Oxford University Press
Количество страниц 304

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The hero of Charlotte Bront�'s first novel escapes a dreary clerkship in industrial Yorkshire by taking a job as a teacher in Belgium. There, however, his entanglement with the sensuous but manipulative Zora�de Reuter, complicates his affections for a penniless girl who is both teacher and pupil in Reuter's school. Also included in this edition is Emma, Charlotte Bront�'s last, unfinished novel. Both works are drawn from the original Clarendon texts.

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This collection brings together six of Turgenev's best-known `long' short stories, in which he turns his skills of psychological observation and black comedy to subjects as diverse as the tyranny of serfdom, love, and revenge on the Russian steppes. These stories all display the elegance and clarity of Turgenev's finest writing.

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Come with Black Beauty on the journey of a lifetime. Told through the eyes of the stallion, follow Black Beauty from life on a country estate to the harsh streets of London as a cab horse. There's hardship and friendship, kindness and cruelty, but above all else, love. A memorable story, a favorite for animal lovers of all ages. About the Series: Oxford Children's Classics presents original and unabridged stories that both children and parents love in beautifully designed editions. Included with each story are bonus materials, including reviews and reading recommendations, fun author profiles, quizzes, and more! Embark on a whole new world of adventure with the classics.

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Excitement! Intrigue! Suspense! Horror! Will Sherlock Holmes and Doctor Watson discover the truth behind the fearsome legend of the beast with blazing eyes and dripping jaws? Oxford Children's Classics present not only the original and unabridged story of The Hound of the Baskervilles, but also include an amazing assortment of recommendations and activities for readers to get even more from the story.

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Rene Weis reveals Shakepeare's use of multiple sources to be eclectic in the extreme in this radical reconsideration of the play's date and text. He also argues for the first time that Falstaff was called Oldcastle in Part 2 as well as in Part I. The play's striving towards a form of order, peace, and legitimacy is explored in relation to Part I and through rigorous attention to structure and language. A full account of the play's history in performance and on film yields a fascinating reflection of its relationship to national triumph and crisis, as well as the diverse idealogical interpretations it has inspired.

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The Winter's Tale is Shakespeare's most perfectly realized tragi- comedy, as notable for its tragic intensity as for its comic grace and, throughout, for the richness and complexity of its poetry. It concludes, moreover, with the most daring and moving reconciliation scene in all Shakespeare's plays. Though the title may suggest an escapist fantasy, recent criticism has seen in the play a profoundly realist psychology and a powerful commentary on the violence implicit in family relationships and deep, longlasting friendships. Stephen Orgel's edition considers the play in relation to Renaissance conceptions of both dramatic genre and the family, traces the changing critical and theatrical attitudes towards it, and places its psychological and dramatic conflicts within the Jacobean cultural and political context. The commentary pays special attention to the play's linguistic complexity, and the edition also includes a complete reprint of Shakespeare's source, Pandosto, by Robert Greene.

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A topic-based, three-level course which takes a fresh look at the needs and learning styles of young teenagers. Teacher's Book: - interleaved for ease of use - step-by-step teaching notes - detailed lesson plans - practical advice on methodology and evaluation - cultural notes and useful addresses for authentic materials - Progress Tests for each unit - a Resource File, providing a bank of photocopiable activity sheets

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The essential reference guide to writing effective business correspondence – now revised and updated. All the information and examples you need for writing business correspondence for study purposes or for work. A practical approach that's ideal for class, the office, or at home. Handbook - hundreds of models for your own writing: emails, letters, faxes, memos, reports, CVs - new for this edition: email correspondence, glossary of business terms, answers to exercises, and improved design

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The novel that set the pattern for the modern Western, Riders of the Purple Sage was first published in 1912, immediately selling over a million copies. In the remote border country of southern Utah, a man is about to be whipped by the Mormons in order to pressure Jane Withersteen into marrying against her will. The punishment is halted by the arrival of the hero, Lassiter, a gunman in black leather, who routs the persecutors and then gradually recounts his own history of an endless search for a woman abducted long ago by the Mormons. Secrecy, seduction, captivity, and escape: out of these elements Zane Grey fashioned his magnificent classic of the American West.

