past: Concorde almost touches suburban houses as it takes off; Union Jacks fly from Wembley Stadium's Twin Towers and pigeons flock around tourists in Trafalgar Square. These images, in combination with the script, allow us to see beyond the London presented on the page. It is both a fascinating reflection on the diverse histories of Britain's capital and an illuminating record of 1992, the year of John Major's re-election, IRA bombs and the first crack in the House of Windsor. The book is the first time the film has been fully reproduced in print and contains an introduction from the director.


The first book of its kind - a car book like no other - offering a deeply nostalgic look at beautiful vintage cars through the superb literature, leaflets and pamphlets that sold them to us. Auto Erotica covers the gamut of motoring in Britain during the 1960s, 1970s and 1980s.
These rare ephemeral booklets are full of unusual graphic ideas and concepts. Their fabulous photography, dazzling colour charts, daring typography, strange fold outs and inspiring styles symbolise the automobile aspirations of generations of Britons.
The book is also packed full of era-defining classic cars, from those we love to those you can't remember. Expect fast Fords, the XJS, the TR8, MGs, minis, Maxis, Renaults, Beemers, VWs, Vivas, Citroens, DeLoreans and a whole lot more - amazing motors from the past and even some from the future - as you've never seen them before.

Auto Erotica. A grand tour through classic car brochures of the 1960s to 1980s

Производитель: Fuel Publishing

Цена: 2718.00 руб.

Описание:
The first book of its kind - a car book like no other - offering a deeply nostalgic look at beautiful vintage cars through the superb literature, leaflets and pamphlets that sold them to us. Auto Erotica covers the gamut of motoring in Britain during the 1960s, 1970s and 1980s. These rare ephemeral booklets are full of unusual graphic ideas and concepts. Their fabulous photography, dazzling colour charts, daring typography, strange fold outs and inspiring styles symbolise the automobile aspirations of generations of Britons. The book is also packed full of era-defining classic cars, from those we love to those you can't remember. Expect fast Fords, the XJS, the TR8, MGs, minis, Maxis, Renaults, Beemers, VWs, Vivas, Citroens, DeLoreans and a whole lot more - amazing motors from the past and even some from the future - as you've never seen them before.



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