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Описание:
Bradley Manning was arrested, imprisoned in solitary confinement for nine months, and court-martialed for leaking nearly half a million classified government documents, including the infamous Collateral Murder gunsight video. He was an intelligence analyst in the US Army's 10th Mountain Division, is twenty-four, and comes from Crescent, Oklahoma. But who is Private First Class Bradley Manning? Why did he commit the largest security breach in American history - and why was it so easy? Is Manning a traitor or a whistleblower? Is long-term isolation an outrage to American values - or the new norm? Which is the greater security threat, routine elite secrecy or flashes of transparency? And what impact does new information really have? In this book, the astonishing leaks attributed to Bradley Manning are viewed from many angles, from Tunisia to Guant namo Bay, from Foggy Bottom to Baghdad to small-town Oklahoma. Around the world, the eloquent act of one young man obliges citizens to ask themselves if they have the right to know what their government is doing.

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Literature of Revolution explores the pivotal texts and topics in the Marxist tradition, drawing on the works of Marx, Trotsky, Luxemburg, Lenin, and Althusser. In close dialogue with common themes and arguments in revolutionary Marxist thought, Geras brings some of his persistent preoccupations to the fore: the relationship between Marxism and justice; the debates on political organization; and the role of revolutionary mass action and party pluralism; as well as an enthralling exploration into the literary power of Trotsky’s writing.

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Landscapes, the companion volume to John Berger’s highly acclaimed Portraits, explores what art tells us about ourselves. “Berger’s work is an invitation to reimagine; to see in different ways,” writes Tom Overton in the introduction to this volume. As a master storyteller and thinker John Berger challenges readers to rethink their every assumption about the role of creativity in our lives. In this brilliant collection of diverse pieces - essays, short stories, poems, translations—which spans a lifetime’s engagement with art, John Berger reveals how he came to his own unique way of seeing. He pays homage to the writers and thinkers who infuenced him, such as Walter Benjamin, Rosa Luxemburg and Bertolt Brecht. His expansive perspective takes in artistic movements and individual artists—from the Renaissance to the present - while never neglecting the social and political context of their creation. Berger pushes at the limits of art writing, demonstrating beautifully how his artist’s eye makes him a storyteller in these essays, rather than a critic. With “landscape” as an animating, liberating metaphor rather than a rigid defnition, this collection surveys the aesthetic landscapes that have informed, challenged and nourished John Berger’s understanding of the world. Landscapes—alongside Portraits—completes a tour through the history of art that will be an intellectual benchmark for many years to come.

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No other country and no other period has produced a tradition of major aesthetic debate to compare with that which unfolded in German culture from the 1930s to the 1950s. In Aesthetics and Politics the key texts of the great Marxist controversies over literature and art during these years are assembled in a single volume. They do not form a disparate collection but a continuous, interlinked debate between thinkers who have become giants of twentieth-century intellectual history.

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Fredric Jameson's constantly enriched reflections have become an essential reference point for all those attempting to grapple with the postmodern. However, until now, several of his key writings on the subject, from initial formulations to current developments, have been unavailable in an accessible form. This collection vividly illuminates the cultural turn of contemporary capitalism. Thus it includes his earliest insights, his responses to critics, his survey of alternative interpretations and his engagement with the cultural climate of the 1990s. The collection, introduced by Perry Anderson, includes a number of recent texts in which Jameson extends his method to new aspects of postmodern architecture and its relationship to political economy.

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Contemporary philosophy of science has paid close attention to the understanding of scientific practice, in contrast to the previous focus on scientific method. Paul Feyerabend's acclaimed work, which sparked controversy and continues to fuel fierce debate, shows the deficiencies of many widespread ideas about the nature of knowledge. He argues that the only feasible explanation of any scientific success is a historical account, and that anarchism must now replace rationalism in the theory of knowledge. This updated edition of this classic text contains a new foreword by Ian Hacking, a leading contemporary philosopher of science, who reflects on Feyerabend's life and personality as well as the continuing relevance of his work.

