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Книги
Производитель Whitechapel Art Gallery


The boundary of a contemporary art object or project is no longer thought of solely in physical terms but rather in relation to the specific social field it creates. Art has opened up to transnational networks of producers and audiences, migrating into the sphere of social and distributive systems, whether in the form of "relational aesthetics" or other critical reinventions of practice. It has thus become increasingly implicated in questions of ethics. Artist and writer Walead Beshty evaluates the relation of ethics to aesthetics, and demonstrates how this encounter has become central to the contested space of much recent art. This collection brings together theoretical foundations for an ethics of aesthetics; appraisals of art that engages with ethical issues; statements and examples of methodologies adopted by a diverse range of artists; and examination of artworks that question the ethical conditions in which contemporary art is produced and experienced. Artists surveyed include Tania Bruguera, Christoph Buchel, Paul Chan, Lygia Clark, Dexter Sinister, Andrea Fraser, Liam Gillick, David Hammons, Thomas Hirschhorn, Khaled Hourani, Sharon Lockhart, Renzo Martens, Helio Oiticica, Seth Price, Walid Raad, Martha Rosler, Tino Sehgal, Santiago Sierra and Rirkrit Tiravanija. Writers include Giorgio Agamben, Ariella Azoulay, Alain Badiou, Roland Barthes, Claire Bishop, Nicolas Bourriaud, Simon Critchley, T.J. Demos, Jean-Francois Lyotard, Jacques Ranciere, Susan Sontag, Hito Steyerl and Jan Verwoert.

Ethics

Производитель: Whitechapel Art Gallery

Цена: 1194.00 руб.

Описание:
The boundary of a contemporary art object or project is no longer thought of solely in physical terms but rather in relation to the specific social field it creates. Art has opened up to transnational networks of producers and audiences, migrating into the sphere of social and distributive systems, whether in the form of "relational aesthetics" or other critical reinventions of practice. It has thus become increasingly implicated in questions of ethics. Artist and writer Walead Beshty evaluates the relation of ethics to aesthetics, and demonstrates how this encounter has become central to the contested space of much recent art. This collection brings together theoretical foundations for an ethics of aesthetics; appraisals of art that engages with ethical issues; statements and examples of methodologies adopted by a diverse range of artists; and examination of artworks that question the ethical conditions in which contemporary art is produced and experienced. Artists surveyed include Tania Bruguera, Christoph Buchel, Paul Chan, Lygia Clark, Dexter Sinister, Andrea Fraser, Liam Gillick, David Hammons, Thomas Hirschhorn, Khaled Hourani, Sharon Lockhart, Renzo Martens, Helio Oiticica, Seth Price, Walid Raad, Martha Rosler, Tino Sehgal, Santiago Sierra and Rirkrit Tiravanija. Writers include Giorgio Agamben, Ariella Azoulay, Alain Badiou, Roland Barthes, Claire Bishop, Nicolas Bourriaud, Simon Critchley, T.J. Demos, Jean-Francois Lyotard, Jacques Ranciere, Susan Sontag, Hito Steyerl and Jan Verwoert.


Part of the acclaimed series of anthologies which document major themes and ideas in contemporary art. Contextualises a recent focus on the subject of work in art, addressing work's meaning both within art and in its wider economic and social context.

Work

Производитель: Whitechapel Art Gallery

Цена: 1194.00 руб.

Описание:
Part of the acclaimed series of anthologies which document major themes and ideas in contemporary art. Contextualises a recent focus on the subject of work in art, addressing work's meaning both within art and in its wider economic and social context.


While information science draws distinctions between "information", signals and data, artists from the 1960s to the present have questioned the validity and value of such boundaries. Artists have investigated information's materiality, in signs, records and traces; its immateriality, in hidden codes, structures and flows; its embodiment, in instructions, social interaction and political agency; its overload, or uncontrollable excess, challenging utopian notions of networked society; its potential for misinformation and disinformation, subliminally altering our perceptions; and its post-digital unruliness, unsettling fixed notions of history and place. This anthology provides the first art-historical reassessment of information based art in relation to data structures and exhibition curation, examining landmark exhibitions and re-examining work by artists of the 1960s to early 1980s, from Les Levine and N.E.Thing Co. to General Idea and Jenny Holzer. David Askewold, Iain Baxter, Guy Bleus, Heath Bunting, CAMP (Shaina Anand & Ashok Sukumaran), Ami Clarke, Richard Cochrane, Rod Dickinson, Hans Haacke, Graham Harwood, Jenny Holzer, Joseph Kosuth, Christine Kozlov, Steve Lambert and the Yes Men, Oliver Laric, Les Levine, Laszlo Moholy-Nagy, Muntadas, Erhan Muratoglu, Raqs Media Collective, Erica Scourti, Stelarc, Thomson & Craighead, Angie Waller, Stephen Willats, Young-Hae Chang Heavy Industries, Elizabeth Vander Zaag. Writers include James Bridle, Matthew Fuller, Francesca Gallo, Lizzie Homersham, Antony Hudek, Eduardo Kac, Friedrich Kittler, Arthur and Marilouise Kroker, Scott Lash, Alessandro Ludovico, Jean-Francois Lyotard, Charu Maithani, Suhail Malik, Armin Medosch, Srinivas Aditya Mopidevi, Craig Saper, Jorinde Seijdel, Tom Sherman, Felix Stalder, McKenzie Wark, Benjamin Weil.

