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Hatje Cantz Verlag


The Moscow Metro is a unique place. With a network of 400 kilometers of lines, exceptionally deep tunnels and stations, and nearly nine million passengers a day, it is one of the most heavily frequented underground subway systems in the world. Katharina Gruzei explored it over several years and now presents an aesthetically fascinating and socioculturally remarkable photographic survey. Ideologically charged and symbolic of Russia's eventful history, the Metro was started as a prestige project and simultaneously conceived to also be used as a bunker. It was always intended as a place for people to congregate and is still today a living space where social, political and societal tendencies are made legible. With her photo series, the artist enables an extraordinary journey through time and space in the underground of Moscow, a metropolis of millions.
Издание на английском, русском и немецком языках.

Katharina Gruzei. Mir Metro

Производитель: Hatje Cantz Verlag

Цена: 12741.00 руб.

Описание:
The Moscow Metro is a unique place. With a network of 400 kilometers of lines, exceptionally deep tunnels and stations, and nearly nine million passengers a day, it is one of the most heavily frequented underground subway systems in the world. Katharina Gruzei explored it over several years and now presents an aesthetically fascinating and socioculturally remarkable photographic survey. Ideologically charged and symbolic of Russia's eventful history, the Metro was started as a prestige project and simultaneously conceived to also be used as a bunker. It was always intended as a place for people to congregate and is still today a living space where social, political and societal tendencies are made legible. With her photo series, the artist enables an extraordinary journey through time and space in the underground of Moscow, a metropolis of millions. Издание на английском, русском и немецком языках.


In her digitally manipulated photographs and installations, German artist Claudia Rogge (born 1968) deconstructs social roles by dramatizing them. Taking such cliches as the innocent child, the grim executioner and the masked temptress, Rogge replicates their images ad nauseam until all meaning is drained from them.

Claudia Rogge: A Retrospective

Производитель: Hatje Cantz Verlag

Цена: 4343.00 руб.

Описание:
In her digitally manipulated photographs and installations, German artist Claudia Rogge (born 1968) deconstructs social roles by dramatizing them. Taking such cliches as the innocent child, the grim executioner and the masked temptress, Rogge replicates their images ad nauseam until all meaning is drained from them.


Incomparable masterpieces of Netherlandish drawing from the collection of Viennas Albertina. The entire artistic spectrum is opened up page by page: landscapes, seascapes, topographical views, portraits, rural genre scenes, and still lifes. The Albertina owns one of the worlds most important collections of Netherlandish drawings dating from the period 1430 to 1650.

Bosch - Bruegel - Rubens - Rembrandt: Masterworks from the Albertina Collection

Производитель: Hatje Cantz Verlag

Цена: 2225.00 руб.

Описание:
Incomparable masterpieces of Netherlandish drawing from the collection of Viennas Albertina. The entire artistic spectrum is opened up page by page: landscapes, seascapes, topographical views, portraits, rural genre scenes, and still lifes. The Albertina owns one of the worlds most important collections of Netherlandish drawings dating from the period 1430 to 1650.


Pablo Picasso was one of the most frequently photographed celebrities of the last century. Virtually all of the great twentieth-century portraitists photographed him, including Cecil Beaton, Henri Cartier-Bresson, Robert Doisneau, Man Ray, Irving Penn and Lee Miller. Photo Portraits of Picasso gathers these portraits for the first time, examining the often tense relationship between Picasso's control of his public persona and the intentions of the photographers. Ranging from classic staged sittings - some commissioned by Picasso himself - to more spontaneous snapshots, the portraits in this volume are a record of the artist's sustained, lifelong construction of his public identity. Other photographers included are Rogi Andre, Richard Avedon, Bill Brandt, Brassai, Rene Burri, Robert Capa, Lucien Clergue, Jean Cocteau, Denise Colomb, David Douglas Duncan, Jaques-Henri Lartigue, Herbert List, Dora Maar, Madame d'Ora, Willy Maywald, Gjon Mili, Inge Morath, Arnold Newman, Roberto Otero, Edward Quinn, Gotthard Schuh, Michel Sima and Andre Villiers.

MemyselfandI. Photographic Portraits of Picasso

Производитель: Hatje Cantz Verlag

Цена: 1020.00 руб.

Описание:
Pablo Picasso was one of the most frequently photographed celebrities of the last century. Virtually all of the great twentieth-century portraitists photographed him, including Cecil Beaton, Henri Cartier-Bresson, Robert Doisneau, Man Ray, Irving Penn and Lee Miller. Photo Portraits of Picasso gathers these portraits for the first time, examining the often tense relationship between Picasso's control of his public persona and the intentions of the photographers. Ranging from classic staged sittings - some commissioned by Picasso himself - to more spontaneous snapshots, the portraits in this volume are a record of the artist's sustained, lifelong construction of his public identity. Other photographers included are Rogi Andre, Richard Avedon, Bill Brandt, Brassai, Rene Burri, Robert Capa, Lucien Clergue, Jean Cocteau, Denise Colomb, David Douglas Duncan, Jaques-Henri Lartigue, Herbert List, Dora Maar, Madame d'Ora, Willy Maywald, Gjon Mili, Inge Morath, Arnold Newman, Roberto Otero, Edward Quinn, Gotthard Schuh, Michel Sima and Andre Villiers.


