Prestel
Ширина 235

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Arranged chronologically, this book follows the arc of Gehry's later career, during which he has focused mainly on public and cultural facilities. The book explores how Gehry has overcome technological setbacks and aesthetic backlash, never wavering from his vision. It examines his work in the context of the urban environment, showing how Gehry continually strives to make cities "less boring" and to create urban buildings that echo their surroundings. The buildings profiled here - including the Vitra International Furniture Manufacturing Facility and Design Museum in Switzerland, Walt Disney Concert Hall in Los Angeles, the 8 Spruce Street Skyscraper (Beekman Tower) in New York, and the Fondation Louis Vuitton - are represented in dazzling colour photographs as well as preparatory drawing, plans and models. From his early years working within the L.A. Art Scene, to his Pritzker-winning stardom, to his current fascination with the application of computer-aided-design in such areas as cancer research, Frank Gehry, now in his ninth decade, continues to surprise and inspire the public. This informative, fascinating volume is a must-have for his ardent fans and anyone interested in architecture.

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Russian Modernism is dedicated to the radical modernist movements in Russian and German art during the early years of the 20th century. Their development was parallel and often intertwined. Artists such as Vasily Kandinsky or Alexej von Jawlensky are claimed by the Germans but remain Russian artists for the Russians. The Burluk brothers, who became celebrities of the Russian radical art scene, participated in the first exhibition of the Blauer Reiter. Russian artists travelled to Germany and lived there, while their German counterparts were aware of what was shown in Moscow exhibition halls. The diverse art movement expressionism was formed in Germany at the beginning of the 1910s and was given the name by the critic Herwarth Walden. Members of groups such as Die Brucke and the Blauer Reiter were initially influenced by the French Fauves movement and their Russian contemporaries also tried to find new artistic truth in Paris, la Ville Lumiere. However, both in Germany and Russia the new French influence underwent radical transformation. Beautifully illustrated and designed, this book provides an insight into the work of Russian and German artists in the early years of the 20th century.

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Bruce Davidson began his love affair with photography at age ten. The son of a hardworking divorced mother, he was a loner who disliked school and had difficulty conforming to the world round him. His camera released him from the boundaries of his youth and opened the doors to a lifetime's work. Vicki Goldberg's authoritative text explores the wide range of his vision and technique, and reveals how his work has played a critical role in twentieth-century photography. The text includes beautifully reproduced images from his most iconic series such as Brooklyn Gang, East 100th Street, Subway, and Time of Change: Civil Rights Photographs, along with never-before-seen archival material from Davidson's private archive. Davidson's photographs reveal his curiosity about, and empathy for, his subjects; whether he is documenting circuses, gangs, East Harlem tenements, Jewish cafeterias, Welsh miners, or Central Park, Davidson imbues his work with an eye for narrative. His pictures tell stories-and he lets them speak for themselves. The result is a comprehensive and elegantly presented portrait of an artist's life and work.

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Offering a fresh look at one of the major artists of the 20th century, this book illustrates how Paul Klee's critical and ironic take on life was evident in every stage of his oeuvre. Known for its whimsy and levity, Paul Klee's art is often considered gleefully childlike. This groundbreaking volume argues that Klee's style emerged from a philosophical school that originated with early German Romanticism and consisted of perpetual shifts between satire and affirmation of the absolute, finite and infinite, and real and ideal. Featuring approximately 250 works, this careful appreciation of Klee connects each stage of his career to the larger philosophical context. Exploring the satires and caricatures of Klee's youth, his experimentations in Cubism and mechanical theater, and the constructivist approach of the Bauhaus school, this book follows the trajectory of Klee's oeuvre as a reflection of prevailing styles. It closes with the artist's final years, in which he was labeled a degenerate artist by the Nazi regime and struggled with illness. Viewed through the many facets of irony as a complex theme, and against the backdrop of Europe's seismic political and artistic movements, Klee's body of work takes on a renewed significance as one of the most critical of it's generation.

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In this breathtaking book, richly illustrated chapters explore different artists takes on floral paintings. Outstanding Viennese artists, from Ferdinand Georg Waldmuller to Gustav Klimt, tested their skills by painting opulent floral works. Readers will learn how the depiction of flowers in this period echoed the evolution of painting styles as artists liberated themselves from formal techniques, how women, excluded from painting academies, turned to flowers as a means of expression and emancipation, and how modern artists are influenced today by floral masterpieces of the past. Additional chapters examine the role of the sunflower in particular and the role of orientalism in the Biedermeier period, while brief essays on porcelain painting and botany provide additional perspectives. Generously illustrated, this wide-ranging and informative history offers a veritable bounty of floral delights.

