Thames&Hudson
Год издания 2005

Описание:
Rasem Badran's influence is rapidly spreading throughout the developing world. Covering the full spectrum from urban planning to individual residences, his work is human-scaled, responsive to it's environment and meets the social and cultural requirements of the people who use it. He is often seen as the natural successor to the seminal Egyptian architect Hassan Fathy. This volume provides a thorough overview of Badran's work, bringing together the architect's own dramatic collection of drawings, plans and photographs, many seen here for the first time. A comprehensive chronology of Badran's work completes this fascinating survey of one of the most influential and revolutionary architects of our time.

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The first complete monograph to be published on the Greek artist, this includes works from the 1970s to the present.

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The public's appetite for new and excitingly designed hotels is insatiable. Never before have hotels been so earnestly responsive to the zeitgeist. How else can we explain the latest trends in design which at one extreme increasingly blur the border between lodging, lifestyle and living theatre, and at the other seek to reinvent the more discreet manners and style of the grand hotels of the late 19th century? 21st-Century Hotel highlights the latest examples of these trends and more as the international hotel sector finds newer and more imaginative ways to invent and reinvent itself in order to match the mood of the moment. A large-format bible of style for architects and interior designers, this book outlines the very latest developments in types of hotel design and then showcases the best on international scene through five themed chapters. It features forty six unusual

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Since its inception in a provincial town outside Paris some eight years ago, ArchiLab has established itself as one of the world's most important showcases of young architecture talent. Published to coincide with the major exhibition at Tokyo's Mori Art Museum, ArchiLab's Urban Experiments presents the very latest projects of the rising avant-garde alongside the pioneers of radical architecture. Featuring hundreds of seminal and influential works by ninety architects, ranging from the groundbreaking experiments of Rem Koolhaas, Zaha Hadid, Peter Cook, Daniel Libeskind alongside a new generation of rising geniuses, including Asymptote, NOX, UN Studios and Greg Lynn, this ambitious publication assembles several generations of visionary architecture in a single volume. With the city as the context and catalyst for the work, the book provides an indispensable resource for architectural and urban development and innovation for the third millennium. Packaged in a compact format that makes for useful student research and boundless inspiration for practitioners, ArchiLab's Urban Experiments continues the tradition of breaking conventions to explore new territories of design around the world.

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An essential publication for anyone interested in contemporary art, the Yearbook is a comprehensive overview of the fast-moving art scene. Featuring over 300 of the world's most exciting international artists with images and critical texts, the book also provides full details of today's leading galleries. The Yearbook is produced by Frieze Art Fair, which is held in London every October. The fair brings together the most dynamic contemporary art galleries in the world and displays the work of over 600 young and established artists.

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In this, the 20th edition of the leading international showcase of domestic design, guest editor and acclaimed Dutch designer Marcel Wanders surveys the world of design and identifies new, original and interesting work in the areas of furniture, lighting, tableware, textiles and products.

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Laurie Simmons is one of the first contemporary American photographers to have created elaborately-staged narrative photographs. Using dolls to act out piquant scenarios within specially constructed environments, she has slyly commented on contemporary culture while re-creating a sense of the 50s that I knew was both beautiful and lethal. Prodigiously creative - she has produced some thirteen or fourteen fully developed series since the 1970s - Simmons uses highly saturated color and large formats, ranging from 20 by 24 inches to more recent work as large as 84 by 48 inches. Housewives, ballerinas, cowboys, tourists, and ventriloquists` dummies populate her diverse tableaux, which are often infused with a bittersweet sense of nostalgia yet charged with a disquieting sense of dislocation. In Laurie Simmons: Walking, Talking, Lying, Kate Linker concentrates on selected series - from Ventriloquism, Walking Objects, and Lying Objects to the 1997 Self-Portraits and the Cafe of the Inner Mind - to illuminate ideas that cut through the artist`s entire body of work. Of particular interest are the willfully ambiguous interplay between objects, figures, and backgrounds, and the way specific things (toys, cakes, guns) and settings (suburban interiors, theatrical stages) take on strange powers in Simmons`s photographs. As Linker makes clear, the artist`s use of narrative links her to a number of contemporary fiction writers, while her fondness for artifice, advertising, childhood memory, and unabashed eclecticism relates to - and has helped shape - the heated debates of the past thirty-some years about the nature of photography.

