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Иностранная литература
Производитель Fontanka


In the 1880s, the artist, designer and illustrator Elena Polenova (1850-98) began illustrating fairy tales that she noted down during her travels around Russian villages. The first of these was The Tale of Masha and Vanya. The original editions of some of these illustrated fairy-tales are now kept at Polenovo, the museum-estate of the artist's family, and this is the first English-language publication based upon Polenova's original hand-made drawings and typography. Sister of the landscape artist Vasily Polenov, and a leading member of the Abramtsevo circle of Russian artists, who engaged with peasant traditions and folklore towards the end of the nineteenth century, Elena Polenova is well known in Russia and abroad, but her illustrations for fairy tales have had little exposure. With a new translation, this beautifully crafted book is published to coincide with an exhibition in the UK of the artist's work.

Why the Bear Has No Tail. And Other Russian Folk Tales

Производитель: Fontanka

Цена: 1204.00 руб.

Описание:
In the 1880s, the artist, designer and illustrator Elena Polenova (1850-98) began illustrating fairy tales that she noted down during her travels around Russian villages. The first of these was The Tale of Masha and Vanya. The original editions of some of these illustrated fairy-tales are now kept at Polenovo, the museum-estate of the artist's family, and this is the first English-language publication based upon Polenova's original hand-made drawings and typography. Sister of the landscape artist Vasily Polenov, and a leading member of the Abramtsevo circle of Russian artists, who engaged with peasant traditions and folklore towards the end of the nineteenth century, Elena Polenova is well known in Russia and abroad, but her illustrations for fairy tales have had little exposure. With a new translation, this beautifully crafted book is published to coincide with an exhibition in the UK of the artist's work.


The Soviet cartoons, many of them unpublished, are taken from a unique private collection, and are juxtaposed with Western cartoons drawn from various sources. They reveal the extraordinary obsessions and propaganda campaigns that influenced the work of the Soviet cartoonists in particular, but also the remarkable similarities that can be seen in each side's depiction of the other. Superbly designed in the form of a book within a book, Drawing the Curtain is part cultural history, part art monograph. Contributions by Tim Benson, a leading authority on the history of cartoons, and Polly Jones, a cultural historian specializing in representations of Stalin, provide the context to the period, while extended image captions elucidate the individual works. This is a book that offers a very different take on the history of international relations in the second half of the twentieth century: through national humour and propaganga.

Drawing the Curtain: Cold-War Cartoons

Производитель: Fontanka

Цена: 2724.00 руб.

Описание:
The Soviet cartoons, many of them unpublished, are taken from a unique private collection, and are juxtaposed with Western cartoons drawn from various sources. They reveal the extraordinary obsessions and propaganda campaigns that influenced the work of the Soviet cartoonists in particular, but also the remarkable similarities that can be seen in each side's depiction of the other. Superbly designed in the form of a book within a book, Drawing the Curtain is part cultural history, part art monograph. Contributions by Tim Benson, a leading authority on the history of cartoons, and Polly Jones, a cultural historian specializing in representations of Stalin, provide the context to the period, while extended image captions elucidate the individual works. This is a book that offers a very different take on the history of international relations in the second half of the twentieth century: through national humour and propaganga.


Alexander Voitskehovsky's paintings and drawings have long been a feature of St Petersburg's artistic landscape, loved for their idiosyncratic humor and other-worldy quality. Here they are gathered in a single publication for the first time, with accompanying exhibitions in UK and Russia.
Alexander Voitsekhovsky is doctor-turned artist who lives and works in St Petersburg, Russia.

A whale off the coast of Norway and other encounters by Alexander Voitsekhovsky

Производитель: Fontanka

Цена: 2438.00 руб.

Описание:
Alexander Voitskehovsky's paintings and drawings have long been a feature of St Petersburg's artistic landscape, loved for their idiosyncratic humor and other-worldy quality. Here they are gathered in a single publication for the first time, with accompanying exhibitions in UK and Russia. Alexander Voitsekhovsky is doctor-turned artist who lives and works in St Petersburg, Russia.


