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Книги
Производитель Schilt Publishing


BORDER is a journey along the Russian border, the longest national border in the world, which spans over 60,000 km. This book will take you on a unique trip from the warm regions of the Caucasus to the extreme
cold in the North - to the Russian temporary ice base Barneo, drifting in the Arctic Ocean in proximity to the North Pole; from Kaliningrad Oblast – an exclave of Russia, its westernmost territory, to the eastern
territories at the shore of the Pacific Ocean.

Border

Производитель: Schilt Publishing

Цена: 832.00 руб.

Описание:
BORDER is a journey along the Russian border, the longest national border in the world, which spans over 60,000 km. This book will take you on a unique trip from the warm regions of the Caucasus to the extreme cold in the North - to the Russian temporary ice base Barneo, drifting in the Arctic Ocean in proximity to the North Pole; from Kaliningrad Oblast – an exclave of Russia, its westernmost territory, to the eastern territories at the shore of the Pacific Ocean.


The village of Kolodozero, deeply concealed in the woods of Pudozh, is located on the border between Arkhangelsk Oblast and Karelia in Russia. In ancient times, people settled on the northern flanks of the local bodies of water?rivers and lakes. Kolodozero therefore consists of a handful of small hamlets?Lakhta, Isakovo, Ust’-Reka, Pogost’, Zaozerye, and Dubovo. Houses are scattered along the picturesque lake’s shores and capes.
Fifteen years ago, these places enchanted three friends from Moscow who were strolling around the north and searching for the meaning of life, and most likely, themselves as well. In 2001, they jointly gathered resources and started building a new church to replace the old one that was burned down back in 1977. One of the friends, the redhead rebel and punk Arkady Shlykov, who graduated from the Moscow Spiritual Seminary, accepted the ordination in 2005. 40 years later, therefore, parochial life was born anew in the village.
The stern locals at first cast much suspicion onto the shaggy-haired, rockstar-resembling priest, but later on came to love him wholeheartedly. They accepted his freedom, both external and internal, and appreciated his character?peace-loving and gentle. This is a story about the people of the Russian North, about what keeps them together, about the spirit and soul, about their passions and emotions.

The Earth's Circle: Kolodozero

Производитель: Schilt Publishing

Цена: 2790.00 руб.

Описание:
The village of Kolodozero, deeply concealed in the woods of Pudozh, is located on the border between Arkhangelsk Oblast and Karelia in Russia. In ancient times, people settled on the northern flanks of the local bodies of water?rivers and lakes. Kolodozero therefore consists of a handful of small hamlets?Lakhta, Isakovo, Ust’-Reka, Pogost’, Zaozerye, and Dubovo. Houses are scattered along the picturesque lake’s shores and capes. Fifteen years ago, these places enchanted three friends from Moscow who were strolling around the north and searching for the meaning of life, and most likely, themselves as well. In 2001, they jointly gathered resources and started building a new church to replace the old one that was burned down back in 1977. One of the friends, the redhead rebel and punk Arkady Shlykov, who graduated from the Moscow Spiritual Seminary, accepted the ordination in 2005. 40 years later, therefore, parochial life was born anew in the village. The stern locals at first cast much suspicion onto the shaggy-haired, rockstar-resembling priest, but later on came to love him wholeheartedly. They accepted his freedom, both external and internal, and appreciated his character?peace-loving and gentle. This is a story about the people of the Russian North, about what keeps them together, about the spirit and soul, about their passions and emotions.


Throughout his career, Baňka's photographic series have alternated between imagined and found Spiritual Spaces are a mature artist's successful realization of investigations first pursued fifteen years earlier when Baňka also sought to animate plain, interior spaces.

Reflection

Производитель: Schilt Publishing

Цена: 1853.00 руб.

Описание:
Throughout his career, Baňka's photographic series have alternated between imagined and found Spiritual Spaces are a mature artist's successful realization of investigations first pursued fifteen years earlier when Baňka also sought to animate plain, interior spaces.


