LBS
Количество страниц 192

Описание:
This book contains over 60 recipes, each introduced with an insightful historical story or anecdote, and an accompanying image, spanning such delicacies as aspic, borscht, caviar and herring, by way of birds milk cake and pelmeni. As the Soviet Union struggled along the path to Communism, food supplies were often sporadic and shortages commonplace. Day to day living was hard, both the authorities and their citizens had to apply every ounce of ingenuity to maximize often inadequate resources. The stories and recipes contained here reflect these turbulent times: from basic subsistence meals consumed by the average citizen (okroshka), to extravagant banquets held by the political elite (suckling pig with buckwheat), and a scattering of classics (beef stroganoff) in between. Illustrated using images sourced from original Soviet recipe books collected by the author. Many of these sometimes extraordinary-looking pictures depicted dishes whose recipes used unobtainable ingredients, placing them firmly in the realm of aspirational fantasy for the average Soviet household. In their content and presentation the pictures themselves act as a window into cuisine of the day, in turn revealing the unique political and social attitudes of the era.

Описание:
On the heels of his bestselling Soviet Bus Stops, photographer Christopher Herwig locates fresh wonders of the Soviet vernacular in Georgia, Ukraine and Russia itself. After the popular and critical success of his first book, Soviet Bus Stops, photographer Christopher Herwig has returned to the former Soviet Union to hunt for more. In this second volume, as well as discovering new stops in the remotest areas of Georgia and Ukraine, Herwig turns his camera to Russia itself. Following exhaustive research, he drove more than 9,000 miles from coast to coast across the largest country in the world, in pursuit of new examples of this singular architectural form. A foreword by renowned architecture and culture critic Owen Hatherley reveals new information on the origins of the Soviet bus stop. Examining the government policy that allowed these small architectural forms to flourish, he explains how they reflected Soviet values, and how ultimately they remained--despite their incredible individuality--far-flung outposts of Soviet ideology. The diversity of architectural approaches is staggering: juxtaposed alongside a slew of audacious modern and brutal designs, there are bus stops shaped as trains, birds, light bulbs, rockets, castles, even a bus stop incorporating a statue of St. George slaying the dragon. An essential companion to the first volume, this book provides a valuable document of these important and unique constructions.

Описание:
Architecturally diverse and ideologically staunch, Soviet sanatoriums were intended to edify and invigorate. Visiting a Soviet sanatorium is like stepping back in time. Originally built in the 1920s, they afforded workers a place to holiday, courtesy of a state-funded voucher system. At their peak they were visited by millions of citizens across the USSR every year. A combination of medical institution and spa, the era’s sanatoriums are among the most innovative buildings of their time. Although aesthetically diverse, Soviet utopian values permeated every aspect of these structures; Western holidays were perceived as decadent. By contrast, sanatorium breaks were intended to edify and strengthen visitors: health professionals carefully monitored guests throughout their stay, so they could return to work with renewed vigor. Certain sanatoriums became known for their specialist treatments, such as crude-oil baths, radon water douches and stints in underground salt caves. While today some sanatoriums are in critical states of decline, many are still fully operational and continue to offer their Soviet-era treatments to visitors. Using specially commissioned photographs by leading photographers of the post-Soviet territories, and texts by sanatorium expert Maryam Omidi, this book documents over 45 sanatoriums and their unconventional treatments. From Armenia to Uzbekistan, it represents the most comprehensive survey to date of this fascinating and previously overlooked Soviet institution.

Описание:
Elsa Schiaparelli is one of the most important couturiers and taste-makers of the 20th century. She numbered among her collaborators the artists Salvador Dalí, Jean Cocteau, Christian Berard, and Marcel Vernet, resulting in such extraordinary couture collaborations as the lobster and parsley dress, based on a print by Salvador Dalí, and the Circus collection of gold-embroidered jackets, based on drawings by Cocteau. These artists also became personal friends of Schiaparelli's and made wonderful screens and other works of applied art for her house in Paris, photographs of the interiors of which have never been published. Now, the actress Marisa Berenson reveals her private archive of pictures of her much-loved grandmother's house in all its wit and eccentricity and pens an affectionate first-hand memoir of "Schiap."

Описание:
Britain's clearest mapping in a handy glovebox size, including 85 town plans, this handy A5 size atlas easily fits in the glove compartment of a car, perfect for quick referencing on the move. Including information on road map symbols, a key to map page, and mileage charts, this is the perfect companion for traveling through Britain and Ireland. To help you plan your trip 85 city and town plans are included, complete with street indexes. Britain is shown at a scale of 8 miles to 1 inch, while Ireland is 16 miles to 1 inch.