In the early 2000s two albums of drawings were discovered in storage in the State Hermitage Museum in St. Petersburg. Purchased by Catherine the Great in 1783, they had lain unnoticed for over 200 years. Hermitage curator Mikhail Dedinkin identified the artist as John Spyers, Capability Brown's draughtsman and surveyor for many of his most famous landscape designs. The drawings in the first album are exclusively of Hampton Court Palace and its parks and gardens, where Capability Brown was Chief Gardener to King George III for the last 20 years of his life. The second album contains a mixture of landscapes, architectural drawings and studies. This book reproduces all 149 drawings. It also includes another remarkable discovery: in the course of restoration for an exhibition at Hampton Court Palace in 2016 - the tercentenary of Capability Brown's birth - pencil drawings precisely mirroring the final watercolors were found beneath 14 of the pages. Catherine the Great was a passionate enthusiast for the English style in gardening and landscape design. Although she did not succeed in persuading Capability Brown himself to visit Russia, she would have drawn inspiration from these albums, particularly for her new English park at Peterhof, near St Petersburg. Now finally in the public domain, it is clear that the drawings of Hampton Court represent one of the most complete visual records of an historic landscape ever captured before the age of photography.
Contents: A Discovery in the Hermitage; The Hampton Court Albums of Catherine the Great; John Spyers, Capability Brown's Draughtsman and Surveyor, and his Views of Hampton Court; Album I: Drawings of the Royal Palace at Hampton Court; Album II: Landscapes, Studies and Anrchitectural Drawings; Index of Drawings.

The Hampton Court Albums of Catherine the Great

Производитель: Fontanka

Цена: 2790.00 руб.

Описание:
In the early 2000s two albums of drawings were discovered in storage in the State Hermitage Museum in St. Petersburg. Purchased by Catherine the Great in 1783, they had lain unnoticed for over 200 years. Hermitage curator Mikhail Dedinkin identified the artist as John Spyers, Capability Brown's draughtsman and surveyor for many of his most famous landscape designs. The drawings in the first album are exclusively of Hampton Court Palace and its parks and gardens, where Capability Brown was Chief Gardener to King George III for the last 20 years of his life. The second album contains a mixture of landscapes, architectural drawings and studies. This book reproduces all 149 drawings. It also includes another remarkable discovery: in the course of restoration for an exhibition at Hampton Court Palace in 2016 - the tercentenary of Capability Brown's birth - pencil drawings precisely mirroring the final watercolors were found beneath 14 of the pages. Catherine the Great was a passionate enthusiast for the English style in gardening and landscape design. Although she did not succeed in persuading Capability Brown himself to visit Russia, she would have drawn inspiration from these albums, particularly for her new English park at Peterhof, near St Petersburg. Now finally in the public domain, it is clear that the drawings of Hampton Court represent one of the most complete visual records of an historic landscape ever captured before the age of photography. Contents: A Discovery in the Hermitage; The Hampton Court Albums of Catherine the Great; John Spyers, Capability Brown's Draughtsman and Surveyor, and his Views of Hampton Court; Album I: Drawings of the Royal Palace at Hampton Court; Album II: Landscapes, Studies and Anrchitectural Drawings; Index of Drawings.


New edition of Erté's work based upon recent (2016) Hermitage exhibition celebrating his life and work - Newly commissioned text by Hermitage curator Mikhail Dedinkin and Chairman of Estorick Collection, Michael Estorick, as well as contributions by Barbra Streisand and art critics Morgan Falconer and the late Brian Sewell Romain de Tirtoff (1892-1990), who changed his name to Erté ('R' and 'T' in French) when he left his native St Petersburg for Paris in 1912, became one of the most sought-after artists of the twentieth century. His illustrations for Harper's Bazaar and Vogue remain classics of the genre, proving that mass art can be genuine art. His work as stage, costume and fashion designer in Europe and America combined an eye for fashion and elegance with a sense of theatricality. In the early days Erté worked closely with the couturier Paul Poiret; he then took his remarkable talent to the stage, producing numerous designs for the revues and shows that were so popular at the time, as we well as to film with his work for MGM. Mata Hari, Lillian Gish, Anna Pavlova and George Balanchine were just some of those whose costumes were designed by Erté. Even when his fame dipped, Erté remained true to his life's work, continuing to create his wonderfully refined and delicate drawings, including the popular Alphabet series.

Erte: Romain de Tirtoff 1892-1990

Производитель: Fontanka

Цена: 2253.00 руб.

Описание:
New edition of Erté's work based upon recent (2016) Hermitage exhibition celebrating his life and work - Newly commissioned text by Hermitage curator Mikhail Dedinkin and Chairman of Estorick Collection, Michael Estorick, as well as contributions by Barbra Streisand and art critics Morgan Falconer and the late Brian Sewell Romain de Tirtoff (1892-1990), who changed his name to Erté ('R' and 'T' in French) when he left his native St Petersburg for Paris in 1912, became one of the most sought-after artists of the twentieth century. His illustrations for Harper's Bazaar and Vogue remain classics of the genre, proving that mass art can be genuine art. His work as stage, costume and fashion designer in Europe and America combined an eye for fashion and elegance with a sense of theatricality. In the early days Erté worked closely with the couturier Paul Poiret; he then took his remarkable talent to the stage, producing numerous designs for the revues and shows that were so popular at the time, as we well as to film with his work for MGM. Mata Hari, Lillian Gish, Anna Pavlova and George Balanchine were just some of those whose costumes were designed by Erté. Even when his fame dipped, Erté remained true to his life's work, continuing to create his wonderfully refined and delicate drawings, including the popular Alphabet series.