For quite a while Schilt Publishing have planned to publish a superb photography book on cats. Not just another book about these magnificent creatures, but a cat book so beautiful as never has been made, with stunning photography by stunning photographers. Cats are very important to Schilt Publishing. Schilt Publishing's logo is a cat. Not just a cat, but our famous Rhubarb, born in our house in 2008 when Maarten was attending the British photography festival Rhubarb Rhubarb. He still lives happily with Maarten and Maria Louise, his mother Dusha and third cat aunt Mirella. When we erected Schilt Publishing in 2009, we immediately thought of Rhubarb becoming the logo. Rhubarb and his beautiful gazing eyes grace the spine of every book we have published. PhotoCat includes images by professional photographers both famous and those only just emerging. With an introduction by Sacha de Boer, Dutch photographer, journalist, TV presenter and of course a great cat lover! Photographers include: Machiel Botman, Rena Effendi, Anneke Hilhorst, Jason Houge, Martin Parr, Elliot Ross, Pentti Sammallahti, Pawel Smertin, Jindrich Streit.

PhotoCat

Производитель: Schilt Publishing

Цена: 1791.00 руб.

Описание:
For quite a while Schilt Publishing have planned to publish a superb photography book on cats. Not just another book about these magnificent creatures, but a cat book so beautiful as never has been made, with stunning photography by stunning photographers. Cats are very important to Schilt Publishing. Schilt Publishing's logo is a cat. Not just a cat, but our famous Rhubarb, born in our house in 2008 when Maarten was attending the British photography festival Rhubarb Rhubarb. He still lives happily with Maarten and Maria Louise, his mother Dusha and third cat aunt Mirella. When we erected Schilt Publishing in 2009, we immediately thought of Rhubarb becoming the logo. Rhubarb and his beautiful gazing eyes grace the spine of every book we have published. PhotoCat includes images by professional photographers both famous and those only just emerging. With an introduction by Sacha de Boer, Dutch photographer, journalist, TV presenter and of course a great cat lover! Photographers include: Machiel Botman, Rena Effendi, Anneke Hilhorst, Jason Houge, Martin Parr, Elliot Ross, Pentti Sammallahti, Pawel Smertin, Jindrich Streit.


A pipe dream is a fantastic hope that is regarded as being impossible to achieve. This book is dedicated to the people of Azerbaijan, Georgia and Turkey, linked by the oil pipeline and their fading hopes for a better future. Besides corporate public relations campaigns, little photographic evidence exists about the impact the Baku-Tbilisi-Ceyhan oil pipeline has had on Azerbaijan, Georgia and Turkey. This book portrays life as it is lived, with no commercial or public relations agenda. It un-smiles the calendar smiles of corporate propaganda and sheds fresh journalistic light on this geopolitically important region.

Pipe Dreams. A Chronicle of Lives Along the Pipeline

Производитель: Schilt Publishing

Цена: 1463.00 руб.

Описание:
A pipe dream is a fantastic hope that is regarded as being impossible to achieve. This book is dedicated to the people of Azerbaijan, Georgia and Turkey, linked by the oil pipeline and their fading hopes for a better future. Besides corporate public relations campaigns, little photographic evidence exists about the impact the Baku-Tbilisi-Ceyhan oil pipeline has had on Azerbaijan, Georgia and Turkey. This book portrays life as it is lived, with no commercial or public relations agenda. It un-smiles the calendar smiles of corporate propaganda and sheds fresh journalistic light on this geopolitically important region.


The title Cose Mai Viste translates literally as things never seen, and applies here in two senses. The most direct describes works never before shown, never exhibited or published. The broader describes views that no one but Giacomelli has ever seen, moments when only he was there. Now that he is gone, only his prints remain to describe them or transform them. As a self-taught artist who became a star of postwar Italian photography, Mario Giacomelli (1913-2000) made his name with images of the country around him, particularly the series There Are No Hands to Caress My Face, which showed young seminarians playing in the snow, in brilliant graphic contrast to their black cassocks. His single frame The Boy from Scanno, also made its way into exceptionally wide circulation in John Szarkiowski's classic Looking at Photographs. The 230 images collected here, which range from the 1960s to the 90s, are at once familiar like the monk playing soccer on the cover and all new he's playing on the grass.

Under the Skin of Reality

Производитель: Schilt Publishing

Цена: 4408.00 руб.

