Thames&Hudson
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Описание:
Retro Cameras is a stylish guide for a generation that has moved from sharing vintage-filtered digital images via Instagram to embracing “old school” analog film photography and manual cameras of all formats. Quick reference shooting guides accompany each camera type, allowing even a camera phone junkie to quickly come to grips with shooting on film with a vintage camera. More than 100 camera models are included, from 35mm SLRs to Roll Film SLRs and Instant Cameras. With over 400 specially commissioned photographs, an in-depth test drive of each camera type, practical advice on how to use and get the most out of each camera, buyers’ tips, and a dedicated glossary, Retro Cameras is a perfect reference for amateurs and professionals alike.

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A photographer's gift to the viewer is sometimes beauty in the overlooked ordinary Saul Leiter Photography lovers the world over are now embracing Saul Leiter, who has enjoyed a remarkable revival since fading into relative obscurity in the 1980s. This collection reveals the secrets of his appeal, from his life philosophy and lyricism to masterful colours and compositions. Some 200 works - including early street photographs, images for advertising, nudes and paintings - cover Leiter's career from the 1940s onwards, accompanied by quotations from the artist himself that express his singular world view.

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"We've finished the earthly tsars and we're coming for the heavenly ones!". Thus spoke the Soviet Union's first atheist propagandists as they declared war on "the opium of the people" across the USSR. Soviet atheism is the great lost subject of the 20th century. Pope Pius XI led a "crusade of prayer" against it. George Orwell satirised it in Animal Farm. The Nazis called it a Jewish plot. Franklin D. Roosevelt pressured Stalin to abandon it. Aleksandr Solzhenitsyn blamed it for Russia's catastrophes. Ronald Reagan put it at the core of his "Evil Empire" speech. And yet, because the Soviet Union promoted atheism almost entirely for domestic consumption, decades worth of arcane and astonishing antireligious imagery remains unknown in the West. Drawing on the early Soviet atheist magazines Godless and Godless at the Machine, and post-war posters by Communist Party publishers, Roland Elliott Brown presents an unsettling tour of atheist ideology in the USSR. Here are uncanny, imaginative and downright blasphemous visions from the very guts of the Soviet atheist apparatus: sinister priests rub shoulders with cross-bearing colonial torturers, greedy mullahs, a cyclopean Jehovah, and a crypto-fascist Jesus; Russian cosmonauts mock God from space while vigilant border guards nab American Bible smugglers. Godless Utopia is the occult grimoire of a lost socialist anti-theology.

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This sweeping overview of Rembrandt's extraordinary achievement as a draughtsman fills a gap in the otherwise enormous literature on the artist. Beautifully illustrated, mostly in colour, the more than 150 drawings - culled from a corpus of some 800 - are discussed in detail. The drawings span Rembrandt's entire productive life as an artist, from early self-portraits in the 1620s to late drawings from the 1660s of the victim of an execution, a state coach, and historical and mythological images. The scope of the book allows readers to delve into the very broad range of Rembrandt's oeuvre of drawings.

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In Japanese life and culture, there has never been a clear distinction between art, craft and design. Generations of artisans have for centuries forged and refined their crafts, which have become the envy of the modern world. Regions of Japan are renowned for specific traditions, many of which are born of local materials and the natural settings in which they are produced. Visitors and craft and design enthusiasts have long known about the high quality of craftsmanship and the unique quality of these makers and the objects they create, though few are taken outside the country. Spurred by an awareness of the unseen treasures produced by these craftspeople, designer-authors Uwe Roettgen and Katharina Zettl set out across the country to find the finest examples, to document the makers and their workshops and the rural landscapes that surround them. The result is a breathtaking odyssey into the heart of Japanese culture. The authors portray twentyfive artisans, who work with natural materials to produce objects that are intended for everyday life but are worthy of museum display. Photographs and texts, drawn from close collaboration with each maker or studio, depict ancient techniques that continue to flourish, however much the world around them has changed. Craftland Japan is not merely a book about Japanese crafts: it is a glimpse into centuries of tradition and wisdom through the prism of contemporary makers. It celebrates the union of craft, design, materiality and landscape in a manner that most cultures can only hope to emulate.

