Prestel
Высота 33

Описание:
Obsessed with contemporary culture, Warhol celebrated the sensational as well as the mundane in every facet of society. His headline works, which were realized in a range of formats-from two-dimensional to time-based media such as film, video, and television-chart in real time the great shift in the technological means employed to deliver the news from the 1950s until the artist's death in 1987. This companion volume to a riveting exhibition brings together more than 80 works, from Warhol's earliest drawings and paintings of newspaper headlines, to his screen-printed canvases, photographs, and electronic media, and concluding with collaborative works he produced with Keith Haring and Jean-Michel Basquiat. Featuring illuminating essays and abundant reproductions of the headline works, as well as source materials and examples of Warhol's private scrapbooks of clippings, this unique and powerful volume demonstrates the rich intersection of mainstream media and fine art.

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Through his graffiti-inspired drawings, paintings, sculptures, murals, and other works, Keith Haring created an immediately recognizable visual iconography that spoke to an enormous population - gay and straight, young and old, male and female. His importance in the annals of popular culture is indisputable, but little attention has been paid to his advocacy for social justice. Haring's political perspective is the focus of this visually arresting selection of works that traces the artist's development and historical significance and gives new gravitas to his career. Accompanying a major exhibition at the de Young museum in San Francisco, this book features more than 130 works of art, including large-scale paintings on tarpaulin and canvas, sculptures, and subway drawings. Together they create a narrative that explores Haring's responses to nuclear disarmament, racial inequality, capitalist excess, environmental degradation, and other prevalent social issues. Essays and conversations with writers, critics, and art dealers round out this important analysis of Haring's life, career, and passion. Exhibition Itinerary, de Young museum, San Francisco, 8th November 2014 - 8th February 2015.

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Recording Alexander von Humboldt's historic expedition to the Americas and Cuba-hailed by many as the "scientific discovery of America" - these intricate and delicately tinted prints reveal his revolutionary findings as he traveled through jungles, across rivers, and over mountainous terrain. The illustrations in the book give the English and Latin botanical names of the plants and are followed by an exhaustive index. Internationally renowned botanist H. Walter Lack lends his expertise to a fascinating essay that discusses Humboldt's significant contributions to the world of botany and scientific research. Technically precise, the prints are equally appealing to anyone who appreciates fine art and botanical illustration.

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The name Walker Evans conjures images of the American everyman. Whether it's his iconic contributions to James Agee's depression-era classic book, Let Us Now Praise Famous Men, his architectural explorations of antebellum plantations, or his subway series, taken with a camera hidden in his coat, Evans's accessible and eloquent photographs speak to us all. This comprehensive book traces the entire arc of Evans's remarkable career, from the 1930's to the 1970's. The illustrations in the book range from his earliest images taken with a vest pocket camera, to his final photos using the then new SX-70 because his regular equipment became too heavy to carry around. The book includes commentary from three of Evans's longtime friends, photographers Alan Trachtenberg, Jerry Thompson and John T. Hill. Their insight and first-hand experience give depth to their critical writings on Evans's work. In addition to offering a broad perspective on Evans' work, the book also clarifies the photographer's anti-art philosophy. Eschewing aesthetic hyperbole, Evans wanted his pictures to resonate with a wide audience. At the same time, his natural curiosity made him one of the most inventive photographers of all time. What these photographs and writings attest to is a huge and timeless talent, which came not from a camera, but from Evans's uniquely hungry eye.

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New essays and images capture the quirky essence of Machine Project, where vacations for plants, concerts for dentists, and operas for dogs are a few of the typical offerings produced at the informal, non-profit, educational institution in Los Angeles. Designed in collaboration with Kimberly Varella, this book reflects on Machine Project's ongoing artistic practice, featuring an extensive selection of photographs of past projects and documentation of new performance projects at the Tang Museum by Haruko Tanaka, Krystal Krunch, Hana van der Kolk, Carmina Escobar, Kamau Patton, Dawn Kasper, Joshua Beckman, Asher Hartman, and Chris Kallmyer among others.

