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Производитель Scheidegger&Spiess

Few figures tower over twentieth-century art like Salvador Dali and Andy Warhol. Their works were ground-breaking and incalculably influential, yet at the same time both artists were wildly popular in their lifetime and have only become more so in the decades since their deaths. Despite the striking differences in their art and personalities, the two men nonetheless had a lot in common the most obvious being a strong sense of the power of publicity and an affinity for eccentricity and extravagance. They also shared a love of New York, which both men made the heart of their social lives; it was there, in the 1960s, that they met for the first time. This book offers the first-ever direct juxtaposition of Dali and Warhol as personalities and artists. Torsten Otte builds his account through perceptive analyses of similarities in their lives and work, and reconstructs their many encounters based on first-hand accounts by some 120 people who knew and worked with the men. Around sixty images, many of them published here for the first time, by eminent photographers such as Richard Avedon, David Bailey, Philippe Halsman, Christopher Makos, Man Ray, or Robert Whitaker, round out the book.

Salvador Dali And Andy Warhol

Производитель: Scheidegger&Spiess

Цена: 3618.00 руб.

Описание:
Few figures tower over twentieth-century art like Salvador Dali and Andy Warhol. Their works were ground-breaking and incalculably influential, yet at the same time both artists were wildly popular in their lifetime and have only become more so in the decades since their deaths. Despite the striking differences in their art and personalities, the two men nonetheless had a lot in common the most obvious being a strong sense of the power of publicity and an affinity for eccentricity and extravagance. They also shared a love of New York, which both men made the heart of their social lives; it was there, in the 1960s, that they met for the first time. This book offers the first-ever direct juxtaposition of Dali and Warhol as personalities and artists. Torsten Otte builds his account through perceptive analyses of similarities in their lives and work, and reconstructs their many encounters based on first-hand accounts by some 120 people who knew and worked with the men. Around sixty images, many of them published here for the first time, by eminent photographers such as Richard Avedon, David Bailey, Philippe Halsman, Christopher Makos, Man Ray, or Robert Whitaker, round out the book.

The Swiss National Museum's permanent collection reflects Switzerland's history from pre-historic times until the present day. Each object also represents the location where it was found or made; the people who made or used it; a trade or profession; a personal or regional identity. Published to coincide with the opening of the new extension of the Landesmuseum in Zurich, Swiss National Museum's oldest and largest site, 26 Things features as many highlights from its collection, one from each of Switzerland's cantons. The selection ranges from a Celtic gold bowl from ca. 1500 BC (Zurich) to a miniature electro motor that propelled NASA's Mars rover Spirit in 2004 (Obwalden). It includes Switzerland's first snow gun of 1978 (Grisons) as well as a medieval Madonna sculpture (Valais) or a clock made in 1796 that once belonged to Napoleon (Neuchatel). The beautifully designed small book offers a varied Swiss panorama, taking the reader all around the country's twenty-six cantons, each with its own history and cultural identity.

26 Things. A Time Travel Through Switzerland

Производитель: Scheidegger&Spiess

Цена: 1508.00 руб.

Описание:
The Swiss National Museum's permanent collection reflects Switzerland's history from pre-historic times until the present day. Each object also represents the location where it was found or made; the people who made or used it; a trade or profession; a personal or regional identity. Published to coincide with the opening of the new extension of the Landesmuseum in Zurich, Swiss National Museum's oldest and largest site, 26 Things features as many highlights from its collection, one from each of Switzerland's cantons. The selection ranges from a Celtic gold bowl from ca. 1500 BC (Zurich) to a miniature electro motor that propelled NASA's Mars rover Spirit in 2004 (Obwalden). It includes Switzerland's first snow gun of 1978 (Grisons) as well as a medieval Madonna sculpture (Valais) or a clock made in 1796 that once belonged to Napoleon (Neuchatel). The beautifully designed small book offers a varied Swiss panorama, taking the reader all around the country's twenty-six cantons, each with its own history and cultural identity.

Fifty years after the passing of Alberto Giacometti (1901-1966), this major new monograph illuminates the fundamental aspects of his oeuvre and technique in sculpture. It is based on years of extensive research and restoration work on seventy five plasters that came to the collection of Kunsthaus Zurich as a bequest from Bruno Giacometti, Alberto's youngest brother. For Giacometti, plaster was of great importance as a material, far more than just an intermediate stage between clay model and bronze cast. It allowed him to paint or rework his objects in a vast variety of ways. A significant number of his sculptures indeed exist just in a plaster version. Featuring masterpieces from every stage of his career, this book focuses on Giacometti's artistic approach to the material nature of his chosen media, offering an insight into the creative process of one of the 20th century's greatest artists. With the plasters as a core, the selection comprises also works in other materials, such as marble, wood and bronze.