Описание:
The title Cose Mai Viste translates literally as things never seen, and applies here in two senses. The most direct describes works never before shown, never exhibited or published. The broader describes views that no one but Giacomelli has ever seen, moments when only he was there. Now that he is gone, only his prints remain to describe them or transform them. As a self-taught artist who became a star of postwar Italian photography, Mario Giacomelli (1913-2000) made his name with images of the country around him, particularly the series There Are No Hands to Caress My Face, which showed young seminarians playing in the snow, in brilliant graphic contrast to their black cassocks. His single frame The Boy from Scanno, also made its way into exceptionally wide circulation in John Szarkiowski's classic Looking at Photographs. The 230 images collected here, which range from the 1960s to the 90s, are at once familiar like the monk playing soccer on the cover and all new he's playing on the grass.


Chilikov's photography career began in 1976 in the FACT group (S. Chilikov, Y. Evlampiev, V. Voetsky, E. Likhosherst, V. Mikhaylov). Very soon he became a leader of non-conformist photography in his region. Together with a group of like-minded individuals, he managed to organize exhibitions and festivals and to deal quite peacefully with official Photosoyuses. In 1980-1989 Chilikov organized the Analytical Photo Exhibitions (Yoshkar-Ola biennale) and the annual open-air photo festival on Kudysh River. In 1988 he participated in the finial exhibition of the FACT group at the Na Kashirke exhibition hall (Moscow). Since 1989 Chilikov has been working on a travel series about cities in the Soviet Union. His series, entitled 'Photo Provocations', 'The Countryside Glam', The Beach', 'The Gambling', 'The Philosophy of a Journey' and others, depict the hidden eroticism of people of the countryside that appears even more vital when contrasts with depressing surroundings.

Sergey Chilikov

Производитель: Schilt Publishing

Цена: 1017.00 руб.

Описание:
Chilikov's photography career began in 1976 in the FACT group (S. Chilikov, Y. Evlampiev, V. Voetsky, E. Likhosherst, V. Mikhaylov). Very soon he became a leader of non-conformist photography in his region. Together with a group of like-minded individuals, he managed to organize exhibitions and festivals and to deal quite peacefully with official Photosoyuses. In 1980-1989 Chilikov organized the Analytical Photo Exhibitions (Yoshkar-Ola biennale) and the annual open-air photo festival on Kudysh River. In 1988 he participated in the finial exhibition of the FACT group at the Na Kashirke exhibition hall (Moscow). Since 1989 Chilikov has been working on a travel series about cities in the Soviet Union. His series, entitled 'Photo Provocations', 'The Countryside Glam', The Beach', 'The Gambling', 'The Philosophy of a Journey' and others, depict the hidden eroticism of people of the countryside that appears even more vital when contrasts with depressing surroundings.


In 2013, an alarming number of National Park redwood trees were shorn of their knobby protrusions, called burls. The trees were disfigured by thieves aiming to sell distinctive burl wood to luxury furniture retailers. One team was bold enough to fell an entire tree for it's burl. Kirk Crippens and Gretchen LeMaistre read about these trees in the news and were motivated to go and see them. Rangers from the Redwood National and State Parks assisted them in accessing and photographing each site. From 2013 to 2016, they made many visits to the National Park redwood forests of Humboldt County, California. On their first trip to the region, they passed a tourist attraction called Trees of Mystery. The entrance featured a 50 foot effigy of an American folklore lumberjack, Paul Bunyan, and a large souvenir store with a neon sign that read, Live Burls. At first they laughed at the spectacle; but the sign brewed in the back of their minds as they began to explore the lure and the lore of giant redwoods. While redwood trees are sensational for their size, their burls are unique for less obvious reasons. Redwood burls contain stem cells that enable the trees to clone themselves. In a sense, a redwood tree may never truly die because the burls genetic codes maintain cycles of reproduction dating back nearly 200 million years when the species began. Only one percent of redwood seeds become trees; instead, burls generate the majority of trees. Redwood trees and their cousin sequoias sometimes exist for as long as three thousand years. For these reasons, they were given the species name Semper Virens, or Ever Living. Steinbeck once referred to them as ambassadors of another time. Out of respect for their ancient heritage and after an extended period of aggressive logging, Theodore Roosevelt pioneered forest preservation efforts in the early 20th century. He is famously quoted as saying, A grove of giant redwoods or sequoias should be kept just as we keep a great or beautiful cathedral. Today less than five percent of old-growth coast redwood forest remains in the Northern Hemisphere, most living in the Redwood National and State Parks. Yet even the protected trees are subject to threat. Shorn trees are more vulnerable to disease, and their ability to reproduce is uncertain. Decades may pass before the full extent of poaching damage can be assessed. Based in San Francisco, California, Kirk Crippens and Gretchen LeMaistre have worked together for over 10 years and are also independent artists. Kirk's work is held in the collections of Musee de la Photographie, Charleroi, Belgium, RayKo Photo Center, San Francisco, US, and the Museum of Fine Arts in Houston, US, amongst others. In 2015, one of Kirk's portraits was included in the Taylor Wessing Portrait Prize exhibition in London, UK. Gretchen's work is also held in the collection of the Museum of Fine Arts in Houston, and has been exhibited at SPMOMA, San Francisco, US. In 2016, Live Burls...