An Omelette and a Glass of Wine, offers 62 articles originally written by Elizabeth David between 1955 and 1984 for numerous publications including The Spectator, Gourmet magazine, Vogue, and The Sunday Times. This revered classic volume contains delightful explorations of food and cooking, among which are the collection's namesake essay and other such gems as Syllabubs and Fruit Fools, Sweet Vegetables, Soft Wine, Pleasing Cheeses, and Whisky in the Kitchen. Her subjects range from the story of how her own cookery writing began to accounts of some restaurants in provincial France, of white truffles in Piedmont, wild risottos on the islands of the Venetian lagoon and odd happenings during rain-drenched seaside holidays in the British Isles. Here we can share her appreciation of books, people who influenced her, places she loved and the delicious meals she enjoyed. Some of the best essays are those about others who wrote about food such as Norman Douglas and Mrs Beeton. She writes so vividly that we can see, taste and even smell the dishes she describes. Many of these pieces, such as I'll Be with You in the Squeezing of a Lemon, from 1969 - about cooking with lemons - barely show their age. But even if they did, you wouldn't care, because of the rich store of information that David shares and the literary grace with which she imparts it. Some articles include recipes, but for the most part this is a volume nicely sized to curl up with or to take on a trip. Articles, book reviews and travel pieces, they will be new to many of her readers and a delight to all for their highly personal flavour. Jane Grigson praised it for including all the dishes most closely associated with her, Spiced Beef, Salted Welsh Duck and Syllabub. Her many admirers will cherish this new hardback edition for its 320 high quality pages casually interspersed with charming black and white illustrations and some photographs. It is a book sure to appeal to the 'Elizabeth David' book collector and readers coming to know Ms. David for the first time will marvel at her wisdom and grace.

An Omelette and A Glass Of Wine

Производитель: Fontanka

Цена: 1529.00 руб.

Описание:
An Omelette and a Glass of Wine, offers 62 articles originally written by Elizabeth David between 1955 and 1984 for numerous publications including The Spectator, Gourmet magazine, Vogue, and The Sunday Times. This revered classic volume contains delightful explorations of food and cooking, among which are the collection's namesake essay and other such gems as Syllabubs and Fruit Fools, Sweet Vegetables, Soft Wine, Pleasing Cheeses, and Whisky in the Kitchen. Her subjects range from the story of how her own cookery writing began to accounts of some restaurants in provincial France, of white truffles in Piedmont, wild risottos on the islands of the Venetian lagoon and odd happenings during rain-drenched seaside holidays in the British Isles. Here we can share her appreciation of books, people who influenced her, places she loved and the delicious meals she enjoyed. Some of the best essays are those about others who wrote about food such as Norman Douglas and Mrs Beeton. She writes so vividly that we can see, taste and even smell the dishes she describes. Many of these pieces, such as I'll Be with You in the Squeezing of a Lemon, from 1969 - about cooking with lemons - barely show their age. But even if they did, you wouldn't care, because of the rich store of information that David shares and the literary grace with which she imparts it. Some articles include recipes, but for the most part this is a volume nicely sized to curl up with or to take on a trip. Articles, book reviews and travel pieces, they will be new to many of her readers and a delight to all for their highly personal flavour. Jane Grigson praised it for including all the dishes most closely associated with her, Spiced Beef, Salted Welsh Duck and Syllabub. Her many admirers will cherish this new hardback edition for its 320 high quality pages casually interspersed with charming black and white illustrations and some photographs. It is a book sure to appeal to the 'Elizabeth David' book collector and readers coming to know Ms. David for the first time will marvel at her wisdom and grace.


First published in 1924, a facsimile of the architect Moisei Ginzburg's key work, the philosophical basis for the Constructivist group of architects. Style and Epoch by Moisei Ginzburg, first published in 1924, was the architect's key work; it became the philosophical basis for the Constructivist group of architects. Ginzburg defined the new style in architecture that signified a break from traditional styles. After two industrial revolutions, architects were faced with new challenges by society. The response was an innovative approach to architecture that put people - their needs and functions - at its centre. The author's understanding of global economic and cultural processes is evident in his description of the development of a style that came to define the nature of architecture in the twentieth century, which today we call modernism. The significance of this book in terms of an understanding of culture, the avant-garde and the subsequent development of modernist architecture is hard to overestimate.