Alberto Giacometti. Beyond Bronze

Производитель: Scheidegger&Spiess

Цена: 4127.00 руб.

Описание:
Fifty years after the passing of Alberto Giacometti (1901-1966), this major new monograph illuminates the fundamental aspects of his oeuvre and technique in sculpture. It is based on years of extensive research and restoration work on seventy five plasters that came to the collection of Kunsthaus Zurich as a bequest from Bruno Giacometti, Alberto's youngest brother. For Giacometti, plaster was of great importance as a material, far more than just an intermediate stage between clay model and bronze cast. It allowed him to paint or rework his objects in a vast variety of ways. A significant number of his sculptures indeed exist just in a plaster version. Featuring masterpieces from every stage of his career, this book focuses on Giacometti's artistic approach to the material nature of his chosen media, offering an insight into the creative process of one of the 20th century's greatest artists. With the plasters as a core, the selection comprises also works in other materials, such as marble, wood and bronze.

Carole A. Feuerman is celebrated as one of America's major hyper-realistic sculptors, alongside Duane Hanson and John De Andrea. Born 1945, she was educated in New York and Philadelphia and began as an illustrator before turning to sculpture in the 1970s, which soon earned her much recognition and early success. A pioneer of hyper-realism in sculpture, her work has been displayed in many group shows and solo exhibitions at private galleries and public museums, as well as at the major art fairs, in America, Europe, and Asia. Over five decades, Feuerman has created visual manifestations of stories telling of strength, survival, and balance. She works in marble, bronze, vinyl, painted resins, and stainless steel. Her work is marked by her thorough understanding of materials characteristics and her ability to control them in the studio. Her subject matter is the human figure, most often a woman in an introspective moment of exuberant self-consciousness shaded by erotic lassitude. Feuerman's works represent a state of female mind rather that an alluring body meant to attract the male gaze. They suggest that women look at themselves differently from men looking at them, that a woman is more innately creative than a man. Many of Feuerman's figures have a fragmented quality, recalling those by Auguste Rodin, and the aesthetics of Surrealism. This is the most comprehensive survey of Feuerman's work in sculpture to date. Lavishly illustrated in colour throughout, it demonstrates the variety of materials and media she uses and highlights the specific qualities of her figures.

Carole A. Feuerman. Fifty Years of Looking Good

Производитель: Scheidegger&Spiess

Цена: 6257.00 руб.

Описание:
Carole A. Feuerman is celebrated as one of America's major hyper-realistic sculptors, alongside Duane Hanson and John De Andrea. Born 1945, she was educated in New York and Philadelphia and began as an illustrator before turning to sculpture in the 1970s, which soon earned her much recognition and early success. A pioneer of hyper-realism in sculpture, her work has been displayed in many group shows and solo exhibitions at private galleries and public museums, as well as at the major art fairs, in America, Europe, and Asia. Over five decades, Feuerman has created visual manifestations of stories telling of strength, survival, and balance. She works in marble, bronze, vinyl, painted resins, and stainless steel. Her work is marked by her thorough understanding of materials characteristics and her ability to control them in the studio. Her subject matter is the human figure, most often a woman in an introspective moment of exuberant self-consciousness shaded by erotic lassitude. Feuerman's works represent a state of female mind rather that an alluring body meant to attract the male gaze. They suggest that women look at themselves differently from men looking at them, that a woman is more innately creative than a man. Many of Feuerman's figures have a fragmented quality, recalling those by Auguste Rodin, and the aesthetics of Surrealism. This is the most comprehensive survey of Feuerman's work in sculpture to date. Lavishly illustrated in colour throughout, it demonstrates the variety of materials and media she uses and highlights the specific qualities of her figures.

In summer 2015, performance artist Marina Abramovic and psychoanalyst Jeannette Fischer spent four days together at Abramovic's house in the Hudson Valley. Associating freely, they explored - from a psychoanalytical perspective - Abramovic's biography and art and what connects them. A better understanding of herself, her personality and her work, was Abramovic's objective. She claims that conversations with artists abound, with one curator saying this and another saying that. Yet there is no book in which psychoanalysis puts her life and artistic work in context. This new book aims to fill this gap. Yet it is not a therapist's report, nor a record of Fischer's analysis of Abramovic. It records the dialogue between artist and analyst attempting an interpretation of Abramovic's extraordinary violent performances that sometimes reach the brink of faint, even death. The two search for an understanding of the underlying structures and dynamics. Abramovic performs relationships, and she performs violence, yet she remains on her own in facing the pain and fear about it. The book is arranged in a sequence of dialogues, separated by Fischer's comments on and images of four of Abramovic's performances to which the psychoanalyst refers.

Psychoanalyst Meets Marina Abramovic

Производитель: Scheidegger&Spiess

Цена: 2259.00 руб.