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In this singular book written during World War II, the renowned playwright and poet Bertolt Brecht takes photographs from newspapers and popular magazines and puts short epigraph poems to each, in a unique attempt to understand the truth of war using mass media. From catastrophic bombings, to propaganda portraits of leading Nazis, to scenes of unbearable tragedy on the battlefield, this is an anthology of horror, but accompanied by Brecht's razor-sharp deconstruction of what we see, through his taut, angry and direct poems. The result is an outstanding literary memorial to World War II, and also one of the most spontaneous, revealing and moving of Brecht's works.

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The contemporary world, argues Boris Groys, was made possible by the downfall of historical communism. At the same time, today's political and aesthetic strategies - from a unified Europe to political Islam and contemporary mass culture - all bear the imprint of communist heritage. The renowned art critic and philosopher Boris Groys explores this post-communist condition through a radical and disturbing account of Soviet philosophy. He argues that communist revolution is the transcription of society from the medium of money to the medium of language - a linguistic turn at the level of social praxis. From Plato's philosopher-king onwards, philosophers have dreamt of ruling society through the mastery of language. Groys claims that the end of Soviet communism sets this dream free for new attempts to organize society through language, the medium of equality.

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Theodor Adorno and Max Horkheimer wrote the central text of "critical theory", Dialectic of Enlightenment, a measured critique of the Enlightenment reason that, they argued, had resulted in fascism and totalitarianism. Towards a New Manifesto shows the two philosophers in a uniquely spirited and free-flowing exchange of ideas. This book is a record of their discussions over three weeks in the spring of 1956, recorded with a view to the production of a contemporary version of The Communist Manifesto. A philosophical jam-session in which the two thinkers improvise freely, often wildly, on central themes of their work - theory and practice, labor and leisure, domination and freedom - in a political register found nowhere else in their writing. Amid a careening flux of arguments, aphorisms and asides, in which the trenchant alternates with the reckless, the playful with the ingenuous, positions are swapped and contradictions unheeded, without any compulsion for consistency. A thrilling example of philosophy in action and a compelling map of a possible passage to a new world.

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"The bourgeois... Not so long ago, this notion seemed indispensable to social analysis; these days, one might go years without hearing it mentioned. Capitalism is more powerful than ever, but its human embodiment seems to have vanished. 'I am a member of the bourgeois class, feel myself to be such, and have been brought up on its opinions and ideals', wrote Max Weber, in 1895. Who could repeat these words today? Bourgeois 'opinions and ideals' - what are they"? Thus begins Franco Moretti's study of the bourgeois in modern European literature - a major new analysis of the once-dominant culture and its literary decline and fall. Moretti's gallery of individual portraits is entwined with the analysis of specific keywords - "useful" and "earnest", "efficiency", "influence", "comfort", "roba" - and of the formal mutations of the medium of prose. From the "working master" of the opening chapter, through the seriousness of nineteenth-century novels, the conservative hegemony of Victorian Britain, the "national malformations" of the Southern and Eastern periphery, and the radical self-critique of Ibsen's twelve-play cycle, the book charts the vicissitudes of bourgeois culture, exploring the causes for its historical weakness, and for its current irrelevance.

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In this collection of essays, Alain Badiou revisits the age-old problem of the relation between literature and philosophy, arguing against both Plato and Heidegger's famous arguments. Philosophy neither has to ban the poets from the republic nor abdicate its own powers to the sole benefit of poetry or art. Instead, it must declare the end of what Badiou names the "age of the poets", from Holderlin to Celan. Drawing on ideas from his first publication on the subject, "The Autonomy of the Aesthetic Process", Badiou also offers an illuminating set of readings of contemporary French prose writers, giving us fascinating insights into the theory of the novel while also accounting for the specific position of literature between science and ideology.

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The Lives of Things collects Jose Saramago's early experiments with the short story form, attesting to the young novelist's imaginative power and incomparable skill in elaborating the most extravagant fantasies. Combining bitter satire, outrageous parody and Kafkaesque hallucinations, these stories explore the horror and repression that paralyzed Portugal during the harsh regime of Salazar and pay tribute to human resilience in the face of injustice and institutionalized tyranny. Beautifully written and deeply unsettling, The Lives of Things illuminates the development of Saramago's prose and records the genesis of those themes that resound throughout his novels.