Warhol's Queens combines the artist's portraits of actual female royalty with images of drag queens. For Warhol (1928-1987), both these genuine and fake queens epitomized idealized femininity, devoting their lives to presenting an unattainably glittering pageantry to the public for (not all too) close inspection. This volume juxtaposes Warhol's Polaroids of Princess Caroline of Monaco, Farah Diba Pahlavi and the then-Crown Princess Sonja, of Norway, with drag queens, whom Warhol characterized as living testimony to the way women used to want to be, the way some people still want them to be and the way some women still actually want to be. The intense faces with their exceptionally colored lips, eyes and hair are both aloof and strangely intimate. With its in-depth scholarly essays, this book is essential for fans of Warhol's portraiture and camp culture.

Warhol's Queens

Производитель: Hatje Cantz Verlag

Цена: 2194.00 руб.

Описание:
Warhol's Queens combines the artist's portraits of actual female royalty with images of drag queens. For Warhol (1928-1987), both these genuine and fake queens epitomized idealized femininity, devoting their lives to presenting an unattainably glittering pageantry to the public for (not all too) close inspection. This volume juxtaposes Warhol's Polaroids of Princess Caroline of Monaco, Farah Diba Pahlavi and the then-Crown Princess Sonja, of Norway, with drag queens, whom Warhol characterized as living testimony to the way women used to want to be, the way some people still want them to be and the way some women still actually want to be. The intense faces with their exceptionally colored lips, eyes and hair are both aloof and strangely intimate. With its in-depth scholarly essays, this book is essential for fans of Warhol's portraiture and camp culture.


This publication reissues a much sought-after photobook. Taryn Simon is an American artist whose works combine photography, text and graphic design. Her practice involves extensive research, in projects guided by an interest in systems of categorization and classification. For Contraband, 1,075 photographs were taken at both the US Customs and Border Protection Federal Inspection Site and the US Postal Service International Mail Facility at John F. Kennedy International Airport, New York. From November 16 to November 20, 2009, Simon remained on site and continuously photographed items detained or seized from passengers and express mail entering the United States from abroad. The list of items includes pork, syringes, Botox, GBL date rape drug, heroin, imitation Lipitor, Ketamine tranquillizers, Lidocaine, Lorazepam, locust tree seed, ginger root, deer tongues, cow urine, Cohiba cigars and Egyptian cigarettes. The volume is published in three differently colored covers.Taryn Simon (born 1975) has been the subject of monographic exhibitions at Ullens Center for Contemporary Art, Beijing (2013); The Museum of Modern Art, New York (2012); Tate Modern, London (2011); Neue Nationalgalerie, Berlin (2011); and Whitney Museum of American Art, New York (2007). Her work is in the permanent collections of The Metropolitan Museum of Art, Tate Modern, Whitney Museum of American Art, Centre Georges Pompidou and Museum of Contemporary Art, Los Angeles, and was included in the 54th Venice Biennale in 2011 and the Carnegie International in 2013. She is a graduate of Brown University and a Guggenheim Fellow. Simon lives and works in New York.

Contraband

Производитель: Hatje Cantz Verlag

Цена: 1859.00 руб.

Описание:
This publication reissues a much sought-after photobook. Taryn Simon is an American artist whose works combine photography, text and graphic design. Her practice involves extensive research, in projects guided by an interest in systems of categorization and classification. For Contraband, 1,075 photographs were taken at both the US Customs and Border Protection Federal Inspection Site and the US Postal Service International Mail Facility at John F. Kennedy International Airport, New York. From November 16 to November 20, 2009, Simon remained on site and continuously photographed items detained or seized from passengers and express mail entering the United States from abroad. The list of items includes pork, syringes, Botox, GBL date rape drug, heroin, imitation Lipitor, Ketamine tranquillizers, Lidocaine, Lorazepam, locust tree seed, ginger root, deer tongues, cow urine, Cohiba cigars and Egyptian cigarettes. The volume is published in three differently colored covers.Taryn Simon (born 1975) has been the subject of monographic exhibitions at Ullens Center for Contemporary Art, Beijing (2013); The Museum of Modern Art, New York (2012); Tate Modern, London (2011); Neue Nationalgalerie, Berlin (2011); and Whitney Museum of American Art, New York (2007). Her work is in the permanent collections of The Metropolitan Museum of Art, Tate Modern, Whitney Museum of American Art, Centre Georges Pompidou and Museum of Contemporary Art, Los Angeles, and was included in the 54th Venice Biennale in 2011 and the Carnegie International in 2013. She is a graduate of Brown University and a Guggenheim Fellow. Simon lives and works in New York.