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Created in collaboration with Dronestegram, the world-leading drone photography website, and Ayperi Karabuda Ecer, a highly renowned photography editor, Dronescapes is the first book to bring together the very best photographs taken by quadcopters around the globe. It grants us the thrilling opportunity to see our planet from entirely new vantage points, whether this is a bird's-eye view of Christ the Redeemer in Rio de Janeiro, a photograph taken inches away from an eagle in mid-flight, or a vertiginous shot taken above Mexico's Tamul Waterfalls. There are extended commentaries on how individual images were created, profiles on notable photographers and a separate user guide containing key advice on how to use your drone. An introduction also discusses how the arrival of drone photography signals a major shift in the history of aerial photography. Dronescapes is a landmark publication at the cutting edge of contemporary photography, taking the medium - for once, literally - to newfound, dizzying heights.

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This survey of the world's most innovative and successful examples of pre-fabricated homes explores the full range of possibilities, open to anyone seeking to find clever and up-to-date solutions for building their own home. From net-zero houses to plug-and-play dwellings and converted shipping containers, each chapter explores the varied and exciting ways that architects and designers are using pre-fabricated technology to address today's living and world challenges. A reference section includes in-depth essays, which explore the latest manufacturing methods, trends and technologies, presenting a wide range of possibilities to suit every need, taste and desire. Richly illustrated with photography and drawings, with projects selected by a long-time expert in pre-fab architecture, this fresh take on new solutions presents the factory-made house in a new light. Whether designing on a tight budget, crafting something self-sustaining or simply looking for new spatial ideas, this is an essential and future source of inspiration for architects, designers and home-builders.

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Known for his multi-storey murals gracing buildings all over the world, Melbourne-based artist Rone uses his work to explore the friction and connection between beauty and decay, youth and ruin. Rone was a seminal figure in the explosive Melbourne street art scene of the early 2000s. With his beginnings in street art, stencil and screen printing, Rone is now best known for his haunting images of women's faces, rendered in arresting detail on silos and store fronts, museums and apartment blocks. His immersive installations have continued his investigation into divergent themes of beauty and ruin, materiality and loss, through the transformation of condemned, derelict or forgotten spaces - with each artwork painstakingly produced, only to be destroyed. "Rone: Street Art and Beyond" presents a survey of the artist's work from the street, the studio, and the ephemeral installations. The works are bookended by essays that trace the evolution of Rone's career over the last two decades, delve into his depictions of women, and go behind the scenes of his most ambitious installation to date: Empire (2019), set in the disused Art Deco mansion Burnham Beeches on the outskirts of Melbourne. Anecdotal notes from the artist unpack the stories behind the portraits, tying them to their communities in London, Paris, New York, Havana, Christchurch, Hong Kong and beyond.

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From the turn of the century S-bend silhouette to celebrity couture of the new millennium and the evolution of streetwear, this comprehensive survey explores significant developments in fashion from 1900 to the present day. Fashion historians Amy de la Haye and Valerie Mendes focus on key movements and innovations in style, and explore trends through the work of some of the world's most original and influential designers and couturiers. Chapters are organized around crucial shifts in tastes and major world events, and exciting advances in fashion are placed within their socioeconomic, political and cultural contexts. International in scope with colour illustrations throughout, this edition includes updated text as well as a new chapter that discusses some of the defining features of fashion in our time: the industry's proactive embrace of age, gender and race diversity, and it's ongoing efforts to combat labour exploitation and encourage global sustainability.

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The most anticipated book in more than a decade by the legendary band, The Beatles: Get Back is the official account of the creation of their final album, Let It Be, told in The Beatles own words, illustrated with hundreds of previously unpublished images, including photos by Ethan A. Russell and Linda McCartney. Half a century after the 1970 Let It Be album and film, this milestone book coincides with the global release of Peter Jacksons documentary feature film, The Beatles: Get Back. The book opens in January 1969, the beginning of The Beatles last year as a band. The BEATLES (The White Album) is at number one in the charts and the foursome gather in London for a new project. Over 21 days, first at Twickenham Film Studios and then at their own brand-new Apple Studios, with cameras and tape recorders documenting every days work and conversations, the band rehearse a huge number of songs, culminating in their final concert, which famously takes place on the rooftop of their own office building, bringing central London to a halt. The Beatles: Get Back tells the story of those sessions through transcripts of the bands candid conversations. Drawing on over 120 hours of sound recordings, leading music writer John Harris edits the richly captivating text to give us a fly-on-the-wall experience of being there in the studios. These sessions come vividly to life through hundreds of unpublished, extraordinary images by two photographers who had special access to their sessions--Ethan A. Russell and Linda Eastman (who married Paul McCartney two months later). Also included are many unseen high-resolution film-frames, selected from the 55 hours of restored footage from which Peter Jacksons documentary is also drawn. Legend has it that these sessions were a grim time for a band falling apart. However, as acclaimed novelist Hanif Kureishi writes in his introduction, In fact this was a productive time for them, when they created some of their best work. And it is here that we have the privilege of witnessing their early drafts, the mistakes, the drift and digressions, the boredom, the excitement, joyous jamming and sudden breakthroughs that led to the work we now know and admire. Half a century after their final performance, this book completes the story of the creative genius, timeless music, and inspiring legacy of The Beatles.