Live Burls

Производитель: Schilt Publishing

Цена: 1658.00 руб.

Описание:
In 2013, an alarming number of National Park redwood trees were shorn of their knobby protrusions, called burls. The trees were disfigured by thieves aiming to sell distinctive burl wood to luxury furniture retailers. One team was bold enough to fell an entire tree for it's burl. Kirk Crippens and Gretchen LeMaistre read about these trees in the news and were motivated to go and see them. Rangers from the Redwood National and State Parks assisted them in accessing and photographing each site. From 2013 to 2016, they made many visits to the National Park redwood forests of Humboldt County, California. On their first trip to the region, they passed a tourist attraction called Trees of Mystery. The entrance featured a 50 foot effigy of an American folklore lumberjack, Paul Bunyan, and a large souvenir store with a neon sign that read, Live Burls. At first they laughed at the spectacle; but the sign brewed in the back of their minds as they began to explore the lure and the lore of giant redwoods. While redwood trees are sensational for their size, their burls are unique for less obvious reasons. Redwood burls contain stem cells that enable the trees to clone themselves. In a sense, a redwood tree may never truly die because the burls genetic codes maintain cycles of reproduction dating back nearly 200 million years when the species began. Only one percent of redwood seeds become trees; instead, burls generate the majority of trees. Redwood trees and their cousin sequoias sometimes exist for as long as three thousand years. For these reasons, they were given the species name Semper Virens, or Ever Living. Steinbeck once referred to them as ambassadors of another time. Out of respect for their ancient heritage and after an extended period of aggressive logging, Theodore Roosevelt pioneered forest preservation efforts in the early 20th century. He is famously quoted as saying, A grove of giant redwoods or sequoias should be kept just as we keep a great or beautiful cathedral. Today less than five percent of old-growth coast redwood forest remains in the Northern Hemisphere, most living in the Redwood National and State Parks. Yet even the protected trees are subject to threat. Shorn trees are more vulnerable to disease, and their ability to reproduce is uncertain. Decades may pass before the full extent of poaching damage can be assessed. Based in San Francisco, California, Kirk Crippens and Gretchen LeMaistre have worked together for over 10 years and are also independent artists. Kirk's work is held in the collections of Musee de la Photographie, Charleroi, Belgium, RayKo Photo Center, San Francisco, US, and the Museum of Fine Arts in Houston, US, amongst others. In 2015, one of Kirk's portraits was included in the Taylor Wessing Portrait Prize exhibition in London, UK. Gretchen's work is also held in the collection of the Museum of Fine Arts in Houston, and has been exhibited at SPMOMA, San Francisco, US. In 2016, Live Burls...


Photographer Lucia Ganieva visited the State Hermitage Museum in St. Petersburg not to admire its wonderful art collection but to photograph the guards who keep an eye on the paintings as well as on the millions of art lovers and tourists passing through every year. These guards often work for decades in the museum, as witnessed by the ID they carry on their chests obviously first issued when the guards were much younger. The guards will typically work in the same room or hall for years, and over time one work of art will come to occupy a special place in their hearts. So Lucia photographed the guards in front of their favourite painting, and in doing so she shows us something quite extraordinary: the guards have developed a remarkable resemblance to the persons portrayed in the paintings! Her portraits even shows three portraits of the same woman! Look at the colours, the eyes, the shape of the head, the way they allow themselves to be portrayed! Only the very best photographers are able to see what we ordinary people miss. This stunning, elegant portrait series proves what a great master Lucia Ganieva is.

Ermitazhniki

Производитель: Schilt Publishing

Цена: 605.00 руб.