In 2012, the Museum Tinguely in Basel mounted the exhibition Tatlin: New Art for a New World, the first comprehensive overview of the Russian pioneer in more than 20 years. An interdisciplinary symposium took place during the show, for which researchers from around the world were invited to reassess Tatlin's oeuvre. This volume provides transcriptions of the occasion, which was divided into six themed panels: Paintings and Counterreliefs; Tatlin and his Contemporaries (with papers on Khlebnikov, Malevich, van Doesburg); Revolution, Architecture, Utopia: Tatlin's Tower; Literature and Theater (with papers on the artist's set designs and works with Khlebnikov); The Flight of the Letatlin (on Tatlin's glider); and Perception of Tatlin's Oeuvre in the Twentieth and Twenty-First Century.

Tatlin. New Art for a New World

Производитель: Hatje Cantz Verlag

Цена: 1206.00 руб.

Описание:
In 2012, the Museum Tinguely in Basel mounted the exhibition Tatlin: New Art for a New World, the first comprehensive overview of the Russian pioneer in more than 20 years. An interdisciplinary symposium took place during the show, for which researchers from around the world were invited to reassess Tatlin's oeuvre. This volume provides transcriptions of the occasion, which was divided into six themed panels: Paintings and Counterreliefs; Tatlin and his Contemporaries (with papers on Khlebnikov, Malevich, van Doesburg); Revolution, Architecture, Utopia: Tatlin's Tower; Literature and Theater (with papers on the artist's set designs and works with Khlebnikov); The Flight of the Letatlin (on Tatlin's glider); and Perception of Tatlin's Oeuvre in the Twentieth and Twenty-First Century.


This exhibition celebrates that groundbreaking moment in the history of modern art when Kazimir Malevich debuted his new nonobjective paintings - including the "Black Square" - under the banner of Suprematism and Vladimir Tatlin introduced his revolutionary counter-relief sculptures. Malevich and Tatlin were bitter rivals and diametrically opposed in their creative thinking, so when the exhibition 0,10: The Last Futurist Exhibition of Painting, organized by fellow artist Ivan Puni, was launched in Petrograd in 1915, the other 12 artists in the show (Ivan Puni, Liubov Popova, Ivan Kliun, Ksenia Boguslavskaya, Olga Rozanova, Nadezhda Udaltsova, Nathan Altman, Vasily Kamensky, Vera Pestel, Maria Ivanovna Vasilieva, Anna Michailovna Kirillova and Mikhail Menkov) chose sides. It was a stylistically diverse exhibition, with Cubist-inspired works and the first nonobjective paintings and reliefs. "In Search of 0,10" accompanies a show at the Fondation Beyeler, which includes a large number of the works from the original exhibition. The catalogue features essays by exhibition curator Matthew Drutt and other leading scholars, as well as documents gathered together and translated for the first time.

In Search of 0,10. The Last Futurist Exhibition of Painting

Производитель: Hatje Cantz Verlag

Цена: 1800.00 руб.

Описание:
This exhibition celebrates that groundbreaking moment in the history of modern art when Kazimir Malevich debuted his new nonobjective paintings - including the "Black Square" - under the banner of Suprematism and Vladimir Tatlin introduced his revolutionary counter-relief sculptures. Malevich and Tatlin were bitter rivals and diametrically opposed in their creative thinking, so when the exhibition 0,10: The Last Futurist Exhibition of Painting, organized by fellow artist Ivan Puni, was launched in Petrograd in 1915, the other 12 artists in the show (Ivan Puni, Liubov Popova, Ivan Kliun, Ksenia Boguslavskaya, Olga Rozanova, Nadezhda Udaltsova, Nathan Altman, Vasily Kamensky, Vera Pestel, Maria Ivanovna Vasilieva, Anna Michailovna Kirillova and Mikhail Menkov) chose sides. It was a stylistically diverse exhibition, with Cubist-inspired works and the first nonobjective paintings and reliefs. "In Search of 0,10" accompanies a show at the Fondation Beyeler, which includes a large number of the works from the original exhibition. The catalogue features essays by exhibition curator Matthew Drutt and other leading scholars, as well as documents gathered together and translated for the first time.


Architecturally, Burma is both a melting pot and a museum. Boasting a wealth of influences from all of the countries that surround it - India, China, Laos, Thailand, Bhutan, Laos - Burma has also preserved many key examples of religious architectural styles no longer extant in their countries of origin, most famously in Pagan, the country's capital in the ninth to twelfth centuries. Alongside the pagodas of Pagan, Burma's architectural jewel is probably the Shwe Dagon pagoda in Rangoon, a magnificent social hub in the city's center that has also been the site of much political turmoil. During colonial rule, many extraordinary Victorian civic buildings were erected, especially in Rangoon and Mandalay; throughout the country, Buddhist monasteries and villages also offer many fascinating varieties of architecture. Despite a few recent instances of architectural modernization, Burma remains largely an open-air museum, whose buildings embody and chronicle centuries of dynastic squabble and migration of cultural influences. (Such quarrels frequently resulted in new rulers packing up entire palaces and other structures and transporting these by elephant to establish a new seat of government or capital elsewhere). Authored by Lorie Karnath, President of the Explorer's Club in New York, Architecture in Burma is the first serious overview of the astounding architectural treasures of this long-isolated country.