Information

Производитель: Whitechapel Art Gallery

Цена: 1194.00 руб.

Описание:
While information science draws distinctions between "information", signals and data, artists from the 1960s to the present have questioned the validity and value of such boundaries. Artists have investigated information's materiality, in signs, records and traces; its immateriality, in hidden codes, structures and flows; its embodiment, in instructions, social interaction and political agency; its overload, or uncontrollable excess, challenging utopian notions of networked society; its potential for misinformation and disinformation, subliminally altering our perceptions; and its post-digital unruliness, unsettling fixed notions of history and place. This anthology provides the first art-historical reassessment of information based art in relation to data structures and exhibition curation, examining landmark exhibitions and re-examining work by artists of the 1960s to early 1980s, from Les Levine and N.E.Thing Co. to General Idea and Jenny Holzer. David Askewold, Iain Baxter, Guy Bleus, Heath Bunting, CAMP (Shaina Anand & Ashok Sukumaran), Ami Clarke, Richard Cochrane, Rod Dickinson, Hans Haacke, Graham Harwood, Jenny Holzer, Joseph Kosuth, Christine Kozlov, Steve Lambert and the Yes Men, Oliver Laric, Les Levine, Laszlo Moholy-Nagy, Muntadas, Erhan Muratoglu, Raqs Media Collective, Erica Scourti, Stelarc, Thomson & Craighead, Angie Waller, Stephen Willats, Young-Hae Chang Heavy Industries, Elizabeth Vander Zaag. Writers include James Bridle, Matthew Fuller, Francesca Gallo, Lizzie Homersham, Antony Hudek, Eduardo Kac, Friedrich Kittler, Arthur and Marilouise Kroker, Scott Lash, Alessandro Ludovico, Jean-Francois Lyotard, Charu Maithani, Suhail Malik, Armin Medosch, Srinivas Aditya Mopidevi, Craig Saper, Jorinde Seijdel, Tom Sherman, Felix Stalder, McKenzie Wark, Benjamin Weil.


Part of the acclaimed series of anthologies which document major themes and ideas in contemporary art.
A timely collection of texts, interviews and documentation reflecting the complex interrelationship between the urban, the rural and contemporary cultural production.
What, and where, is "The Rural?" From the rocks that break a farmer's plough on a field in Japan, to digital infrastructures which organise geographically dispersed interests and ambitions, vast parts of our lives are still connected and dependent on resources, production and infrastructures located within rural geographies, and the rural remains a shared and common cultural space. This anthology offers an urgent and diverse cross-section of rural art, thinking and practice, and considers how artists respond to the socio-economic divides between the rural and the urban, from re-imagined farming practices and food systems to architecture, community projects and transnational local networks. Edited by three artists who have been working within rural situations and communities for the last twenty years, this anthology is formed as a document, tool and navigation device for future artistic practice, where "The Rural" is filtered through a lens sharpened by an audiencebased model of art which practices from within the culture it addresses.
Artists, practitioners and organisations surveyed include Lina Bo Bardi, Futurefarmers, Fernando Garcia-Dory, Grizedale Arts, Hagiwara Farm, Sigrid Holmwood, Freeyad Ibrahim, Brian Jungen, Renzo Martens, M12 Group, Helio Oiticica, Robert Smithson, Bedwyr Williams.
Writers include Kenneth Anders, Homi K. Bhabha, Ivan Illich, Julia Kristeva, Henri Lefebvre, Maria Lind, Marco Marcon, Georgy Nikich, Vandana Shiva, Paul O'Neill, Doina Petrescu, Natalie Robertson, David Teh, Reinhardt Vanhoe, Colin Ward.

The Rural

Производитель: Whitechapel Art Gallery

Цена: 1707.00 руб.

Описание:
Part of the acclaimed series of anthologies which document major themes and ideas in contemporary art. A timely collection of texts, interviews and documentation reflecting the complex interrelationship between the urban, the rural and contemporary cultural production. What, and where, is "The Rural?" From the rocks that break a farmer's plough on a field in Japan, to digital infrastructures which organise geographically dispersed interests and ambitions, vast parts of our lives are still connected and dependent on resources, production and infrastructures located within rural geographies, and the rural remains a shared and common cultural space. This anthology offers an urgent and diverse cross-section of rural art, thinking and practice, and considers how artists respond to the socio-economic divides between the rural and the urban, from re-imagined farming practices and food systems to architecture, community projects and transnational local networks. Edited by three artists who have been working within rural situations and communities for the last twenty years, this anthology is formed as a document, tool and navigation device for future artistic practice, where "The Rural" is filtered through a lens sharpened by an audiencebased model of art which practices from within the culture it addresses. Artists, practitioners and organisations surveyed include Lina Bo Bardi, Futurefarmers, Fernando Garcia-Dory, Grizedale Arts, Hagiwara Farm, Sigrid Holmwood, Freeyad Ibrahim, Brian Jungen, Renzo Martens, M12 Group, Helio Oiticica, Robert Smithson, Bedwyr Williams. Writers include Kenneth Anders, Homi K. Bhabha, Ivan Illich, Julia Kristeva, Henri Lefebvre, Maria Lind, Marco Marcon, Georgy Nikich, Vandana Shiva, Paul O'Neill, Doina Petrescu, Natalie Robertson, David Teh, Reinhardt Vanhoe, Colin Ward.



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