Иностранная литература
Производитель Seagull Books

Описание:
Nikolai Bukharin (1888–1938), an original Bolshevik leader and a founder of the Soviet state, spent the last year of his life imprisoned by Stalin, awaiting a trial and eventual execution. Remarkably during that time, from March 1937 to March 1938, Bukharin wrote four book-length manuscripts by hand in his prison cell. Seventy years later, The Prison Poems is the last of the four prison manuscripts, which include How It All Began: The Prison Novel, and Socialism and Its Culture, to be published, allowing readers to grasp Bukharin’s vision in its full extent. Bukharin organized the nearly 180 poems in this volume, written from June to November 1937, into several series. One dealing with forerunners to the 1917 Russian Revolution and another focusing on the Russian Civil War contain commentary not found in the other prison manuscripts. The same is true of the “Lyrical Intermezzo” poems for and about Anna Larina, his young wife, from whom he was separated by his imprisonment.

Описание:
In Change, Mo Yan, the 2012 Nobel Laureate in Literature, personalizes the political and social changes in his country over the past few decades in this novella disguised as autobiography--or vice-versa. Unlike most historical narratives from China, which are pegged to political events, Change is a representative of people's history, a bottom-up rather than top-down view of a country in flux. By moving back and forth in time and focusing on small events and everyday people, Mo Yan breathes life into history by describing the effects of larger-than-life events on the average citizen. Through a mixture of fantasy and reality, historical and social perspectives, Mo Yan has created a world reminiscent in its complexity of those in the writings of William Faulkner and Gabriel Garcia Marquez, at the same time finding a departure point in old Chinese literature and in oral tradition. If China has a Kafka, it may be Mo Yan. Like Kafka, Yan has the ability to examine his society through a variety of lenses, creating fanciful, Metamorphosis-like transformations or evoking the numbing bureaucracy and casual cruelty of modern governments.