Architecture in Burma. Moments in Time

Производитель: Hatje Cantz Verlag

Цена: 2276.00 руб.

Описание:
Architecturally, Burma is both a melting pot and a museum. Boasting a wealth of influences from all of the countries that surround it - India, China, Laos, Thailand, Bhutan, Laos - Burma has also preserved many key examples of religious architectural styles no longer extant in their countries of origin, most famously in Pagan, the country's capital in the ninth to twelfth centuries. Alongside the pagodas of Pagan, Burma's architectural jewel is probably the Shwe Dagon pagoda in Rangoon, a magnificent social hub in the city's center that has also been the site of much political turmoil. During colonial rule, many extraordinary Victorian civic buildings were erected, especially in Rangoon and Mandalay; throughout the country, Buddhist monasteries and villages also offer many fascinating varieties of architecture. Despite a few recent instances of architectural modernization, Burma remains largely an open-air museum, whose buildings embody and chronicle centuries of dynastic squabble and migration of cultural influences. (Such quarrels frequently resulted in new rulers packing up entire palaces and other structures and transporting these by elephant to establish a new seat of government or capital elsewhere). Authored by Lorie Karnath, President of the Explorer's Club in New York, Architecture in Burma is the first serious overview of the astounding architectural treasures of this long-isolated country.


Pavel Pepperstein (born 1966), long since acknowledged as the central figure in Russia’s contemporary art scene, constitutes an important link between the older generation of Moscow Conceptualists and young aspiring artists in his country. In Pepperstein’s graphic, painterly works, mysterious hybrid worlds open themselves up to the viewer’s gaze. Motifs from Russian and ancient mythology encounter avant-garde forms in the style of El Lissitzky or Kasimir Malevich that are combined, much like collages, with Hollywood or science-fiction scenes. The artist adds a handwritten, annotative element to this bold blend. His playful gestures break through the confines of the familiar and ironically blend Russian icons with images taken from Western pop culture.
This catalogue gathers a selection of stories by Pepperstein, taken from his short story collection The Secret of Our Time, and his recent works on canvas.

Pavel Pepperstein: The Cold Center of the Sun

Производитель: Hatje Cantz Verlag

Цена: 2952.00 руб.

Описание:
Pavel Pepperstein (born 1966), long since acknowledged as the central figure in Russia’s contemporary art scene, constitutes an important link between the older generation of Moscow Conceptualists and young aspiring artists in his country. In Pepperstein’s graphic, painterly works, mysterious hybrid worlds open themselves up to the viewer’s gaze. Motifs from Russian and ancient mythology encounter avant-garde forms in the style of El Lissitzky or Kasimir Malevich that are combined, much like collages, with Hollywood or science-fiction scenes. The artist adds a handwritten, annotative element to this bold blend. His playful gestures break through the confines of the familiar and ironically blend Russian icons with images taken from Western pop culture. This catalogue gathers a selection of stories by Pepperstein, taken from his short story collection The Secret of Our Time, and his recent works on canvas.


Hiroshi Sugimoto is one of the best-known photographic artists of our time. His unique accomplishment in photography has been to contradict the medium’s conventional task--namely, to record reality as precisely as possible. In Sugimoto’s work, one is confronted with aformal reduction of images, by which he addresses fundamental questions of space and time, past and present, art and science, imagination and reality. “I was concerned with revealing an ancient stage of human memory through the medium of photography,” he said in 2002. “Whether it is individual memory or the cultural memory of mankind itself, my work is about returning to the past and remembering where we came from and how we came about.” This volume presents a group of images that Sugimoto has been working on for a long time. From a technical perspective, the nature of the pictures is undeniably photographic, but in terms of how they are perceived and understood, they might be more readily ascribed to a painterly or conceptual sphere. The point of departure for the 15 works, titled Revolution, is a nocturnal seascape, rotated 90 degrees to turn the horizons into vertical lines, dissipating the Romantic image of the night. The suite’s title alludes not to social unrest, but rather to an overturning of previously accepted laws or practices through new insights or methods. Without changing the pictures’ material substance or subject, the usual connotations of nocturnes are obviated; instead, highly original abstract configurations emerge.

Sugimoto: Revolution

Производитель: Hatje Cantz Verlag

Цена: 3803.00 руб.