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This dazzling exploration of contemporary Muslim modest dress, from historic styles to present-day examples, accompanies a major exhibition and reveals the enormous range of self-expression through fashion achieved by Muslim men and women. Filled with documentary and fashion photography as well as stills from runway shows and the media, this book explores the ways Muslim style cultures are shaped by global trends and religious beliefs. From high-end couture to street-wear, this volume shows how established and diaspora regions, such as Dubai, Jakarta, London, and New York, are homes to thriving industries that create classic and cutting-edge looks. Accompanying these images are essays and personal narratives by leading voices that touch on everything from the history of modest dress to social media. A fascinating examination of a major segment of the fashion industry, this book highlights the ingenuity and creativity of Muslim designers and wearers as they deftly navigate the fashion industry while maintaining their religious and cultural identities.

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Following the arc of Bellini's career, from his early devotional paintings to his later, occasionally secular works, this book offers an in-depth appreciation of the Venetian master who dominated the Early Renaissance. Featuring nearly every extant Bellini work, as well as those of his contemporaries, this book brims with gorgeous Renaissance art. Author Johannes Grave focuses on some of the artist's greatest works including Allegoria Sacra, the Brera Pieta, and the altarpiece of San Giobbe - to explore how Bellini excelled in tempera before mastering oil painting. Grave discusses how Bellini's precise lines, his delicate facial expressions, and the subtle effects of light and shadow were used in his religious paintings as well as his portraiture and late mythological depictions. This book examines Bellini's life, including his complex relationships with his father Jacopo, his brother Gentile, and his brother in law Andrea Mantegna. It considers the original contexts of Bellini's works, and elucidates the ways in which these paintings were meant to be perceived. The book also links Bellini's devotional paintings with the poetic creations of his pupil Giorgione. An important contribution to the scholarship of Renaissance art, this masterful book reaffirms Bellini's status as one of Venice's greatest painters.

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This groundbreaking book explores the Russian avant-garde during the early post-revolutionary years of 1918-1922 and brings together the works of three of it's most influential artists. When Marc Chagall took over the People's School of Art in his hometown of Vitebsk in 1919, he had already established himself as an avant-garde artist. For the next few years, Chagall established the once-sleepy Belarusian town as a hub of revolutionary art making. Along with Kazimir Malevitch and El Lissitzky, Chagall presided over a flowering of creativity and artistic energy that became a focal point of Russian modernism. This volume features 250 works and documentary items from Vitebsk, bringing to life a little-known chapter in the history of art. Every aspect of this brief but decisive period is examined here, from Chagall's notion of proletariat art to the birth of the UNOVIS group and its trailblazing expositions. Correspondence among Chagall, Malevitch, and Lissitzky are featured alongside important works from all three artists as well as art from their colleagues and students. The result is a multifaceted portrait of a unique collaboration that forged a new path for artistic expression which extended far beyond the boundaries of Vitebsk.

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Though best known for his depictions of dancers and bathers, Edgar Degas repeatedly returned to the subject of millinery over the course of three decades. In masterpieces such as The Millinery Shop (1879-86) and The Milliners (ca. 1898), he captured scenes of milliners fashioning and women wearing elaborate, colorful hats. Featuring sumptuous paintings, pastels, and preparatory drawings by Degas, Cassatt, Manet, Renoir, and Toulouse-Lautrec, among others, this generously illustrated book surveys the millinery industry of 19th-century Paris. Peppered throughout with photographs, posters, and prints of French hats, this book includes essays that explore Degas's particular interest in the millinery trade; the tension between modern fashion and reverence for history and the grand art-historical tradition; a chronicle of Parisian milliners from Caroline Reboux to Coco Chanel; and examples of how the millinery trade is depicted in literature. Brilliantly linking together the worlds of industry, art, and fashion, this groundbreaking book examines the fundamental role of hats and hat-makers in 19th-century culture.

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Featuring rarely seen multimedia works by the revered cult filmmaker David Lynch, this revelatory book shows how he applies his powerful imagination and visual language across genres. David Lynch has always been in the spotlight as a filmmaker, directing some of the most iconic movies ever made, but as a visual artist, he is less widely known. Lynch delights in the physicality of painting and likes to stimulate all the senses in his work. This book brings together Lynch's paintings, photography, drawings, sculpture and installation, and stills from his films. Many of these works reveal the dark underpinnings behind Lynch's often-macabre movies. Others explore his fascination with texture and collage. Throughout, Lynch's characteristic style surreal, stylish, and even humorous shines through. An introduction by music journalist and Lynch biographer Kristine McKenna, along with a thought provoking essay by curator Stijn Huijts, offers fascinating new information and perspectives on Lynch's life and career. This book reveals an unexplored facet of Lynch's oeuvre and affirms that he is as brilliant a visual artist as he is a filmmaker.