Описание:
Photographer Lucia Ganieva visited the State Hermitage Museum in St. Petersburg not to admire its wonderful art collection but to photograph the guards who keep an eye on the paintings as well as on the millions of art lovers and tourists passing through every year. These guards often work for decades in the museum, as witnessed by the ID they carry on their chests obviously first issued when the guards were much younger. The guards will typically work in the same room or hall for years, and over time one work of art will come to occupy a special place in their hearts. So Lucia photographed the guards in front of their favourite painting, and in doing so she shows us something quite extraordinary: the guards have developed a remarkable resemblance to the persons portrayed in the paintings! Her portraits even shows three portraits of the same woman! Look at the colours, the eyes, the shape of the head, the way they allow themselves to be portrayed! Only the very best photographers are able to see what we ordinary people miss. This stunning, elegant portrait series proves what a great master Lucia Ganieva is.


We live in the Universe of Malevich, though we very rarely notice it. Vadim Gushchin photographs "Everyday Objects" in such a way that it is immediately obvious that they have originated from Malevich's Black Square. The main idea of design is the sparing use of form. El Lissitzky, a pupil of Kazimir Malevich, was the first to formulate this idea in relation to the industrial object. Malevich used the expressive means of painting sparingly. Lissitzky transformed his world for the needs of production. Consequently, Malevich can be found in the depths of an industrial object. In his rejection of illusionism, Vadim Gushchin follows in the path of Malevich. Because when we talk about pure forms, we recall Malevich - his works, reduced to the depiction of the pure plane. A paradoxical effect arises when photographing objects. It would appear that reality is being documented. That is to say, things are presented as they are. But in fact, in order to do this, things are taken beyond their usual context. That is, each separate object is placed in a meta position in relation to reality.
And the better the shooting is done, the more accurately the object is reproduced, and the bigger the size, and the better the lens, the more that object will be alienated from it's habitual existence. Once photographed, objects rise above themselves. In Gushchin's artistic space, industrial objects are transformed into sculptures. And each of these sculptures gives witness to it's source - the Universe of Malevich. Photography is the royal road into perspective-unconscious. That is, more or less, what Walter Benjamin wrote about in a Short History of Photography. His idea became the principle of development of modernity in this art form. Vadim Gushchin subjects it to scrupulous analysis. In his "Cultural Treasures" he complicates the conditions of the experiment, introducing colour into his formerly classical black and white series of still-lifes. It comprises a few series, the heroes of which are, for the most part, cultural objects. The books in his photographs do not simply refer to a specific time on the strength of the author/title, but due to their thumbed and faded state they cause tactile-olfactory experiences to arise from the past.
Absolutely brand new envelopes demonstrate cardboard elasticity and unwittingly one has to suppress an involuntary reflex of the fingers folding a note to place it there. Musical laser discs, shimmering in the rays of a halted beam of light, as if they visually radiate music, cause something within us to resonate. The objects of this series address namely the cultural subconscious and compel one to think about the origins of that very culture which, as it turns out, is rooted so deeply inside us. With regard to the working surface of Gushchin's still-lifes, it should be perceived as being abstract-material. Except for in one or two series (for example, with books, which could be...

Everyday Objects | Cultural Treasures

Производитель: Schilt Publishing

Цена: 838.00 руб.

Описание:
We live in the Universe of Malevich, though we very rarely notice it. Vadim Gushchin photographs "Everyday Objects" in such a way that it is immediately obvious that they have originated from Malevich's Black Square. The main idea of design is the sparing use of form. El Lissitzky, a pupil of Kazimir Malevich, was the first to formulate this idea in relation to the industrial object. Malevich used the expressive means of painting sparingly. Lissitzky transformed his world for the needs of production. Consequently, Malevich can be found in the depths of an industrial object. In his rejection of illusionism, Vadim Gushchin follows in the path of Malevich. Because when we talk about pure forms, we recall Malevich - his works, reduced to the depiction of the pure plane. A paradoxical effect arises when photographing objects. It would appear that reality is being documented. That is to say, things are presented as they are. But in fact, in order to do this, things are taken beyond their usual context. That is, each separate object is placed in a meta position in relation to reality. And the better the shooting is done, the more accurately the object is reproduced, and the bigger the size, and the better the lens, the more that object will be alienated from it's habitual existence. Once photographed, objects rise above themselves. In Gushchin's artistic space, industrial objects are transformed into sculptures. And each of these sculptures gives witness to it's source - the Universe of Malevich. Photography is the royal road into perspective-unconscious. That is, more or less, what Walter Benjamin wrote about in a Short History of Photography. His idea became the principle of development of modernity in this art form. Vadim Gushchin subjects it to scrupulous analysis. In his "Cultural Treasures" he complicates the conditions of the experiment, introducing colour into his formerly classical black and white series of still-lifes. It comprises a few series, the heroes of which are, for the most part, cultural objects. The books in his photographs do not simply refer to a specific time on the strength of the author/title, but due to their thumbed and faded state they cause tactile-olfactory experiences to arise from the past. Absolutely brand new envelopes demonstrate cardboard elasticity and unwittingly one has to suppress an involuntary reflex of the fingers folding a note to place it there. Musical laser discs, shimmering in the rays of a halted beam of light, as if they visually radiate music, cause something within us to resonate. The objects of this series address namely the cultural subconscious and compel one to think about the origins of that very culture which, as it turns out, is rooted so deeply inside us. With regard to the working surface of Gushchin's still-lifes, it should be perceived as being abstract-material. Except for in one or two series (for example, with books, which could be...