Описание:
Hiroshi Sugimoto is one of the best-known photographic artists of our time. His unique accomplishment in photography has been to contradict the medium’s conventional task--namely, to record reality as precisely as possible. In Sugimoto’s work, one is confronted with aformal reduction of images, by which he addresses fundamental questions of space and time, past and present, art and science, imagination and reality. “I was concerned with revealing an ancient stage of human memory through the medium of photography,” he said in 2002. “Whether it is individual memory or the cultural memory of mankind itself, my work is about returning to the past and remembering where we came from and how we came about.” This volume presents a group of images that Sugimoto has been working on for a long time. From a technical perspective, the nature of the pictures is undeniably photographic, but in terms of how they are perceived and understood, they might be more readily ascribed to a painterly or conceptual sphere. The point of departure for the 15 works, titled Revolution, is a nocturnal seascape, rotated 90 degrees to turn the horizons into vertical lines, dissipating the Romantic image of the night. The suite’s title alludes not to social unrest, but rather to an overturning of previously accepted laws or practices through new insights or methods. Without changing the pictures’ material substance or subject, the usual connotations of nocturnes are obviated; instead, highly original abstract configurations emerge.


The new artist’s book by Paul McCarthy (1945 in Salt Lake City) presents one of the artist's most significant works: The Box (1999). The work is a displaced sculpture of McCarthy’s entire studio. Inconspicuous from the outside, a fabricated wooden structure like a shipping crate with four holes indicating the windows and doors in McCarthy's actual studio, the inside reveals an overwhelming diversity of objects thereby creating an intimate portrait of the artist’s mindscape. The contents of The Box are the actual items from McCarthy's studio in Los Angeles, California, containing approximately three thousand objects, from a steel cabinet to a pencil, drawings and artworks. Only one thing is amiss, the box is tipped ninety degrees on its side, its contents, fixed to their surfaces, appear to defy gravity and taunt the viewer's perception of right-side-up. This radical displacement is repeated in the design of the catalog, thereby creating an object that functions as yet another haptic inversion.

Paul McCarthy: The Box

Производитель: Hatje Cantz Verlag

Цена: 1194.00 руб.

Описание:
The new artist’s book by Paul McCarthy (1945 in Salt Lake City) presents one of the artist's most significant works: The Box (1999). The work is a displaced sculpture of McCarthy’s entire studio. Inconspicuous from the outside, a fabricated wooden structure like a shipping crate with four holes indicating the windows and doors in McCarthy's actual studio, the inside reveals an overwhelming diversity of objects thereby creating an intimate portrait of the artist’s mindscape. The contents of The Box are the actual items from McCarthy's studio in Los Angeles, California, containing approximately three thousand objects, from a steel cabinet to a pencil, drawings and artworks. Only one thing is amiss, the box is tipped ninety degrees on its side, its contents, fixed to their surfaces, appear to defy gravity and taunt the viewer's perception of right-side-up. This radical displacement is repeated in the design of the catalog, thereby creating an object that functions as yet another haptic inversion.


Im Mittelpunkt dieses Katalogs stehen Robert Longos jüngste Serien von Kohlezeichnungen nach bekannten Gemälden des Abstrakten Expressionismus. Die in Kohle wiedergegebenen Originalgemälde lassen sich auf den ersten Blick erkennen, doch es sind die übersehenen oder kaum wahrnehmbaren Details der komplexen Oberfläche, der Taktilität der Farbe, der Pinselstriche und des Musters der Leinwand, die Longo bei seiner Übertragung von farbig in schwarz-weiß, von Farbe in Kohle sichtbar gemacht hat. Longos Zeichnungen befassen sich mit seiner ambivalenten Haltung zur Malerei und mit der historischen Bedeutung des Abstrakten Expressionismus in kunsthistorischen und kulturellen Kontexten. Neben den abstrakt-expressionistischen Zeichnungen präsentiert das Buch Longos gewaltige 7-teilige Zeichnung des Kapitols in Washington, D. C. und eine 5,18 Meter hohe, mit Wachs beschichtete schwarze Skulptur der amerikanischen Flagge, die zu Boden zu stürzen oder durch ihn hindurchzufallen scheint.

Gang of Cosmos. Robert Longo

Производитель: Hatje Cantz Verlag

Цена: 3413.00 руб.

Описание:
Im Mittelpunkt dieses Katalogs stehen Robert Longos jüngste Serien von Kohlezeichnungen nach bekannten Gemälden des Abstrakten Expressionismus. Die in Kohle wiedergegebenen Originalgemälde lassen sich auf den ersten Blick erkennen, doch es sind die übersehenen oder kaum wahrnehmbaren Details der komplexen Oberfläche, der Taktilität der Farbe, der Pinselstriche und des Musters der Leinwand, die Longo bei seiner Übertragung von farbig in schwarz-weiß, von Farbe in Kohle sichtbar gemacht hat. Longos Zeichnungen befassen sich mit seiner ambivalenten Haltung zur Malerei und mit der historischen Bedeutung des Abstrakten Expressionismus in kunsthistorischen und kulturellen Kontexten. Neben den abstrakt-expressionistischen Zeichnungen präsentiert das Buch Longos gewaltige 7-teilige Zeichnung des Kapitols in Washington, D. C. und eine 5,18 Meter hohe, mit Wachs beschichtete schwarze Skulptur der amerikanischen Flagge, die zu Boden zu stürzen oder durch ihn hindurchzufallen scheint.