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This generously illustrated and comprehensive book examines German and Austrian artists in the 1930s as they reacted to a time of crisis and dissent. The 1930s in Germany and Austria were marked by economic crisis, political disintegration, and social chaos. This beautifully illustrated catalog surveys the development of the arts in these two countries between the two World Wars. Presenting nearly 150 paintings and works on paper, this book reveals artistic developments that foreshadowed, reflected, and accompanied the beginning of World War II. Works by Max Beckmann, Otto Dix, Max Ernst, Oskar Kokoschka, and Alfred Kubin are presented alongside pieces by lesser-known artists such as Friedl Dicker-Brandeis, Albert Paris Gütersloh, Karl Hubbuch, Richard Oelze, Josef Scharl, Franz Sedlacek, and Rudolf Wacker. This book features essays about the appropriation of artistic idioms, the reactions of artists toward their historical circumstances, and major political events that shaped the era.

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A German painter and sculptor of Jewish origin, Otto Freundlich was widely known in the art circles of his day. He was on close terms with the leading artists of Expressionism, Fauvism, Cubism, Orphism, Dada, Suprematism, De Stijl, Bauhaus, Constructivism, the Cologne Progressives, and ultimately with the abstractionists. While his work was influenced by artists of these movements, Freundlich created a unique body of work in his paintings, sculptures, mosaics, and stained glass. This stunningly illustrated book follows the arc of Otto Freundlich's life and work, and explores the development of his artistic and philosophical ideas.

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Shedding new light on the renowned Renaissance artist, this book examines all of da Vinci's known paintings using recent advances in technology and the latest art historical research. While Leonardo da Vinci is one of history's most studied and renowned artists, there are many myths surrounding his work. Beginning with his birth and early maturity in the workshops of the Florentine masters, Alessandro Vezzosi delves into the provenance of disputed works such as Madonna Litta and La Bella Principessa. He demonstrates how recent advances in technology have aided researchers in studying and restoring da Vinci's art including uncovering forgeries and he explores the artist's scientific achievements in the fields of optics and paint composition. An exquisitely produced plate section looks at the most significant aspects of da Vinci's work, and offers numerous comparative examples in the form of archival documents, preparatory studies, and contemporary paintings. A fitting tribute to da Vinci, this wide ranging book applies 21st century knowledge to help answer centuries old questions about the Renaissance genius.

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This authoritative and generously illustrated book highlights Gustav Klimt's portrayals of women in his work. Klimt was a central figure in Vienna at the turn of the twentieth century, and a crucial link between nineteenth century Symbolism and Modernism. His sensual portrayals of women are among his most celebrated works and the focus of this book. Highlights of the publication include Klimt's most important society portraits, such as Serena Lederer (1899); Gertrud Loew (1902); Adele Bloch-Bauer I (1907); Mada Primavesi (1913); Elisabeth Lederer (1914-16); and Ria Munk III (1917). These works cover the gamut of Klimt's portrait style, from his early ethereal works influenced by Symbolism and the Pre-Raphaelite movement to his so-called golden style, as well as his almost Fauvist depictions. These art works are complemented by preparatory Klimt sketches and decorative arts from the Wiener Werkstatte.

Описание:
Offering the perfect blend of high-quality imagery and impeccable research, this magnificent book takes readers through the twentieth century to show how the watch, in all it's forms, evolved. It charts the early rise of the wristwatch, shows how the cataclysmic events of the 1929 Wall Street Crash unexpectedly led to a golden age of watch production, and demonstrates how the electronic watch, which almost destroyed the traditional industry, led to a mechanical watch renaissance in the last two decades of the 20th century. Each decade opens with an introduction to the era's stylistic and design highlights and then examines the development of specific genres of watches within each period. Hundreds of color photographs in this book feature full page close ups that reveal intricate details of form, texture and design. Author Alexander Barter's vast knowledge of the 20th century watch informs his texts which discuss the major technological and design breakthroughs in a chronological format. This book also includes vintage advertisements and other promotional materials, helping to give a sense of the eras in which they were created. The perfect gift for watch aficionados, this beautiful and informative volume presents the world's finest watches with an elegance and depth befitting it's subject.

