DOM publishers
Ширина 137

Описание:
The prolific architectural legacy of Delhi is remarkable not only for it's antiquity but also its diversity. While the period of antiquity encompass various types of Hindu, Islamic and Colonial architecture, it is modern architecture that laid the foundation of post-independent development of the city. Today, the city has been engulfed by an explosion of the built environment. One has to search for the forgotten or obscure jewels of architecture. Architectural Guide Delhi introduces over 200 of these known or obscure examples of Delhi's architecture particularly those built after india's independence in 1947. All projects presented with over 450 photographs, texts and drawings have been contributed by various architectural practitioners in Delhi. Information about each entry is enhanced by geo-data in the form of QR codes.

Описание:
In celebration of the 50th anniversary of the first man on the moon, this book for the first time ever looks at the artefacts left behind on the moon from the perspective of architecture. The book looks at every single mission - manned and unmanned - that has actually landed on the moon. It covers the time of the beginning of the Soviet and American space race with the landing of Luna 2 in 1959, to the present with China's Chang'e 3 moon rover. This architectural guide differentiates itself from other scientific and educational books through it's abstract approach to the topic of architecture on the moon. The content does not feature science fiction, but rather the question of what exists and what implications these bizarre structures hold for the future of architecture on other planets - as these topics are quite pertinent in today's world of the commercialisation of spaceflight, with SpaceX and NASA planning to take humans to Mars in the next 15 years. Contributors on the Russian side include Galina Balashova, the famous architect of the Soviet space program, and the expert Alexander Glushko, son of the deceased chief engineer of the Soviet space program, Valentin Glushko. Further contributions by Evangelos Kotsioris (MoMA), Brian Harvey (China), Gurbir Singh (India), and Olga Bannova (University of Houston).

Описание:
Founded by Alexander the Great in 332 BC, Alexandria was for a long time the largest city in the ancient world. Flattened by a tsunami in 365 AD, it was little more than a fishing village when captured by Napoleon in 1798. The 19th century saw it become the centre of the Egyptian cotton trade, bringing prosperity and an influx of European merchants. Then came the bombardment by the English in 1882, which almost flattened the city a second time, and the revolution of 1952, which in effect condemned many of it's residential buildings to slow but picturesque decay. The ebbs and flows of history and different cultures (especially Arabic, Muslim, Greek, Italian, English, and, not least, Jewish) have all left their marks on Alexandria's architecture. There are classical ruins; Ottoman fortifications; Egyptian okelles (medieval merchants' buildings); a colourful fishing port; mosques, shrines, churches, and synagogues; mansions and apartment buildings in the neo-Renaissance, art deco, and international styles; brutalist post-revolutionary institutions. And then are oddities such as the Cotton Palace Tower, a skyscraper intended for use as the headquarters of the country's cotton industry but inexplicably abandoned before completion. This book, the first systematic guide to the architecture of Alexandria, is the work of many enthusiastic hands. The texts and photographs were produced by students and staff at the Architecture Faculty of Alexandria University.

Описание:
While in other Soviet cities and republics monumental mosaics became common in the 1960s, in Moscow mosaic was used for art-deco works and social realist 'pictures'. The entire history of Soviet art is thus reflected in Moscow's metro stations, palaces of culture, military museums, hospitals, schools, and prefabricated houses. Today, many of these works are disappearing before our eyes, victims of destruction or dismantling; the majority are not listed as under state protection, and a great number of their authors are unknown. This book collects 140 Soviet-era mosaics and arranges them in chronological order. It contains four main sections - Art Deco, Socialist Realism, Modernism, and Postmodernism - and includes a list of 295 mosaics that have been identified. This guide shows well-known works by Aleksander Deyneka, Pavel Korin, Boris Chernyshev, Evgeny Ablin, Yury Korolev, and Leonid Polishchuk side by side with mosaics by artists whose names were for a long time absent from the history of art and architecture. The idea for it came from American photographer James Hill, who spent three years seeking out and photographing works of Soviet monumental art that have not received the attention they deserve and that in the post-Soviet period have often been dismissed as propaganda.

Описание:
Since the turn of the century, a return to the qualities of the European city with it's respective attributes has been in evidence. A greater awareness of urban and historical references has evolved. Materials used often compose a narrative that recounts a new haptic quality and a deeper affinity for the environment. A total of 180 buildings from Münster and the Münsterland region spanning the past ten years furnish proof of this development.

Описание:
Aarhus, Denmark's second largest town will be the European Capital of Culture in 2017 for a good reason: for decades "the world's smallest big city" has hosted one of the largest cultural events in Scandinavia, the festival week at the end of each summer. Aarhus attracts a growing population with it's combination of urbanity, proximity to nature and educational institutions, which are amongst the country's finest, including an architectural school that has produced many of the talents nowadays, promoting Danish architecture worldwide.

Описание:
Die tadschikische Hauptstadt Duschanbe liegt am Rande zweier Welten: im Süden der ewige Krisenherd Afghanistan, im Norden das frühere, lange Zeit den Ton angebende Sowjetreich. Erst die Sowjetunion stampfte aus dem winzigen Marktflecken eine Stadt hervor, die zum wichtigsten Außenposten an der im Great Game gezogenen Demarkationslinie zum Orient wurde. Fernab von Moskau geriet hier selbst der Stalin-Stil weniger gewaltig, zeigte sich die Sowjet moderne avantgardistischer als anderswo. Seit Erlangung der Unabhängig keit Tadschikistans 1991 entsteht jedoch eine von Gigantismus dominierte Architektur, die sich der älteren Baugeschichte konsequent zu entledigen sucht. Mit dem Architekturführer Duschanbe wird daher nicht nur das kenntnisreiche Porträt einer Stadt zwischen persischer Geschichte, Sowjet architektur und tadschikischer Moderne vorgelegt, sondern auch eine aktuelle - und womöglich letzte - Bestandsaufnahme ihres baulichen Erbes.