Eingehende Betrachtung der grotesken und verstörenden Seiten im Werk der amerikanischen Fotokünstlerin.

Cindy Sherman: Untitled Horrors

Производитель: Hatje Cantz Verlag

Цена: 1664.00 руб.

Описание:
Eingehende Betrachtung der grotesken und verstörenden Seiten im Werk der amerikanischen Fotokünstlerin.


Lee Miller (1907–1977) begann ihre künstlerische Karriere 1929 als surrealistische Fotografin in Paris. Oftmals in Zusammenarbeit mit Man Ray fertigte sie Bilder an, in denen sie Motive durch enge Bildausschnitte und experimentelle Techniken verfremdete und so eine paradoxe Wirklichkeit in Szene setzte. Die Publikation macht ihre besten Arbeiten wieder zugänglich, darunter neben frühen surrealistischen Kompositionen auch Reisefotos. Am Ende des Zweiten Weltkriegs reiste Lee Miller als Kriegsberichterstatterin durch Europa, wobei ihr erschütternde Aufnahmen von historischer Bedeutung gelangen. Eines der spektakulärsten Bilder entstand Ende April 1945 in Adolf Hitlers Stadtwohnung am Münchner Prinzregentenplatz: Lee Miller ließ sich nackt in der Badewanne des Diktators ablichten – nachdem sie unmittelbar zuvor als eine der ersten Fotografen und Fotografinnen die Verbrechen in den eben befreiten Konzentrationslagern Dachau und Buchenwald festgehalten hatte.

Lee Miller

Производитель: Hatje Cantz Verlag

Цена: 1636.00 руб.

Описание:
Lee Miller (1907–1977) begann ihre künstlerische Karriere 1929 als surrealistische Fotografin in Paris. Oftmals in Zusammenarbeit mit Man Ray fertigte sie Bilder an, in denen sie Motive durch enge Bildausschnitte und experimentelle Techniken verfremdete und so eine paradoxe Wirklichkeit in Szene setzte. Die Publikation macht ihre besten Arbeiten wieder zugänglich, darunter neben frühen surrealistischen Kompositionen auch Reisefotos. Am Ende des Zweiten Weltkriegs reiste Lee Miller als Kriegsberichterstatterin durch Europa, wobei ihr erschütternde Aufnahmen von historischer Bedeutung gelangen. Eines der spektakulärsten Bilder entstand Ende April 1945 in Adolf Hitlers Stadtwohnung am Münchner Prinzregentenplatz: Lee Miller ließ sich nackt in der Badewanne des Diktators ablichten – nachdem sie unmittelbar zuvor als eine der ersten Fotografen und Fotografinnen die Verbrechen in den eben befreiten Konzentrationslagern Dachau und Buchenwald festgehalten hatte.


Man Ray's Shakespearean Equations' a series of paintings he considered to be the pinnacle of his creative vision has long been a puzzle of Surrealism. What meaningful common thread could possibly link Shakespeare, mathematics and art? This volume sets out to unravel the puzzle by beginning with photographs of mathematical models that Man Ray took at the Institut Henri Poincaré in Paris in the 1930s. It then charts the artist's development along a path that culminates with the Shakespearean Equations, a series of oil paintings he made in Hollywood more than a decade later, inspired by that earlier photographic work. The canvases build a bridge from painting back to photography and reveal the ease with which Man Ray moved between various disciplines and forged his own path. An inveterate experimenter, he pioneered artistic activities in the realms of painting, object making, film and photography, challenging conventional boundaries and blurring established aesthetic categories.
Man Ray was born Emmanuel Radnitzky in Philadelphia in 1890 and grew up in New York, where he studied art at the National Academy of Design and the Ferrer School. A nomadic soul like his lifelong friend Marcel Duchamp, Man Ray relocated many times throughout his life, worked in many media and likewise stopped short of officially joining the ranks of either Dada or Surrealism, though he was informally close to both movements. Participating in the most groundbreaking formal experiments of the Western modernist avant-garde, Man Ray made Cubist paintings, readymades, camera-less photographs and nonnarrative films (among many other things). He died in 1976 and was buried in the Cimetière du Montparnasse in Paris. His epitaph reads: "unconcerned, but not indifferent."

Man Ray: Human Equation

Производитель: Hatje Cantz Verlag

Цена: 1819.00 руб.