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When Ashley climbs up and graffiti tags a wall in the middle of the night, she has no idea how serious the consequences will be. Someone sees her, someone dangerous. Now Ashley is being watched... and followed. Then the notes start arriving, becoming progressively more sinister. When the threats turn deadly, Ashley realizes she can't confront the stalker alone and seeks the help of local gang leader Eddie Beale. But Eddie's help doesn't come for free-he expects something in return. Ashley has to decide how far she's willing to go-and what she's prepared to risk-to unmask her stalker.

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This new translation reproduces the original style and metrical effect of Juvenal's hexameters, while the Introduction and Notes provide literary and historical background to the sixteen satires.

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These three works exemplify the Roman historian Sallust`s condemnation of the excesses of the late Republic. In the conspiracy of Catiline and the war against Jugurtha he sees moral and political corruption and the tragedy of civil strife. This new translation captures Sallust`s distinctive style and considers his work as history and literature.

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Yanis has spent his life so far scrubbing socks in an orphanage. But that changes when Dr Gomarus knocks on the door, seeking an apprentice. The strange doctor is travelling to far-flung Osva to study the craniums of criminals. He needs a helper, and Yanis fits the bill. Awaiting execution in Osva jail is Nikolai Kolchak, the notorious leader of the revolutionaries who are holding the country in the grip of civil war. The chance to study the skull of Kolchak is a prize worth any danger. On the perilous journey to Osva, Yanis encounters a kind and beautiful countess and her pistol-packing minder, Miss Minsky. They too are travelling to the town, but why? And how can it be that when Yanis finally accompanies Dr Gomarus to Kolchak's cell, he finds there a charming, friendly man, and not the devil described and feared throughout the country? Soon Yanis finds himself running errands for the rebel leader, and for the Countess. And, as he does, he begins to realise that people are not always what they seem...

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When Sebastian is chosen as the High Priest's apprentice at the Temple of Ora, everyone's shocked. But Sebastian soon discovers that as apprentice, he can have anything he wants... limitless cream cakes, training sessions with Golden United, even zip-wires and donkeys to liven up ceremonies at the Temple. He can pass entertaining new laws to annoy teachers, as well. But then there are strange explosions, falling objects, whispered threats. Sebastian realizes the Temple, with its all-seeing golden statue, holds many secrets. Can he ignore it all? Or should Sebastian and his pet rat, Gerald, risking life and whisker, try to out-fox the most powerful mob in the city?

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Many people throughout the world inhabit fantastic imaginary worlds in a communal fashion, enthusiastically discussing the fine points of The Lord of the Rings, Star Trek, and Harry Potter, or banding together in online virtual worlds such as World of Warcraft and Second Life. These activities are often dismissed as harmless escapism or bemoaned as pernicious wish-fulfillments that distract from the serious business of life. Saler challenges such claims by excavating the history of imaginary worlds in the West since the late nineteenth century, when the communal and long-term immersion in such worlds first began with Sherlock Holmes. The book contends that imaginary worlds emerged at this time as sites of rational and secular enchantments for the modern age. They continue to represent distinct social practices informing political, social, and spiritual life. Individuals often use imaginary worlds as a playful space to debate serious issues in the real world; they also use them to hone their understandings of the interplay of reason and imagination and the provisional nature of all representations. Saler provides an overview of how imaginary worlds went from being feared by the Victorians to being inhabited by the Edwardians, and discusses in detail the creation and reception of the worlds of A.C. Doyle's Sherlock Holmes, H.P. Lovecraft's Cthulhu Mythos, and J.R.R. Tolkien's Middle-earth, among many others. The social practices of imaginary worlds will continue to play an important role in a future increasingly influenced by concepts of virtual reality and the rapid growth of gaming communities. Saler's book contributes the historical back-story of those deeply engaging imaginary universes, highlighting their vital lessons for how we can remain enchanted but not deluded in an age that privileges the imagination as much as reason.

