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Random House, Inc.
Автор Filler Martin



In this much-anticipated sequel to his critically acclaimed Makers of Modern Architecture (2007).
longtime New York Review of Books contributor Martin Filler - "probably the best all-round architecture critic currently working in the United States", according to the architectural journalist David Cohn - offers another penetrating series of concise but authoritative studies on leading exponents of the building art from the late nineteenth to the early twenty-first century. Exemplifying his belief that an architect's personality and character have a direct and profound bearing on this most public and social of art forms, Filler's lively melding of biographical and aesthetic perspectives gives these accessible yet scrupulously researched interpretations a rare human immediacy. From profiles of such universally admired masters as Frank Lloyd Wright and Le Corbusier to emerging figures including Michael Arad, creator of New York City's National September 11 Memorial, and the international design collaborative Snøhetta, Filler's shifting focus remains consistently trained on the enduring values of great architecture. His panoramic vision encompasses the historically inspired Gilded Age urbanism of the celebrated New York bon vivant Stanford White as well as the expressive collages of ancient and modern elements orchestrated by the reclusive Venetian intellectual Carlo Scarpa. The increasing role of women in architecture is given special emphasis in this new collection, from the pioneering work in 1920s Germany of Margarete Schu?tte-Lihotzky, inventor of the standardized modern kitchen, to such innovative contemporary practitioners as Elizabeth Diller, Kazuyo Sejima, and Billie Tsien.

Makers of Modern Architecture

Производитель: Random House, Inc.

Цена: 1980.00 руб.

Описание:
In this much-anticipated sequel to his critically acclaimed Makers of Modern Architecture (2007). longtime New York Review of Books contributor Martin Filler - "probably the best all-round architecture critic currently working in the United States", according to the architectural journalist David Cohn - offers another penetrating series of concise but authoritative studies on leading exponents of the building art from the late nineteenth to the early twenty-first century. Exemplifying his belief that an architect's personality and character have a direct and profound bearing on this most public and social of art forms, Filler's lively melding of biographical and aesthetic perspectives gives these accessible yet scrupulously researched interpretations a rare human immediacy. From profiles of such universally admired masters as Frank Lloyd Wright and Le Corbusier to emerging figures including Michael Arad, creator of New York City's National September 11 Memorial, and the international design collaborative Snøhetta, Filler's shifting focus remains consistently trained on the enduring values of great architecture. His panoramic vision encompasses the historically inspired Gilded Age urbanism of the celebrated New York bon vivant Stanford White as well as the expressive collages of ancient and modern elements orchestrated by the reclusive Venetian intellectual Carlo Scarpa. The increasing role of women in architecture is given special emphasis in this new collection, from the pioneering work in 1920s Germany of Margarete Schu?tte-Lihotzky, inventor of the standardized modern kitchen, to such innovative contemporary practitioners as Elizabeth Diller, Kazuyo Sejima, and Billie Tsien.


Everyone knows what modern architecture looks like, but few understand how this revolutionary new form of building emerged little more than a century ago or what its aesthetic, social, even spiritual aspirations were. Through illuminating studies of the leading men and women who forever changed our built environment, veteran architecture critic Martin Filler offers fresh insights into this unprecedented cultural transformation. From Louis Sullivan, father of the skyscraper, to Frank Gehry, magician of post-millennial museum, Filler emphasizes how their force of personality has had a decisive effect on everything from how we inhabit our homes to how we shape our cities. Why was the sudden shift in architectural fashion that wrecked the career of the Scottish designer Charles Rennie Mackintosh not enough to destroy the indomitable spirit of Frank Lloyd Wright, who rose from adversity to become America's greatest architect? Why was Philip Johnson, dean of American architecture during the 1980s, so haunted by the superior talent of this less-fortunate contemporary Louis Kahn that he could barely utter his name even at the peak of his own success? How did Ludwig Mies van der Rohe's dictum Less is more give way to Robert Venturi's Less is a bore? Surveying such current urban design sagas as the reconstruction of Ground Zero and the reunification of Berlin, Filler also trains his sharp eye on some of the biggest names in architecture today, puncturing more than one overinflated reputation while identifying the true masters who are now building for the ages.

Makers Of Modern Architecture

Производитель: Random House, Inc.

Цена: 2311.00 руб.

Описание:
Everyone knows what modern architecture looks like, but few understand how this revolutionary new form of building emerged little more than a century ago or what its aesthetic, social, even spiritual aspirations were. Through illuminating studies of the leading men and women who forever changed our built environment, veteran architecture critic Martin Filler offers fresh insights into this unprecedented cultural transformation. From Louis Sullivan, father of the skyscraper, to Frank Gehry, magician of post-millennial museum, Filler emphasizes how their force of personality has had a decisive effect on everything from how we inhabit our homes to how we shape our cities. Why was the sudden shift in architectural fashion that wrecked the career of the Scottish designer Charles Rennie Mackintosh not enough to destroy the indomitable spirit of Frank Lloyd Wright, who rose from adversity to become America's greatest architect? Why was Philip Johnson, dean of American architecture during the 1980s, so haunted by the superior talent of this less-fortunate contemporary Louis Kahn that he could barely utter his name even at the peak of his own success? How did Ludwig Mies van der Rohe's dictum Less is more give way to Robert Venturi's Less is a bore? Surveying such current urban design sagas as the reconstruction of Ground Zero and the reunification of Berlin, Filler also trains his sharp eye on some of the biggest names in architecture today, puncturing more than one overinflated reputation while identifying the true masters who are now building for the ages.



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