Описание:
In summer 2015, performance artist Marina Abramovic and psychoanalyst Jeannette Fischer spent four days together at Abramovic's house in the Hudson Valley. Associating freely, they explored - from a psychoanalytical perspective - Abramovic's biography and art and what connects them. A better understanding of herself, her personality and her work, was Abramovic's objective. She claims that conversations with artists abound, with one curator saying this and another saying that. Yet there is no book in which psychoanalysis puts her life and artistic work in context. This new book aims to fill this gap. Yet it is not a therapist's report, nor a record of Fischer's analysis of Abramovic. It records the dialogue between artist and analyst attempting an interpretation of Abramovic's extraordinary violent performances that sometimes reach the brink of faint, even death. The two search for an understanding of the underlying structures and dynamics. Abramovic performs relationships, and she performs violence, yet she remains on her own in facing the pain and fear about it. The book is arranged in a sequence of dialogues, separated by Fischer's comments on and images of four of Abramovic's performances to which the psychoanalyst refers.

Henri Matisse (1869-1954) is adored worldwide as a revolutionary painter and loved for his collages, or papiers decoupes, the icons of his late work. His paintings and drawings for a long time overshadowed his achievements as a sculptor. Yet his Back Series, four bas-reliefs showing a nude, created between 1908 and 1930, are widely recognised as a milestone in modern sculpture. Starting out from the naturalistic depiction, Matisse gradually transformed it to reach a radically abstracted figure. Each of the four original plaster casts represents a decisive moment of this artistic process. This transformative process has parallels in Matisse's painting and drawing. Published in conjunction with a major exhibition at Kunsthaus Zurich marking the artist's 150th anniversary, this is the first book to explore the relation between metamorphosis and feedback in both main fields of the artist's work. Documents of his diverse sources of inspiration for his sculptures - photographs of nudes, examples from African and ancient art - as well as images featuring Matisse at work as sculptor, round out this volume. It is a welcome addition to any art library, highlighting the lesser known side of this modern master.

Matisse. Metamorphoses

Производитель: Scheidegger&Spiess

Цена: 5681.00 руб.

Описание:
Henri Matisse (1869-1954) is adored worldwide as a revolutionary painter and loved for his collages, or papiers decoupes, the icons of his late work. His paintings and drawings for a long time overshadowed his achievements as a sculptor. Yet his Back Series, four bas-reliefs showing a nude, created between 1908 and 1930, are widely recognised as a milestone in modern sculpture. Starting out from the naturalistic depiction, Matisse gradually transformed it to reach a radically abstracted figure. Each of the four original plaster casts represents a decisive moment of this artistic process. This transformative process has parallels in Matisse's painting and drawing. Published in conjunction with a major exhibition at Kunsthaus Zurich marking the artist's 150th anniversary, this is the first book to explore the relation between metamorphosis and feedback in both main fields of the artist's work. Documents of his diverse sources of inspiration for his sculptures - photographs of nudes, examples from African and ancient art - as well as images featuring Matisse at work as sculptor, round out this volume. It is a welcome addition to any art library, highlighting the lesser known side of this modern master.

During the heyday of the Japanese coloured woodblock print around 1800, an ordinary print filled the same purpose as modern commercial graphic art. Mainly because of European art lovers growing enthusiasm for these subtle, refined compositions, some artists and their work soon gained worldwide recognition and fame. Capturing the fugitive moment is a key element of Japanese woodblock prints, for which Japanese language has the term "ukiyoe", "images of the fluid, transient world". "Bijin-ga", "images of beautiful women" is a specific kind of such prints, paying tribute to women by capturing a moment of irretrievable magic. The graceful look of a self-assured beauty of a very private situation's intimacy have stimulated many artists to create their greatest works. "The Beauty of the Moment" presents around 100 "Bijin-ga" by the best known masters of Japanese woodblock printing. Included are particularly exquisite pieces using "kirazuri", a technique using powdered brass or mica dust highly polished on a light film of glue to imitate gold dust on the surface of the print.

The Beauty of the Moment

Производитель: Scheidegger&Spiess

Цена: 4424.00 руб.

Описание:
During the heyday of the Japanese coloured woodblock print around 1800, an ordinary print filled the same purpose as modern commercial graphic art. Mainly because of European art lovers growing enthusiasm for these subtle, refined compositions, some artists and their work soon gained worldwide recognition and fame. Capturing the fugitive moment is a key element of Japanese woodblock prints, for which Japanese language has the term "ukiyoe", "images of the fluid, transient world". "Bijin-ga", "images of beautiful women" is a specific kind of such prints, paying tribute to women by capturing a moment of irretrievable magic. The graceful look of a self-assured beauty of a very private situation's intimacy have stimulated many artists to create their greatest works. "The Beauty of the Moment" presents around 100 "Bijin-ga" by the best known masters of Japanese woodblock printing. Included are particularly exquisite pieces using "kirazuri", a technique using powdered brass or mica dust highly polished on a light film of glue to imitate gold dust on the surface of the print.