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Why does the Western world look to migrant laborers to perform the most menial tasks? What compels people to leave their homes and accept this humiliating situation? In A Seventh Man, John Berger and Jean Mohr come to grips with what it is to be a migrant worker - the material circumstances and the inner experience and, in doing so, reveal how the migrant is not so much on the margins of modern life, but absolutely central to it. First published in 1975, this finely wrought exploration remains as urgent as ever, presenting a mode of living that pervades the countries of the West and yet is excluded from much of its culture.

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For over a century, Richard Wagner's music has been the subject of intense debate among philosophers, many of whom have attacked it's ideological some say racist and reactionary-underpinnings. In this major new work, Alain Badiou, radical philosopher and keen Wagner enthusiast, offers a detailed reading of the critical responses to the composer's work, which include Adorno's writings on the composer and Wagner's recuperation by Nazism as well as more recent readings by Philippe Lacoue-Labarthe and others. Slavoj A iA ek provides an afterword, and both philosophers make a passionate case for re-examining the relevance of Wagner to the contemporary world.

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This is an acclaimed, Man Booker Prize-longlisted story of love and resistance by one of the foremost novelists of our age In a dusty, ramshackle town lives A'ida. Her insurgent lover Xavier has been imprisoned. Resolute, sensuous and tender, A'ida's letters to the man she loves tell of daily events in the town, and of its motley collection of inhabitants whose lives flow through hers. But the area is under threat, and as a faceless power inexorably encroaches from outside, so the smallest details and acts of humanity - an intimate dance, a shared meal - assume for A'ida a life-affirming significance, acts of resistance against the forces that might otherwise extinguish them. From A to X is a powerful exploration of how humanity affirms itself in struggle: imagining a community which, besieged by economic and military imperialism, finds transcendent hope in the pain and fragility, vulnerability and sorrow of daily existence.

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In 1958, John Huston asked Jean-Paul Sartre to write a script for a movie about Sigmund Freud. The Freud Scenario, found among Sartre's papers after his death, is the result. A fluent portrait of a man engaged in a personal and intellectual struggle that was to change the course of twentieth-century thought, the script was too challenging and at a projected seven hours too long for a Hollywood audience. The script remains an unrealized classic and a testament to two of the most influential minds in modern history.

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How does a literary historian end up thinking in terms of z-scores, principal component analysis, and clustering coefficients? The essays in Distant Reading led to a new and often contested paradigm of literary analysis. In presenting them here Franco Moretti reconstructs his intellectual trajectory, the theoretical influences over his work, and explores the polemics that have often developed around his positions. From the evolutionary model of Modern European Literature, through the geo-cultural insights of Conjectures of World Literature and Planet Hollywood, to the quantitative findings of Style, inc. and the abstract patterns of Network Theory, Plot Analysis, the book follows two decades of conceptual development, organizing them around the metaphor of distant reading, that has come to define well beyond the wildest expectations of its author a growing field of unorthodox literary studies.

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Traditional philosophy, claims Boris Groys in this provocative new work, promised to satisfy the desire for knowledge. But why should I bother with knowledge and philosophy at all? What motives lead me to such a project? Antiphilosophy in its various guises is directed not against this or that particular philosophy but against the philosophical project itself. That project is now interpreted as a symptom of frustration, a lack of true vitality, or of the product of an unjust society. Asked why we should want philosophy the answer is no longer a theory but rather an appeal and a command: Live dangerously! Change the world! Think rhizomatically! And then you will know. Groys explores these questions and answers via figures as varied as Bakhtin, Benjamin, Derrida, Heidegger, Junger, Kierkegaard, Kojeve and Nietzsche.

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V.I. Lenin’s originality and importance as a revolutionary leader is most often associated with the seizure of power in 1917. But, in this new study and collection of Lenin’s original texts, Slavoj Žižek argues that his true greatness can be better grasped in the last two years of his political life. Russia had survived foreign invasion, embargo and a terrifying civil war, as well as internal revolts such as the one at Kronstadt in 1921. But the new state was exhausted, isolated and disorientated. As the anticipated world revolution receded into the distance, new paths had to be charted if the Soviet state was to survive. With his characteristic brio and provocative insight, Žižek suggests that Lenin’s courage as a thinker can be found in his willingness to face this reality of retreat unflinchingly. In today’s world, characterized by political turbulence, economic crises and geopolitical tensions, we should revisit Lenin’s combination of sober lucidity and revolutionary determination.