Style and Epoch

Производитель: Fontanka

Цена: 2015.00 руб.

Описание:
First published in 1924, a facsimile of the architect Moisei Ginzburg's key work, the philosophical basis for the Constructivist group of architects. Style and Epoch by Moisei Ginzburg, first published in 1924, was the architect's key work; it became the philosophical basis for the Constructivist group of architects. Ginzburg defined the new style in architecture that signified a break from traditional styles. After two industrial revolutions, architects were faced with new challenges by society. The response was an innovative approach to architecture that put people - their needs and functions - at its centre. The author's understanding of global economic and cultural processes is evident in his description of the development of a style that came to define the nature of architecture in the twentieth century, which today we call modernism. The significance of this book in terms of an understanding of culture, the avant-garde and the subsequent development of modernist architecture is hard to overestimate.


First English-language publication of a book that documents the creation of Moisei Ginzburg's NKTP Sanatorium in Kislovodsk - a modernist masterpiece that withstood the ideological pressures of the time The NKTP (People's Commissariat for Heavy Industry) Sanatorium was commissioned in 1934 by Grigory Ordzhonikidze, one of Stalin's closest allies and head of the Commissariat for Heavy Industry (he committed suicide after falling out with Stalin in 1937, the year of the sanatorium's completion). Despite the prevailing ideology that sought to outlaw modernism in favour of Stalinist neoclassicism, architect Moisei Ginzburg, with a team that included Ivan Leonidov, Evgeny Popov and Nikolai Paliudov, succeeded in creating an architectural ensemble that essentially retained it's modernist integrity and today remains a masterpiece of 1930s modernism - while making only minor concessions to the new Stalinist orthodoxy. In the early Soviet period, Kislovodsk in the northern Caucasus became known as a centre for health spas and sanatoria - "palaces of health for the workers". Ginzburg's sanatorium still functions as a therapy centre, and retains many of it's original features, including windows, light fixtures, some of the furniture etc. This first English-language publication of the original book documenting its creation is an important addition to the Ginzburg canon.

Architecture of the NKTP Sanatorium in Kislovodsk

Производитель: Fontanka

Цена: 2444.00 руб.

Описание:
First English-language publication of a book that documents the creation of Moisei Ginzburg's NKTP Sanatorium in Kislovodsk - a modernist masterpiece that withstood the ideological pressures of the time The NKTP (People's Commissariat for Heavy Industry) Sanatorium was commissioned in 1934 by Grigory Ordzhonikidze, one of Stalin's closest allies and head of the Commissariat for Heavy Industry (he committed suicide after falling out with Stalin in 1937, the year of the sanatorium's completion). Despite the prevailing ideology that sought to outlaw modernism in favour of Stalinist neoclassicism, architect Moisei Ginzburg, with a team that included Ivan Leonidov, Evgeny Popov and Nikolai Paliudov, succeeded in creating an architectural ensemble that essentially retained it's modernist integrity and today remains a masterpiece of 1930s modernism - while making only minor concessions to the new Stalinist orthodoxy. In the early Soviet period, Kislovodsk in the northern Caucasus became known as a centre for health spas and sanatoria - "palaces of health for the workers". Ginzburg's sanatorium still functions as a therapy centre, and retains many of it's original features, including windows, light fixtures, some of the furniture etc. This first English-language publication of the original book documenting its creation is an important addition to the Ginzburg canon.


A dramatic account of a year of two revolutions in Russia, told through extracts from contemporary diaries, letters and memoirs and illustrated with many previously unpublished photographs. The Year that Changed the World is a dramatic and compelling account of Russia's revolutionary year as told by those who lived through it (not just in Russia). The book consists entirely of primary sources, taken from letters, memoirs, diaries and other documents of the period, accompanied by remarkable images, many previously not published. The team of journalists and experts behind Project 1917 has scoured archives, libraries and storerooms for texts, photographs and videos which are presented in a way that brings the reader as close as possible to the lives and events of that extraordinary year. The story is told through several chapters that reveal the ebb and flow of events and opinions over the year, from increasing disillusionment with the monarchy to revolutionary fervour after the abdication of Nicholas II, then the gradual "unravelling" of the Provisional Government, and eventually the "Great October" that brought the Bolsheviks to power. There were many who thought that Russia's second revolution would also be short-lived, but it was the decisive moment in a year that influenced the entire course of the twentieth century, as this book vividly demonstrates.