The Bauhaus was distinguished neither by function nor by use but rather by symbolism. Whether square, triangle, or circle; whether Wilhelm Wagenfeld's lamp, Oskar Schlemmer's "Kopf" (head), or white cubes with flat roofs: the Bauhaus created iconic visual symbols and a style that is neither functional nor social but visually striking. Walter Gropius, founder of the Bauhaus, from the outset sought to develop the school into a brand and he succeeded. More than eight decades after it's forced closure, the Bauhaus is more present than ever before in consumerism, politics, and culture alike. It has become a participative brand that escapes centralised control entirely. It has been, and continues to be, forged collectively by countless designers, manufacturers, and consumers. Yet it's founders' initial pledge for functionality and social commitment remains unfulfilled. In this book, Philipp Oswalt, former director of Foundation Bauhaus Dessau, explores the development of the Bauhaus brand and its use around the world, illustrated with some 950 images that highlight the vast range of Bauhaus appearances from a century.

The Bauhaus Brand 1919-2019

Производитель: Scheidegger&Spiess

Цена: 4423.00 руб.

Описание:
The Bauhaus was distinguished neither by function nor by use but rather by symbolism. Whether square, triangle, or circle; whether Wilhelm Wagenfeld's lamp, Oskar Schlemmer's "Kopf" (head), or white cubes with flat roofs: the Bauhaus created iconic visual symbols and a style that is neither functional nor social but visually striking. Walter Gropius, founder of the Bauhaus, from the outset sought to develop the school into a brand and he succeeded. More than eight decades after it's forced closure, the Bauhaus is more present than ever before in consumerism, politics, and culture alike. It has become a participative brand that escapes centralised control entirely. It has been, and continues to be, forged collectively by countless designers, manufacturers, and consumers. Yet it's founders' initial pledge for functionality and social commitment remains unfulfilled. In this book, Philipp Oswalt, former director of Foundation Bauhaus Dessau, explores the development of the Bauhaus brand and its use around the world, illustrated with some 950 images that highlight the vast range of Bauhaus appearances from a century.

Over centuries, the transnational Alpine region Tyrol - South Tyrol - Trentino (Alto Adige) has developed along ancient trade routes between Germany and Austria on one side of the Alps and northern Italy on the other. Similar to the region's modern and contemporary architecture, it's product design is in many cases rooted in a rich local tradition of craftsmanship. Yet since the 1920s, this multi-lingual region has also proven it's remarkable openness to European modernism's most progressive movements and become an unexpected laboratory for technical and formal exploration in the middle of the continent. Design from the Alps, published to coincide with an exhibition at museum Kunst Meran in autumn 2019, tells the story of a century of product design from Tyrol - South Tyrol - Trentino, highlighting the vast variety of discoveries and innovations that have emerged there. Featured artists include, among others, Fortunato Depero (1892-1960), whose experiments were inspired by the Secondo Futurismo, Gino Pollini (1903-91), a pioneer of the interwar period, as well as the celebrated architects and designers Lois Welzenbacher (1889-1955), Clemens Holzmeister (1886-1983), and Ettore Sottsas (1917-2007). Lavishly illustrated, the book follows the many protagonists of this at the same time heterogenous and collectively strong scene and offers an insightful tour d'horizon of the manifaceted design culture of western Austria and northern Italy.

Design from the Alps 1920-2020

Производитель: Scheidegger&Spiess

Цена: 5681.00 руб.

Описание:
Over centuries, the transnational Alpine region Tyrol - South Tyrol - Trentino (Alto Adige) has developed along ancient trade routes between Germany and Austria on one side of the Alps and northern Italy on the other. Similar to the region's modern and contemporary architecture, it's product design is in many cases rooted in a rich local tradition of craftsmanship. Yet since the 1920s, this multi-lingual region has also proven it's remarkable openness to European modernism's most progressive movements and become an unexpected laboratory for technical and formal exploration in the middle of the continent. Design from the Alps, published to coincide with an exhibition at museum Kunst Meran in autumn 2019, tells the story of a century of product design from Tyrol - South Tyrol - Trentino, highlighting the vast variety of discoveries and innovations that have emerged there. Featured artists include, among others, Fortunato Depero (1892-1960), whose experiments were inspired by the Secondo Futurismo, Gino Pollini (1903-91), a pioneer of the interwar period, as well as the celebrated architects and designers Lois Welzenbacher (1889-1955), Clemens Holzmeister (1886-1983), and Ettore Sottsas (1917-2007). Lavishly illustrated, the book follows the many protagonists of this at the same time heterogenous and collectively strong scene and offers an insightful tour d'horizon of the manifaceted design culture of western Austria and northern Italy.



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