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In a world where smart objects can talk to each other and a gun can be printed with a desktop 3D printer, the conditions for contemporary design are nothing if not surreal. The long-standing interaction between architecture and Surrealism is being reinvigorated by the new technology that makes the protocols and concepts of otherworldly Surrealism more relevant to architects than the dogmas of architectural modernism. This book charts the development of this fertile relationship, revealing how Surrealist ideas are being put to use by contemporary architects in extraordinary ways. Architecture and Surrealism opens with an introduction on the precursors of Surrealism in the Baroque and Rococo periods, moving into the twentieth century through the Symbolists and Dadaists. The four main chapters present the interplay between architecture and Surrealism through the key concepts of the body, the interior space, the house, alternative realities, and the environment. In an era of wearable technology and big data, the fascinating possibilities for new worlds, new buildings, and new spaces are creating the most exciting futures for contemporary architects. Written by Neil Spiller, a leading academic and architect known for his own Surrealist-influenced work, this book is a breathtaking resource of spatial ideas and visionary buildings for architects, students, lovers of Surrealism, and all creative types.

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This book gathers some 140 paintings, watercolors and drawings by Egon Schiele from the Leopold Museum in Vienna, which famously possesses the world’s most comprehensive and eminent collection of works by this most beloved of modern artists. It covers all periods of Schiele’s oeuvre, with examples of his earliest creations, his renowned Expressionist period and the work created shortly before his untimely death. Among the classic Schiele paintings housed in the collection are the Seated Male Nude (a self-portrait) of 1910 and The Hermits of 1912 (probably depicting Schiele with Gustav Klimt). Cityscapes constitute another emphasis in Schiele’s oeuvre as well as landscapes including Houses by the Sea. Throughout the book, numerous full-page illustrations afford exceptional insight into Schiele’s genius for line and colour. Essays by Elisabeth Leopold, Rudolf Leopold, Franz Smola and Birgit Summerauer outline the milieu and career of this provocative artist but also highlight Schiele’s place among the great masters of the 20th century.

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The Bayeaux Tapestry is unique both as a historical document and as a work of art. It was made soon after the Battle of Hastings in 1066, and it tells the story of the events that led up to William the Conqueror's invasion of England and the battle itself.

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At the age of twenty-nine, photographer Thomas Sweertvaegher spends most of his life on the road with friends, indulging his dual passions of photography and skating. Years of travelling the world together - always on the move and often carrying nothing more than a skateboard - have yielded the poignant photographs collected in this volume, where the skateboard remains a constant symbol of freedom, an extension of their identities and the mark of their strong friendship. Rolling on the margins of society, exploring the limits of life and his own young adulthood, Sweertvaegher captures whatever is happening around him during his travels. His shots take the reader on a journey, showing the highs and lows, bruises and stitches of skating and street life, and ultimately celebrating the beauty such a life can bring. While it captures Sweertvaegher's odyssey from a highly personal perspective, The Journal of a Skateboarder is at the same time a visual documentary of the skating world, and features key figures such as Axel Cruysberghs, Arto Saari, Dylan Rieder and Rodney Mullen.

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France is a Feast documents, through intimate and compelling photographs, Julia Child discovering French cooking and the French way of life. It all began under the guidance of her husband, Paul Child, a passionate photographer. Paul and Julia Child moved to Paris in 1948 where he was the cultural attache for the US Information Service in Paris, and in this role he first met Henri Cartier-Bresson, Robert Capa, Brassai, and other leading lights of the photography world. As Julia recalled: Paris was wonderfully walkable, and it was a natural subject for Paul. Their wanderings through Paris and the French countryside frequently photographed by Paul, would help lead to the classic Mastering the Art of French Cooking, and Julia Child s brilliant and celebrated career in books and on television. Though Paul Child was an accomplished photographer (his work is in the collection of the Museum of Modern Art), his photographs remained out of the public eye until the publication of Julia Child s memoir, in which many of his photographs were included. In helping to tell Julia's story, they also brought to light the remarkable photographic achievement of Paul Child.