Описание:
Between 1949 and 1989, remarkable buildings of late modernity were constructed in the coastal city of Kuwait. Within these four decades, the city state on the Arabian Gulf was comprehensively restructured and practically redesigned. Following a first volume with150 carefully selected exemplary buildings, this second volume features interviews, essays and arguments, as well as transcripts of contemporary publications of these years. The texts by local and international scholars focus on questions regarding the significance and function of the buildings along with the role of individual and corporate protagonists that influenced, defined and created this highly dynamic restructuring process. Furthermore, all aspects are integrated into a wider regional and international context. The contributions are complemented by an extensive array of photographic, layout, and archive materials.

Описание:
Lebensztejn is one of France’s best - kept secrets. A world - class art historian who has lectured and taught at major universities in the United States, his work has remained almost entirely in French, his American audience limited to a small but dedicated group of cognoscenti. First introducing the Manneken Pis ? the iconic little boy whose stream of urine supplies water to this famous fountain and is also the logo for a Belgian beer company ? the author takes the reader through a semi - scatological maze of cultural history. The earliest example is a fresco scene located directly above Cimabue’s Crucifixion from around 1280 at the Basilica of Saint Francis of Assisi, in which Lebensztejn’s careful eye locates an angel behind a pillar urinating through a hole in his garment. He continues to navigate expertly through cultural twists and turns, stopping to discuss Pier Paolo Pasolini’s 1968 film Teorema, for example, and Marlene Dumas’s 1996 – 1997 homage to Rembrandt’s pissing woman. At every moment, Lebensztejn’s prose is lively, his thinking dynamic, and his subject matter entertaining. In this short and poignant cultural history, readers will not only find the care for detail that has made Lebensztejn into one of the greatest European art historians, but also the rebelliousness that makes him one of the most interesting intellectuals of our time.

Описание:
Photographer Christopher Herwig first noticed the unusual architecture of Soviet-era bus stops during a 2002 long-distance bike ride from London to St. Petersburg. Challenging himself to take one good photograph every hour, Herwig began to notice surprisingly designed bus stops on otherwise deserted stretches of road. Twelve years later, Herwig had covered more than 18,000 miles in 14 countries of the former Soviet Union, traveling by car, bike, bus and taxi to hunt down and document these bus stops. The local bus stop proved to be fertile ground for local artistic experimentation in the Soviet period, and was built seemingly without design restrictions or budgetary concerns. The result is an astonishing variety of styles and types across the region, from the strictest Brutalism to exuberant whimsy. Soviet Bus Stops is the most comprehensive and diverse collection of Soviet bus stop design ever assembled, including examples from Kazakhstan, Turkmenistan, Uzbekistan, Kyrgyzstan, Tajikistan, Ukraine, Moldova, Armenia, Abkhazia, Georgia, Lithuania, Latvia, Belarus and Estonia. Originally published in a quickly sold-out limited edition, Soviet Bus Stops, named one of the best photobooks of 2014 by Martin Parr, is now available in a highly anticipated, expanded smaller-format trade edition.

Описание:
"Dear Sir/Madam" begins the missive from an imaginary correspondent. "I love big breasts as much as the next man, but here in Lilliput your Big Book of Breasts is just too ungainly for my tiny bookshelf, not to mention my Lilliputian hands. Couldn’t you make a petite edition that still features 150 or so magnificently endowed ladies from the golden age of natural curves for those like me, who live life small? And while you’re at it, could you make it highly affordable, since my pockets are as shallow as this premise?" Done! The Little Book of Big Breasts features over 150 celebrated big breast models from the 1950s, 60s and 70s, including Michelle Angelo, Virginia Bell, Roxanne Brewer, Joan Brinkman, Lorraine Burnette, Lisa Deleeuw, Uschi Digard, Sylvia McFarland, Chesty Morgan, Roberta Pedon, Rosina Revelle, Janie Reynolds, Candy Samples, Tempest Storm, Mary Waters, June Wilkinson, and Julie Wills, plus Guinness Book of World Records bra-buster Norma Stitts in a compact and inexpensive soft-cover format. Photos come not just from the original 398-page Brobdingnagian edition, but from subsequent Big Breast Calendars, meaning that 40% of the content is unique to this edition. Add a reduced text to make more room for the stunning black and white and color photos and how could anyone—big, small, or in-between—ask for a better deal?