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Edvard Munch came of age during an artistic period that celebrated beauty and design. But in his own art, Munch explored darker themes-alienation, sin, and human vulnerability. His resulting work incorporated the vivid colors of previous styles, but intensified their emotional power and paved the way for an entirely new approach to painting. Although much has been written about Munch's life and its influence on his art, there has not been a study of the artist's influence on his German and Austrian peers-until now. Featuring contributions by leading scholars in the field, including Patricia Bermann, Alison Chang, Jay Clarke, Reinhold Heller, Jill Lloyd, Nils Ohlsen, and Oystein Uvstedt, this authoritative and beautifully illustrated book explores Munch's impact on Austrian and German artists of the period within an Expressionist context. It also examines work in specific media, such as Munch's seminal contributions to printmaking. The artist's thematic and stylistic leitmotifs are highlighted, including self-portraiture, urban scenes, landscapes, couples, and the artist and his model. Vibrant reproductions of works from throughout Munch's oeuvre, including such icons as The Scream, Madonna, and The Kiss, make this a splendid introduction to the artist as well as an exciting springboard to the study of European Expressionism.

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This authoritative and generously illustrated book highlights Gustav Klimt's portrayals of women in his work. Klimt was a central figure in Vienna at the turn of the twentieth century, and a crucial link between nineteenth century Symbolism and Modernism. His sensual portrayals of women are among his most celebrated works and the focus of this book. Highlights of the publication include Klimt's most important society portraits, such as Serena Lederer (1899); Gertrud Loew (1902); Adele Bloch-Bauer I (1907); Mada Primavesi (1913); Elisabeth Lederer (1914-16); and Ria Munk III (1917). These works cover the gamut of Klimt's portrait style, from his early ethereal works influenced by Symbolism and the Pre-Raphaelite movement to his so-called golden style, as well as his almost Fauvist depictions. These art works are complemented by preparatory Klimt sketches and decorative arts from the Wiener Werkstatte.

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During the five years Franz Marc and August Macke knew each other, the two men carried on an artistic and personal friendship that had an immense impact on each of their careers. This book traces their relationship and features meticulously reproduced images that bring their paintings and the bond they shared to life. In addition to paintings, watercolours, and drawings from both artists, this book includes objects and documents that show their connection to one another. A series of essays explore the artists conversations about colour theory and non-representational painting, their work with the Blue Rider group, their joint mural, Paradise, and the influence of French painters on their art. This book also reveals how 20th century Expressionism evolved during Marc and Macke's collaboration. While celebrating the two men's obvious differences, this volume shows how their distinct artistic styles influenced one another.

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Michael Kenna is regarded as one of the most accomplished photographers working today. This book charts Kenna's work in the field of architectural photography, showing how his approach to the built environment informs his style, whether he's capturing natural or human-made structures. In page after page of lush duotone illustrations, the book creates dialogs between images to show how Kenna applies light, shadow, composition, and perspective to similar effect in different settings. Yvonne Meyer-Lohr's astute curatorial approach helps us understand how deftly Kenna moves between techniques, whether he is capturing the network of cables on a suspension bridge, the glittering jewels of a nighttime cityscape, or the haunting silhouette of a factory tower. Accompanied by insightful texts by Meyer-Lohr, this volume is a comprehensive look at a brilliant photographer whose dedication to craft and technique sets him apart from his contemporaries.

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Throughout his career, Ernst Ludwig Kirchner employed a highly inventive and original use of colour. He favoured novel applications of paint in unusual matte finishes. For Kirchner, colour was of primary importance, coupled with technique and style. He was one of the leading Expressionist painters of the time and was one of the founding members of the Brucke. In his deeply personal depictions, he focused on the places where he lived and worked and his close friends and associates. This book, accompanying a major exhibition at the Neue Galerie New York, provides a visual survey of Kirchner's oeuvre and offers an in-depth analysis of different aspects of the artist's output. Essays by leading experts examine Kirchner's approach to colour, his interest in the decorative arts, how electric light affected his treatment of colour, the impact of Nietzsche on his work, and how he was profoundly changed by World War I. This book includes illustrations of nearly 40 paintings, 30 prints, as well as drawings, sketchbooks, photographs, and decorative work.

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This exhilarating and richly illustrated guide to Los Angeles's most exciting new buildings establishes the city as a mecca for forward-thinking and environmentally conscious architecture. Some of the world's leading architects are making their mark on Los Angeles's cityscape with exciting and innovative projects. Fifty of the most striking buildings are profiled in this book that features every type of architecture houses, municipal structures, art museums, office buildings, performance spaces, and houses of worship. Some of the world's leading design firms, including Diller Scofidio + Renfro, Eric Owen Moss Architects, Selldorf Architects, and why Architecture, have contributed to the city's structural vernacular. While the projects here are as varied as the luminous Walt Disney Concert Hall by Gehry Partners and Bestor Architecture's compact housing development named "Blackbirds", each building embraces an unmistakably Californian aesthetic reimagined for a new century. With original photography, this is the first book to focus on the surge of creative building that has taken place in Los Angeles in the new millennium.