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Spray-on dresses, growable suits and self-cleaning shirts may soon become everyday items. This visionary exploration of where fashion and clothing are headed provides the first guide to the astonishing ways in which contemporary science and technology are shaping what we wear. Fashioning the Future examines the work of those scientific researchers and fashion designers, such as Issey Miyake, Hussein Chalayan and Walter Van Beirendonck, who are transforming today’s science fiction into tomorrow’s reality. Fashioning the Future is essential for those interested in the long-term future of fashion, design and lifestyle – as well as for everyone wanting to know how to stand out from the crowd.

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Public assemblies and multitudes in action are fundamental to our notion of political life. Through 120 posters-many never previously reproduced-the book examines the impact of large gatherings of people in politics and society concentrating on the turbulent years of the first half of the 20th century. The posters will be presented in a nearly year-long US exhibition, drawn from the massive collection of Stanford University's Hoover Institution, and augmented by works from the Wolfsonian Museum, Florida International University, and the Cantor Arts Center, Stanford University. The exhibition catalog, published in conjunction with the Cantor Arts Center, explores the decisive importance of large gatherings of people and its correlative, the mass medium of poster art, and considers the complex nature of the portrayal of political crowds in the modern period.Schnapp's text frames the featured works within a broader history of the images of the crowd in Western art. The essay aims to sharpen the reader's perspective by creating a synthetic understanding of how emerging principles of popular sovereignty in politics shaped new images and myths of a new, collective sense of our humanity.

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Woody Allen is a uniquely innovative performer, writer and director with nearly fifty movies to his credit, from cult slapstick films and romantic comedies to introspective character studies and crime thrillers. Classics such as Annie Hall, Manhattan, Stardust Memories, Broadway Danny Rose and Hannah and Her Sisters still resonate, and more recently Midnight in Paris and Blue Jasmine have been notable successes. In this timely retrospective, Tom Shone reviews Woody Allens entire career. His informed commentaries are combined with many classic quotes from Allen that define the directors self-deprecating humour and acute thinking about his life and times. Superbly illustrated with more than 250 key images, this is a fitting tribute to one of the masters of modern cinema, published to mark Woody Allens eightieth birthday.

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This encyclopedic, profusely illustrated guide displays over 180 sneakers chosen for the impact they have made on sneaker culture worldwide. Eleven leading brands, from Adidas to Vans, are discussed in detail with full histories, while a further selection from well-loved or long-lost classics to new designs, will excite both the novice collector and the committed sneaker freak. Packed with over 550 specially commissioned photographs, and featuring an indispensable directory of collectors’ shops, resources and websites, as well as practical tips on how to build and care for your collection, this is the definitive guide to the very best and most collectable sneaker designs.

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Since its founding in 1916, British Vogue has acted as a cultural barometer, placing fashion in the context of art, literature, and politics. The magazine has captured the zeitgeist of each decade—the austerity and optimism that followed two world wars, the swinging London scene of the sixties, the radical seventies, the image-conscious eighties—and continues to be on the cutting edge of design and photography. Decade by decade, Vogue 100 presents the greatest moments in the magazine’s history—the photography, illustrations, and essays that recorded the fashion and taste of the time. Complete with essays that detail the rich history of each decade, the book covers the artists, designers, photogra­phers, and writers who shaped the cultural landscape of the 20th century and beyond. With more than 300 photographs of these pivotal figures—from Matisse to Bacon, Freud to Hirst, Dietrich to Paltrow, and Schiaparelli to McQueen—Vogue 100 offers an in-depth look at a century of Britain’s fashion, art, and culture.

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From first to last, Picasso’s prime subject was the human figure and portraiture remained a favourite genre. His earliest portraits were done from life and reveal a precocious ability to catch likeness and suggest character and state of mind. B y 1900 Picasso was producing portraits of astonishing variety and thereafter they reflected the full range of his innovative styles – symbolist, cubist, neoclassica l, surrealist, expressionist. B ut however extreme his departur e from representational conventions, Picasso never wholly abandoned drawing from the sitter or ceased producing portraits of classic beauty and naturalism. For all his radical originality, Picasso remained in constant dialogue with the art of the past and his portraits often alluded to canonical masterpieces, chosen for their appropriateness to the looks and personality of his subject. Treating favourite Old Masters as indecorously as his intimate friends, he enjoyed caricaturing them and indulging in fant asies about their sex lives that mirrored his own obsession with the interaction of eroticism and creativity. His late suites of free ‘ variations ’ after Velázquez’s Las Meninas and Rembrandt’s The Prodigal Son, both of which involve self - portraiture, allow ed him to ruminate on the complex psychological relationship of artist and sitter, and continu ities between past and present. When Picasso depicted people in his intimate circle, the nature of his bond with them inevitably influenced his interpretation. T he focus of this book is not, however, Picasso’s life story but his creative process, and, although following a broadly chronological path, its chapters are structured thematically. Issues addressed in depth include Picasso’s exploitation of familiar pose s and formats, his sources of inspiration and identification with favourite Old Masters, the role of caricature in his expressive conception of portraiture, the relationship between observation, memory and fantasy, critical differences between his portray al of men and women, and the motivation behind his defiance of decorum and the extreme transformation of his sitter’s appearance.

