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Иностранная литература
Производитель Officina Libraria


Gianlorenzo Bernini (1598-1680), architect, painter, but above all sculptor, had a career that spanned almost three quarters of a century. He worked under six different popes and was instrumental in the ornamentation of Baroque Rome, from the colonnade of St. Peter to the fountains in piazza Navona and piazza di Spagna, from the many stunning sculptural groups in the churches and palaces of Rome to the dozens of "speaking portraits", which depict cardinals, popes, kings and intellectuals of his time. The Galleria Borghese, home of many works by Bernini, including some of his world-famous groups such as Apollo and Daphne, The Rape of Proserpina and David, will host a major exhibition on the sculptures of this extraordinary artist. Exceptional in scope and scholarship, the catalogue analyses many different aspects of Bernini's output, focusing on the many innovations he introduced. It also devotes studies to the critical reception of Bernini and to his relationships with friends and patrons (a dictionary of these is included at the end of the book). Accompanies an exhibition in Rome, Galleria Borghese, from 31 October 2017 to February 2018.

Bernini

Производитель: Officina Libraria

Цена: 5378.00 руб.

Описание:
Gianlorenzo Bernini (1598-1680), architect, painter, but above all sculptor, had a career that spanned almost three quarters of a century. He worked under six different popes and was instrumental in the ornamentation of Baroque Rome, from the colonnade of St. Peter to the fountains in piazza Navona and piazza di Spagna, from the many stunning sculptural groups in the churches and palaces of Rome to the dozens of "speaking portraits", which depict cardinals, popes, kings and intellectuals of his time. The Galleria Borghese, home of many works by Bernini, including some of his world-famous groups such as Apollo and Daphne, The Rape of Proserpina and David, will host a major exhibition on the sculptures of this extraordinary artist. Exceptional in scope and scholarship, the catalogue analyses many different aspects of Bernini's output, focusing on the many innovations he introduced. It also devotes studies to the critical reception of Bernini and to his relationships with friends and patrons (a dictionary of these is included at the end of the book). Accompanies an exhibition in Rome, Galleria Borghese, from 31 October 2017 to February 2018.


In 1917 Pablo Picasso traveled to Rome and Naples with Jean Cocteau and Igor Stravinskij. During this trip, for the first time, he could admire directly Hellenistic and Roman sculpture, that of the Renaissance and Baroque eras, but also the Roman frescoes of Pompei. The first exhibition dedicated to Picasso's sculpture to be held in Rome, and its accompanying catalogue, are conceived as a journey through the centuries that chronologically follows the interpretation of forms and different themes stories and myths, bodies and figures, objects and fragments in sculpture. The exhibition of masterpieces of the great Spanish master is accompanied by previously unpublished images of his sculpture studios (by Edward Quinn) that narrate the context in which these works were born. The catalogue includes essays that explore the visual and conceptual dialogue between the works of Picasso and works of the past, illustrating and examining over fifty works, some of which have never been exhibited before.

Picasso. The Sculpture

Производитель: Officina Libraria

Цена: 4445.00 руб.

Описание:
In 1917 Pablo Picasso traveled to Rome and Naples with Jean Cocteau and Igor Stravinskij. During this trip, for the first time, he could admire directly Hellenistic and Roman sculpture, that of the Renaissance and Baroque eras, but also the Roman frescoes of Pompei. The first exhibition dedicated to Picasso's sculpture to be held in Rome, and its accompanying catalogue, are conceived as a journey through the centuries that chronologically follows the interpretation of forms and different themes stories and myths, bodies and figures, objects and fragments in sculpture. The exhibition of masterpieces of the great Spanish master is accompanied by previously unpublished images of his sculpture studios (by Edward Quinn) that narrate the context in which these works were born. The catalogue includes essays that explore the visual and conceptual dialogue between the works of Picasso and works of the past, illustrating and examining over fifty works, some of which have never been exhibited before.



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