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Basquiat first came to prominence when he collaborated with Al Diaz to spray-paint enigmatic statements under the pseudonym SAMO (c). From there he went on to work with others on collages, Xerox art, postcards, performances, and music before establishing his reputation as one of the most important painters of his generation. This book places his collaborations in a wider art historical context and looks at his career through the lens of performance. Six thematic chapters offer compelling research, with essays from poet Christian Campbell on SAMO (c); curator Carlo McCormick on New York/New Wave; writer Glenn O'Brien on the downtown scene; academic Jordana Moore Saggese on Basquiat's relationship to film and television; and music scholar Francesco Martinelli on Basquiat's obsession with jazz. This insightful survey also features rare archival material and extensive illustrations, demonstrating how Basquiat's legacy remains more powerful and relevant than ever today.

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In 2015 in Lyon, France, Team USA medaled for the first time ever at the Bocuse d'Or-often called the "Olympics of the cooking world" - taking silver. Two years later, Team USA won the competition and took home the gold. The coach and mentors of the 2015 team consisted of chefs who have become household names: Gavin Kaysen, Thomas Keller, and Daniel Boulud, with French Laundry executive sous chef Philip Tessier and his assistant Skylar Stover as the primary competitors. Now Tessier, who went on to coach the winning 2017 team, and his teammates offer readers a seat at the table of this exciting culinary event, founded by and named for famed chef Paul Bocuse, in a book brimming with personal anecdotes, vibrant pictures, and a course-by-course offering of recipes for the home chef from the competitions. As Tessier describes the journey to the competition first as competitor, then as coach-including the chaos, pressure, and the glorious result, readers will feel every heated moment. With a collection of recipes for meals served at every stage, readers will be able to taste those moments as well. Rarely has food writing been so exciting or so rewarding.Combining a great story with recipes crafted by America's culinary giants, this beautiful celebration of a historic victory will make every reader feel and cook like a champion.

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Everything that Chef Blaine Wetzel makes is sourced within a few miles of his kitchen, often hours after it has been harvested from the ocean, the forest, or his own small farm. Lummi will inspire professional and home chefs to pay close attention to the seasons and to appreciate and bring out the best in what is fresh and local. The recipes Wetzel showcases here are a catalogue of dishes he created at the lauded Willows Inn restaurant on tiny Lummi Island in Washington State, ranked the number one restaurant in the United States in 2017, 2018, and 2019 by OAD (Opinionated About Dining). They are divided into courses that mirror the perfect bites and small plates that Wetzel serves at a typical Willows Inn dinner: green figs and leaf cream; sea urchin marinated in tomato seeds; wild beach peas and lovage stems; a stew of chanterelle mushrooms; and a dessert of beach roses. Stunningly photographed, every dish captures a moment in time and in nature. Each recipe highlights the unique qualities of the main component, whether it's wild plum, young rhubarb, blue clams, sockeye salmon, venison, black walnuts, or a perfectly ripe melon. Each plate is breathtakingly elegant, yet the dishes themselves are unfussy and rustic. As suitable for the coffee table as it is for the sophisticated kitchen, this book is a symphony of aesthetic perfection, capturing a way of living and eating that is in harmony with the land.

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From her early rarely seen Riot Grrrl-influenced fanzines and performances to a career that has produced seminal films, fiction, sculptures, public art, and even a smartphone app, Miranda July has proven adept at articulating the poignancy and humour of the human plight while also achieving enormous acclaim along the way. This chronological retrospective includes July's performance and video projects, award-winning films, digital multimedia, and written pieces which make clear the multidimensionality of her work. The book includes photography, stills, and archival ephemera and is narrated by friends, collaborators, curators, assistants, and audience members including David Byrne, Spike Jonze, Lena Dunham, Carrie Brownstein, and Hans Ulrich Obrist, as well as July herself. This behind the scenes commentary reveals an intimate perspective on the process, struggles, and grit involved in forging one's own path. What emerges is just how singular her voice is from a movie narrated by an injured cat to a performance that builds an intentional community; from sculpture that engages the public to an interfaith charity shop in a London department store. July may be impossible to categorise, but the importance of her work and her status as an essential cultural icon with wide-ranging appeal is irrefutable.

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Although overshadowed by their male colleagues, many important women artists carved out successful careers in early 20th century Vienna. They exhibited across Europe, and their work was acquired by royal, state, and private collectors. Their names, however, are largely unknown today, and their masterpieces relegated to footnotes in history. Artists such as Elena Luksch-Makowsky, Helene Funke, Erika Giovanna Klien, Ilse Bernheimer, Maria Cyrenius, Friedl Dicker, Marie Egner, and Louise Fraenkel-Hahn are profiled in this book, along with vibrant reproductions of their works. The remarkable stories of how many of these women found their way to Vienna from Germany, Russia, and beyond are enhanced by explorations of their contributions to such movements as Atmospheric Impressionism, Secessionism, Expressionism, Kineticism, and New Objectivity. This book shows how the ingenuity and perseverance of these artists enabled them not only to carve out a place alongside their more renowned male peers, but also to create their own associations and exhibitions and become a pivotal part of the Viennese Modernism movement.