Eyewitness 1917. The Russian Revolution through Eyewitness Accounts

Производитель: Fontanka

Цена: 2473.00 руб.

Описание:
A dramatic account of a year of two revolutions in Russia, told through extracts from contemporary diaries, letters and memoirs and illustrated with many previously unpublished photographs. The Year that Changed the World is a dramatic and compelling account of Russia's revolutionary year as told by those who lived through it (not just in Russia). The book consists entirely of primary sources, taken from letters, memoirs, diaries and other documents of the period, accompanied by remarkable images, many previously not published. The team of journalists and experts behind Project 1917 has scoured archives, libraries and storerooms for texts, photographs and videos which are presented in a way that brings the reader as close as possible to the lives and events of that extraordinary year. The story is told through several chapters that reveal the ebb and flow of events and opinions over the year, from increasing disillusionment with the monarchy to revolutionary fervour after the abdication of Nicholas II, then the gradual "unravelling" of the Provisional Government, and eventually the "Great October" that brought the Bolsheviks to power. There were many who thought that Russia's second revolution would also be short-lived, but it was the decisive moment in a year that influenced the entire course of the twentieth century, as this book vividly demonstrates.


Moisei Ginzburg (1892-1946) was the founder of the Organisation of Contemporary Architects (OSA) group and lead architect behind the first Constructivist building ever built - the Narkomfin building in Moscow (completed in 1932), which is currently being restored by the architect's grandson, Alexei Ginzburg. As part of this unique project, Ginzburg Design Limited has initiated the publication in English of Moisei Ginzburg's four seminal works on architecture and the built environment. The third of these, Dwelling, is published by Fontanka in English for the first time, in a facsimile of the original Russian edition. Ginzburg's first book, Rhythm in Architecture (1923) was quickly followed by Style and Epoch (1924) - the publication that came to be seen as the Constructivists manifesto, and which was hugely influential in terms of architectural theory, with parallels to Le Corbusier's Vers une architecture. Dwelling, published in 1934, was written just two years after the completion of the Narkomfin building and provides a fascinating insight into the architect's ideas about creating new housing for the socialist city, communal living, and the use of new materials and technologies.

Dwelling. Five Years Work on the Problem of the Habitation

Производитель: Fontanka

Цена: 3381.00 руб.

Описание:
Moisei Ginzburg (1892-1946) was the founder of the Organisation of Contemporary Architects (OSA) group and lead architect behind the first Constructivist building ever built - the Narkomfin building in Moscow (completed in 1932), which is currently being restored by the architect's grandson, Alexei Ginzburg. As part of this unique project, Ginzburg Design Limited has initiated the publication in English of Moisei Ginzburg's four seminal works on architecture and the built environment. The third of these, Dwelling, is published by Fontanka in English for the first time, in a facsimile of the original Russian edition. Ginzburg's first book, Rhythm in Architecture (1923) was quickly followed by Style and Epoch (1924) - the publication that came to be seen as the Constructivists manifesto, and which was hugely influential in terms of architectural theory, with parallels to Le Corbusier's Vers une architecture. Dwelling, published in 1934, was written just two years after the completion of the Narkomfin building and provides a fascinating insight into the architect's ideas about creating new housing for the socialist city, communal living, and the use of new materials and technologies.


Kolobok is a new adaptation and translation of a famous Russian folktale about a resourceful bun (a kolobok) who, as in the tale of the gingerbread man beloved of children in the West, skilfully evades the attentions of various animals. Beautifully adapted in rhyme by Sian Valvis, and with evocative new illustrations by Dovile Ciapaite, Kolobok offers English-speaking young readers a glimpse into the magic and mysticism of Russian folklore. The visceral and environmental elements that are present in Russian folktales bring to life a vivid sense of the nation's culture and identity.

Kolobok. A Russian Bun on The Run!

Производитель: Fontanka

Цена: 1468.00 руб.

Описание:
Kolobok is a new adaptation and translation of a famous Russian folktale about a resourceful bun (a kolobok) who, as in the tale of the gingerbread man beloved of children in the West, skilfully evades the attentions of various animals. Beautifully adapted in rhyme by Sian Valvis, and with evocative new illustrations by Dovile Ciapaite, Kolobok offers English-speaking young readers a glimpse into the magic and mysticism of Russian folklore. The visceral and environmental elements that are present in Russian folktales bring to life a vivid sense of the nation's culture and identity.



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