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Most collectors have their own unique attractions and approaches to the objects of their collecting. This volume features the adventures of Gloria Katz and Willard Huyck, two renowned filmmakers with such writing credits as Indiana Jones and the Temple of Doom and the original Star Wars and Mission Impossible who began collecting Japanese photography more than a decade ago, and whose ongoing hunt seems indeed like a Hollywood movie. Since 2002, the Huycks have assembled an encyclopedic collection of images from the 19th century to the present, acquiring works by Nobuyoshi Araki, Hiroshi Hamaya, Eikoh Hosoe, Miyako Ishiuchi, Kikuji Kawada, Daido Moriyama, Ikko Narahara, Issei Suda, Shomei Tomatsu and Shoji Ueda. A record of their love of Japanese photography and their experiences collecting it, Views of Japan makes available a selection of rare masterpieces from their extensive collection, along with a personal script recounting how they scouted, debated, selected and ultimately acquired many of the works. This was no small undertaking, considering the rarity of some of the images gathered in this volume particularly those taken before the 1970s. The Huycks collection was shaped into Views of Japan by Manfred Heiting, a designer and editor of photo publications including extensive surveys of German, Soviet and Japanese photobooks. The resulting volume is a distinctly personal presentation of one of the greatest private collections of Japanese photography in the world, and an accessible look at a practice long ignored by Western histories of photography.

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Where and how Dada began is almost as difficult to determine as Homer s birthplace, writes Hans Richter, the artist and filmmaker closely associated with this radical movement from its earliest days. Here he records and traces Dada s history, from its inception in wartime Zurich to its collapse in Paris in the 1920s, when many of its members joined the Surrealist movement, to the present day when its spirit reemerged in the 1960s in movements such as Pop Art. This absorbing eyewitness narrative is enlivened by extensive use of Dada documents, illustrations, and texts by fellow Dadaists. To celebrate one hundred years of Dada, Thames & Hudson is reissuing this unique document exactly as it first appeared in an expanded centenary edition. This edition features a new introduction telling the story of how the book came about and an extended commentary that identifies Richter s sources and brings the study up-to-date for a new generation of readers.

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The V&A Photography Library is a new series of accessible, introductory volumes to the key themes, works, objects and individuals in photography, illustrated with unprecedented access to the V&A's photography collection, the oldest held by a public museum and one of the largest and finest in the world, now expanded with acquisitions from the Royal Photographic Society collection. Written by Martin Barnes, Senior Curator of Photographs at the V&A, and publishing to coincide with the launch of the V&A's new Photography Centre in autumn 2018, Cameraless Photography presents a concise historical survey of photographic images created without a camera. With c. 100 photographs supported by extended commentaries and an introduction of about 1,500 words, it embraces a chronology spanning the early photographic experiments of the likes of Anna Atkins in the 19th century through the avant-garde photograms of modernists such as Man Ray, to the work of contemporary artists, such as Susan Derges, nearly two centuries later. Visually compelling and an on-trend subject for contemporary audiences, Cameraless Photography will be an outstanding introductory overview of the key creative, cameraless processes running throughout the history of photography - including photograms, chemigrams, luminograms, dye destruction prints and more - illustrated by the cameraless work of some of photography's greatest names.

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Fashion China is the first highly illustrated introduction to Chinese fashion, showcasing the work of 41 contemporary designers and labels, with some based in Mainland China and some in the West. Revealing interviews with each of the specially selected designers cover their training, inspirations, motivations, outlook and how they understand their work in the global fashion industry, making this a must-read book for all students of fashion and design, industry buyers and fashion enthusiasts.

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The mission of art is to express each nation s aesthetic values in accordance with the beauty of its soul. The mission of the artist is to teach people to love that beauty. Alphonse Mucha Alphonse Mucha was an extraordinarily prolific and versatile artist who made his mark in the diverse fields of design including posters, jewelery, interior decoration, theater, and packaging and product designs as well as in painting, book illustration, sculpture, and photography. He is one of the best-known Czech artists to wide international audiences today and rose to fame in fin-de-siecle Paris with his elegant designs for theater posters for Sarah Bernhardt, the most famous French actress of the time, and decorative panels (panneaux decoratifs) featuring gracefully posed women. For those posters, Mucha created a distinctive style le style Mucha characterized by harmonious compositions, sinuous forms, organic lines, and a muted palette, which became synony-mous with the newly emerging decorative style of the time Art Nouveau. By the time of the Paris Exposition Universelle of 1900, Mucha had become a leading figure in this decorative-art movement, and he defined the look of the era. The catalog explores the development of Mucha's career and overall achievements as a multifaceted and visionary artist. It is divided into six sections highlighting Mucha's personality as a Bohemian; a picture maker for people; a cosmopolitan; a mystic; a patriot; and a philosopher.