In preparation for the masterclass meeting in November, the participants will execute a photo essay on a theme, which for this year is Hope. The resulting essays span from: the youngest generation of gun owners in America; the abandonment and future of Artic lands; people across the world coping with terminal illness; Iranian immigrants; anxiety; Dagastan, a largely Muslim populated community in the Northern Caucasus; children growing up in Palestinian refugee camps; unfinished development in Ghana; mothers of the missing in action soldiers from the Iran-Iraq war; Iranian emigrants; a fathers courage and optimism in battling cancer; getting to know an absent father; the displaced people of Abkhazia. Since 1994, the Joop Swart Masterclass has brought together some of the finest young photographers from around the world, and leading professionals in the fields of documentary photography and photojournalism. It offers a focused, intimate and reflective learning experience to young photographers, aiming to foster their intellectual, artistic and professional growth.
The Joop Swart Masterclass holds prime position among the seminars, debates and other educational programmes regularly organised within the World Press Photo Academy. It is named after the foundations late chairman, who was a passionate supporter of young photographic talent.

World Press Photo. Next №03

Производитель: Schilt Publishing

Цена: 1227.00 руб.

Описание:
In preparation for the masterclass meeting in November, the participants will execute a photo essay on a theme, which for this year is Hope. The resulting essays span from: the youngest generation of gun owners in America; the abandonment and future of Artic lands; people across the world coping with terminal illness; Iranian immigrants; anxiety; Dagastan, a largely Muslim populated community in the Northern Caucasus; children growing up in Palestinian refugee camps; unfinished development in Ghana; mothers of the missing in action soldiers from the Iran-Iraq war; Iranian emigrants; a fathers courage and optimism in battling cancer; getting to know an absent father; the displaced people of Abkhazia. Since 1994, the Joop Swart Masterclass has brought together some of the finest young photographers from around the world, and leading professionals in the fields of documentary photography and photojournalism. It offers a focused, intimate and reflective learning experience to young photographers, aiming to foster their intellectual, artistic and professional growth. The Joop Swart Masterclass holds prime position among the seminars, debates and other educational programmes regularly organised within the World Press Photo Academy. It is named after the foundations late chairman, who was a passionate supporter of young photographic talent.


Since 1994, the Joop Swart Masterclass has brought together some of the finest young photographers from around world, and leading professionals in the fields of documentary photography and photojournalism. It offers a focused, intimate and reflective learning experience to young photographers, aiming to foster their intellectual, artistic and professional growth. The Joop Swart Masterclass holds prime position among the seminars, debates and other educational programmes regularly organized within the World Press Photo Academy. It is named after the foundations late chairman, who was a passionate supporter of young photographic talent.

World Press Photo. Next №04

Производитель: Schilt Publishing

Цена: 1227.00 руб.

Описание:
Since 1994, the Joop Swart Masterclass has brought together some of the finest young photographers from around world, and leading professionals in the fields of documentary photography and photojournalism. It offers a focused, intimate and reflective learning experience to young photographers, aiming to foster their intellectual, artistic and professional growth. The Joop Swart Masterclass holds prime position among the seminars, debates and other educational programmes regularly organized within the World Press Photo Academy. It is named after the foundations late chairman, who was a passionate supporter of young photographic talent.



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