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At a time when individual rights are being contested and when those on the fringes of society feel deeply threatened, this powerful photographic compilation delivers a message of humanity and inclusiveness that transcends geopolitical and cultural boundaries. Works by critically acclaimed photographers including Bruce Davidson, Paz Errazuriz, Jim Goldberg, Danny Lyon, Mary Ellen Mark, Boris Mikhailov, Daido Moriyama, and Dayanita Singh cast a compassionate, unflinching eye on the worlds inhabited by transsexuals, hookers, hustlers, bikers, junkies, circus performers, gang members, survivalists, petty criminals, and others who live in the shadows, on the streets, and out of the public eye. Grouped by photographer and ranging in genre from portraiture to photojournalism, these images were selected for their authentic and humane perspective, as well as for their artistic brilliance. An important testament to photography's power to both expose injustice and provide affirmation for those outside the norm, this collection bears witness to the ways social attitudes change across time and space, and how visual representation can promote understanding and dialogue.

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This book examines in depth the painter Michelangelo Merisi da Caravaggio (1571-1610) and the sculptor Gian Lorenzo Bernini (1598-1680). Other painters and sculptors gathered around these two geniuses in Rome in the first decades of the 17th century. Together they formulated a new artistic language which later came to be known as Roman Baroque. In a very short period of time, Rome became an international cultural hotspot, the breeding ground of new ideas and initiatives. Artists from all over Europe came to the Eternal City to study the many remnants of Roman Antiquity and to seek the increasing patronage of the popes, cardinals, and the local nobility. More than ever before, painters and sculptors shared ambitions, personal friendships, and worked together, often on large papal projects. Caravaggio, Bernini, and their fellow artists embody this artistic fraternisation. Together, their works tell the story of the birth of this new movement in art, and the radical artistic innovation which would prove to have far reaching influence in Europe.

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Focusing on the extensive influence of Scandinavian design in the United States, this book shows how Nordic ideas about modern design and the objects themselves had an indelible impact on American culture and material life. It also considers America's influence on Scandinavian design, showing how cultural exchange is mutual by nature. In addition to familiar material like Danish furniture and Swedish glass, readers will learn about America's little known "Viking Revival" style; the work of Howard Smith, an African-American artist who immigrated to Finland in the 1960s; and the myriad ways Scandinavian toys and household goods helped shape American child-rearing practices. The perfect addition to any Danish modern coffee table, this elegant book traces how Scandinavian design became an integral part of what is considered "American design".

Описание:
In 2015 in Lyon, France, Team USA medaled for the first time ever at the Bocuse d'Or-often called the "Olympics of the cooking world" - taking silver. Two years later, Team USA won the competition and took home the gold. The coach and mentors of the 2015 team consisted of chefs who have become household names: Gavin Kaysen, Thomas Keller, and Daniel Boulud, with French Laundry executive sous chef Philip Tessier and his assistant Skylar Stover as the primary competitors. Now Tessier, who went on to coach the winning 2017 team, and his teammates offer readers a seat at the table of this exciting culinary event, founded by and named for famed chef Paul Bocuse, in a book brimming with personal anecdotes, vibrant pictures, and a course-by-course offering of recipes for the home chef from the competitions. As Tessier describes the journey to the competition first as competitor, then as coach-including the chaos, pressure, and the glorious result, readers will feel every heated moment. With a collection of recipes for meals served at every stage, readers will be able to taste those moments as well. Rarely has food writing been so exciting or so rewarding.Combining a great story with recipes crafted by America's culinary giants, this beautiful celebration of a historic victory will make every reader feel and cook like a champion.

Описание:
Is Europe a union in name only? How does the land we live on contribute to our culture? How does it divide or unite a collection of cultures? These important questions are at the root of this pictorial examination of Europe's heterogeneous landscape. This book brings together images from twenty seven European Union nations and from prominent artists such as Olafur Eliasson (Denmark), Thomas Struth (Germany), Carl De Keyzer (Belgium), Massimo Vitali (Italy), and Celine Clanet (France). The book shows how landscape photography in particular offers critical insights into the characteristics of a place, inviting viewers, through a subjective lens, to form their own feelings toward that place. Organized into three broad geographic zones, it offers exquisite depictions of Europe's wonderfully varied geography - shorelines and fjords, mountains and plains, farmland and urban centres - as it seeks to understand the source of the continent's diversity and unity.