Описание:
Man Ray's Shakespearean Equations' a series of paintings he considered to be the pinnacle of his creative vision has long been a puzzle of Surrealism. What meaningful common thread could possibly link Shakespeare, mathematics and art? This volume sets out to unravel the puzzle by beginning with photographs of mathematical models that Man Ray took at the Institut Henri Poincaré in Paris in the 1930s. It then charts the artist's development along a path that culminates with the Shakespearean Equations, a series of oil paintings he made in Hollywood more than a decade later, inspired by that earlier photographic work. The canvases build a bridge from painting back to photography and reveal the ease with which Man Ray moved between various disciplines and forged his own path. An inveterate experimenter, he pioneered artistic activities in the realms of painting, object making, film and photography, challenging conventional boundaries and blurring established aesthetic categories. Man Ray was born Emmanuel Radnitzky in Philadelphia in 1890 and grew up in New York, where he studied art at the National Academy of Design and the Ferrer School. A nomadic soul like his lifelong friend Marcel Duchamp, Man Ray relocated many times throughout his life, worked in many media and likewise stopped short of officially joining the ranks of either Dada or Surrealism, though he was informally close to both movements. Participating in the most groundbreaking formal experiments of the Western modernist avant-garde, Man Ray made Cubist paintings, readymades, camera-less photographs and nonnarrative films (among many other things). He died in 1976 and was buried in the Cimetière du Montparnasse in Paris. His epitaph reads: "unconcerned, but not indifferent."


Paul Klee: The Abstract Dimension examines a previously little-explored aspect of the artist’s oeuvre.
Among the nearly 10,000 works Klee created in the course of his career are some of the most pioneering and influential examples of modernist abstraction works that continue to resonate today.
Starting in 1913, this book presents around 100 works from all periods of Klee’s career, reproducing paintings and drawings from numerous renowned institutions and private collections in Europe and overseas. The works are grouped under four themes nature, architecture, painting and graphic characters that show how Klee constantly oscillated between the semi-representational and the absolute abstract.
Paul Klee (1879–1940) was born in Switzerland and studied at Munich’s Academy of Fine Arts. Klee participated in several exhibitions between 1911 and 1913, but the breakthrough in his career was a 1914 trip to Tunis with August Macke and Louis Moillet, after which he painted his first abstract work. From 1919 he was represented by influential dealer Hans Goltz. Klee taught at the Bauhaus from 1921 to 1931; when the ascent of Nazism forced the closure of the Bauhaus, Klee emigrated to Switzerland. Although still working, he was in ill health until his death in 1940.

Paul Klee: The Abstract Dimension

Производитель: Hatje Cantz Verlag

Цена: 6198.00 руб.

Описание:
Paul Klee: The Abstract Dimension examines a previously little-explored aspect of the artist’s oeuvre. Among the nearly 10,000 works Klee created in the course of his career are some of the most pioneering and influential examples of modernist abstraction works that continue to resonate today. Starting in 1913, this book presents around 100 works from all periods of Klee’s career, reproducing paintings and drawings from numerous renowned institutions and private collections in Europe and overseas. The works are grouped under four themes nature, architecture, painting and graphic characters that show how Klee constantly oscillated between the semi-representational and the absolute abstract. Paul Klee (1879–1940) was born in Switzerland and studied at Munich’s Academy of Fine Arts. Klee participated in several exhibitions between 1911 and 1913, but the breakthrough in his career was a 1914 trip to Tunis with August Macke and Louis Moillet, after which he painted his first abstract work. From 1919 he was represented by influential dealer Hans Goltz. Klee taught at the Bauhaus from 1921 to 1931; when the ascent of Nazism forced the closure of the Bauhaus, Klee emigrated to Switzerland. Although still working, he was in ill health until his death in 1940.


Der amerikanische Fotograf Richard Avedon (1923–2004) war berühmt für seine "Heart Shots", in denen er Stars just in dem Augenblick festhielt, in dem sie "die Maske fallen lassen" und ihr wahres Gesicht zeigen. Berühmt-berüchtigt ist auch, wie unbarmherzig er diesen Moment herbeiführte. So erzählte er etwa dem Duke und der Duchess of Windsor, beide für ihre große Tierliebe bekannt, dass sein Taxi auf dem Weg zu ihrem Fotoshooting einen Hund überfahren hätte – und drückte im Moment ihrer entsetzten Reaktion ab.
Diesen Instinkt eines Jägers nutzte Avedon nicht nur für Bilder der Reichen und Schönen. Durch das legendäre Projekt In the American West wurden auch Hunderte seiner unbestechlichen Porträts von ganz gewöhnlichen Menschen zu Ikonen der Fotografiegeschichte.
Über 100 seiner schönsten Fotoklassiker werden in der hochwertigen Publikation großformatig und in Triplex reproduziert.

Richard Avedon: Photographs 1946-2004

Производитель: Hatje Cantz Verlag

Цена: 5168.00 руб.