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Causation is at once familiar and mysterious. Many believe that the causal relation is not directly observable, but that we nevertheless can somehow detect its presence in the world. Common sense seems to have a firm grip on causation, and much work in the natural and social sciences relies on the idea. Yet neither common sense nor extensive philosophical debate has led us to anything like agreement on the correct analysis of the concept of causation, or an account of the metaphysical nature of the causal relation. Contemporary debates are driven by opposing motivations, conflicting intuitions, and unarticulated methodological assumptions. Causation: A User's Guide cuts a clear path through this confusing but vital landscape. L. A. Paul and Ned Hall guide the reader through the most important philosophical treatments of causation, negotiating the terrain by taking a set of examples as landmarks. Special attention is given to counterfactual and related analyses of causation. Using a methodological principle based on the close examination of potential counterexamples, they clarify the central themes of the debate about causation, and cover questions about causation involving omissions or absences, preemption and other species of redundant causation, and the possibility that causation is not transitive. Along the way, Paul and Hall examine several contemporary proposals for analyzing the nature of causation and assess their merits and overall methodological cogency. The book is designed to be of value both to trained specialists and those coming to the problem of causation for the first time. It provides the reader with a broad and sophisticated view of the metaphysics of the causal relation.

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Conflict attracts a great deal of attention-as much or more than any other element of human life. People generally dislike it, and try to prevent and avoid it as much as possible. So why do clashes of right and wrong occur? And why are some clashes worse than others? In Moral Time, Donald Black shows how changes in intimacy (friends or strangers?), inequality (rich or poor?), and cultural diversity (Christian or Jew?) all determine when conflict happens. A reduction of closeness or a display of disrespect alters a relationship, for example, and the greater and faster the change, the more likely conflict will ensue. Throughout the book, Black applies his theory to an astounding range of human behavior, from bad manners to crime and warfare, accusations of witchcraft, racism, and anti-Semitism, conflict about creativity in science and art. Written in Black's trademark straightforward style, Moral Time is a powerful and incisive new take on conflict-a fundamental and inescapable feature of social life.

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Sticks and stones may break my bones but words will never hurt me. This schoolyard rhyme projects an invulnerability to verbal insults that sounds good but rings false. Indeed, the need for such a verse belies its own claims. For most of us, feeling insulted is a distressing-and distressingly common-experience. In Sticks and Stones, philosopher Jerome Neu probes the nature, purpose, and effects of insults, exploring how and why they humiliate, embarrass, infuriate, and wound us so deeply. What kind of injury is an insult? Is it determined by the insulter or the insulted? What does it reveal about the character of both parties as well as the character of society and its conventions? What role does insult play in social and legal life? When is telling the truth an insult? Neu draws upon a wealth of examples and anecdotes-as well as a range of views from Aristotle and Oliver Wendell Holmes to Oscar Wilde, John Wayne, Katharine Hepburn, and many others-to provide surprising answers to these questions. He shows that what we find insulting can reveal much about our ideas of character, honor, gender, the nature of speech acts, and social and legal conventions. He considers how insults, both intentional and unintentional, make themselves felt-in play, Freudian slips, insult humor, rituals, blasphemy, libel, slander, and hate speech. And he investigates the insult's extraordinary power, why it can so quickly destabilize our sense of self and threaten our moral identity, the very center of our self-respect and self-esteem. Entertaining, humorous, and deeply insightful, Sticks and Stones unpacks the fascinating dynamics of a phenomenon more often painfully experienced than clearly understood.

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One page. One lesson. One focus. Everything you look for in an English course, made simple.