Описание:
Der amerikanische Fotograf Richard Avedon (1923–2004) war berühmt für seine "Heart Shots", in denen er Stars just in dem Augenblick festhielt, in dem sie "die Maske fallen lassen" und ihr wahres Gesicht zeigen. Berühmt-berüchtigt ist auch, wie unbarmherzig er diesen Moment herbeiführte. So erzählte er etwa dem Duke und der Duchess of Windsor, beide für ihre große Tierliebe bekannt, dass sein Taxi auf dem Weg zu ihrem Fotoshooting einen Hund überfahren hätte – und drückte im Moment ihrer entsetzten Reaktion ab. Diesen Instinkt eines Jägers nutzte Avedon nicht nur für Bilder der Reichen und Schönen. Durch das legendäre Projekt In the American West wurden auch Hunderte seiner unbestechlichen Porträts von ganz gewöhnlichen Menschen zu Ikonen der Fotografiegeschichte. Über 100 seiner schönsten Fotoklassiker werden in der hochwertigen Publikation großformatig und in Triplex reproduziert.


This publication accompanies Fondation Beyeler’s survey on the great photographic innovator Wolfgang Tillmans (born 1968). Tillmans first made a name for himself in the early 1990s, with photographs that captured an entire generation and a youth culture of which he was part, and which are now iconic images of that era. However, he quickly expanded his focus, creating works with and without a camera, producing photographs printed as C-prints on photographic paper, as inkjet prints on paper, or as photocopies. Some of these photographs acquire a sculptural, objectlike quality. Tillmans has also developed new compositional and formal, anti-hierarchical ways of installing his pictures in spaces. This substantial, clothbound volume offers a comprehensive overview of his achievements.
Wolfgang Tillmans (born 1968) began his career in photography documenting Hamburg’s rave scene in the late 1980s. His earliest images were printed on digital copiers, and in the mid-1990s, living in London and then New York, Tillmans began to foreground the lo-fi properties of his printed images by exhibiting them pinned or taped to gallery walls. In 2005, at an exhibition at Maureen Paley gallery titled Truth Study Center, he further extended this approach by exhibiting photographs alongside newspaper cuttings, pamphlets and other kinds of printed matter, on custom-made wooden vitrines. This installation also brought to the fore more political themes in Tillmans’ photography. In 2011 he traveled to Haiti to document reconstruction efforts following the previous year’s earthquakes.

Wolfgang Tillmans

Производитель: Hatje Cantz Verlag

Цена: 4784.00 руб.

Описание:
This publication accompanies Fondation Beyeler’s survey on the great photographic innovator Wolfgang Tillmans (born 1968). Tillmans first made a name for himself in the early 1990s, with photographs that captured an entire generation and a youth culture of which he was part, and which are now iconic images of that era. However, he quickly expanded his focus, creating works with and without a camera, producing photographs printed as C-prints on photographic paper, as inkjet prints on paper, or as photocopies. Some of these photographs acquire a sculptural, objectlike quality. Tillmans has also developed new compositional and formal, anti-hierarchical ways of installing his pictures in spaces. This substantial, clothbound volume offers a comprehensive overview of his achievements. Wolfgang Tillmans (born 1968) began his career in photography documenting Hamburg’s rave scene in the late 1980s. His earliest images were printed on digital copiers, and in the mid-1990s, living in London and then New York, Tillmans began to foreground the lo-fi properties of his printed images by exhibiting them pinned or taped to gallery walls. In 2005, at an exhibition at Maureen Paley gallery titled Truth Study Center, he further extended this approach by exhibiting photographs alongside newspaper cuttings, pamphlets and other kinds of printed matter, on custom-made wooden vitrines. This installation also brought to the fore more political themes in Tillmans’ photography. In 2011 he traveled to Haiti to document reconstruction efforts following the previous year’s earthquakes.


In Paperwork and the Will of Capital, Taryn Simon (born 1975) - one of the most original and challenging conceptual artists of our time-brings together geopolitics, horticultural science and the art of still life to investigate how the stagecraft of power is created, performed, marketed and maintained. At signings of political accords, contracts, treaties and decrees determining some of the gravest issues of our time, powerful men flank floral centerpieces curated to convey the importance of the signatories and represented institutions. Simon reconstituted and photographed the flower arrangements from archival images of key events; she then dried and pressed the flowers as herbarium specimens. This sumptuous book, part nature study, part metaphor, bears witness to an elaborate and intriguing process of artistic deconstruction and reconstruction. These flowers sat between powerful men as they signed agreements designed to influence the fate of the world.

Paperwork and the Will of Capital

Производитель: Hatje Cantz Verlag

Цена: 4778.00 руб.

Описание:
In Paperwork and the Will of Capital, Taryn Simon (born 1975) - one of the most original and challenging conceptual artists of our time-brings together geopolitics, horticultural science and the art of still life to investigate how the stagecraft of power is created, performed, marketed and maintained. At signings of political accords, contracts, treaties and decrees determining some of the gravest issues of our time, powerful men flank floral centerpieces curated to convey the importance of the signatories and represented institutions. Simon reconstituted and photographed the flower arrangements from archival images of key events; she then dried and pressed the flowers as herbarium specimens. This sumptuous book, part nature study, part metaphor, bears witness to an elaborate and intriguing process of artistic deconstruction and reconstruction. These flowers sat between powerful men as they signed agreements designed to influence the fate of the world.



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