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Who was the first crowned King of England? Who invented the idea of ‘the English’? What was England’s bloodiest battle? Who was the only English Pope? Which English city fell into the sea? Find the answers to these and hundreds of other entertaining questions in this fact-packed guide to England’s forgotten past.

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In a delightful and thorough investigation, Linda Parry recalls the artistic genesis and glory of the Arts and Crafts movement's fabricmakers and their work. The author outlines the history of late-19th-century England's textile industry, and shares her understanding of the atmosphere that gave rise to the Arts and Crafts Society. Like the patterns illustrated here, Parry spares no detail in tracing the artists whose work is associated with the movement. While many lesser-known designers are covered, lengthy analysis is given to CFA Voysey, Lindsay Butterfield and George Haite, whose styles characterize the period. The reader sees period photographs of the products in Victorian homes and learn how the public received them. Throughout, Parry displays consunmate critical skills while leavening her discourse with enthusiastic appreciation of the fabrics and prints that decorated the Victorian world and now adorn these pages in nearly 100 colour illustrations.

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The breaking of the Maya code has completely changed our knowledge of this ancient civilization, and has revealed the Maya people's long and vivid history. Decipherment of Maya hieroglyphic writing has progressed to the point where most Maya written texts whether inscribed on monuments, written in the codices, or painted or incised on ceramics can now be read with confidence. In this practical guide, first published in 2001, Michael D. Coe, the noted Mayanist, and Mark Van Stone, an accomplished calligrapher, have made the difficult, often mysterious script accessible to the nonspecialist. They decipher real Maya texts, and the transcriptions include a picture of the glyph, the pronunciation, the Maya words in Roman type, and the translation into English. For the second edition, the authors, have taken the latest research and breakthroughs into account, adding glyphs, updating captions, and reinterpreting or expanding upon earlier decipherments. After an introductory discussion of Maya culture and history and the nature of the Maya Script, the authors introduce the glyphs in a series of chapters that elaborate on topics such as the intricate calendar, warfare, royal lives and ritual, politics, dynastic names, ceramics, relationships, and the supernatural world. The book includes illustrations of historic texts, a syllabary, a lexicon, and translation exercises.

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"Back Stage & Front Row" is an all-access pass to the heady world of fashion and glamour, via the eyes of Gauthier Gallet. For almost ten years, Gallet scanned behind-the-scenes and the front-rows at the ready-to-wear and couture shows in Paris, Milan, New York, and Tokyo, as well as some of the most star-laden parties of the past decade. Uncontrived, personal images, his photos show fabulous untouchables to be surprisingly human. These images are documents of our times, a compilation of encounters, and a continuous expression of Gallet's great talent. His uncalculated photographs reveal the strength of his subjects and capture, in a split-second, the "now", the moment. His unique working relationship with models, designers, and celebrities and their mutual trust is reflected in this collection of beautifully reproduced and timeless images. "Back Stage & Front Row" is at once a documentary of Gallet's work and a testimony to his great talent.

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Surrounded by the English Channel to the north, the Celtic Sea and the Atlantic Ocean to the west and the Bay of Biscay to the south, Brittany is a picturesque region of France renowned for its beautiful coastline and stunning architecture. Brittany is steeped in history and legends. It is closely connected to the tales of King Arthur, in fact Merlin's tomb is said to be in a dolmen located somewhere in the region. Granit rules the area; manors and farms are often built with this material, sometimes carved as intricately as lace. The Pink Granit Coast is famous for it blush colored rock and sand. Fabrice Moireau roamed across this land from the Pointe du Raz Landes de Lanvaux and from the Morbihan to the Mont Saint-Michel Bay, to discover the most stunning and intriguing landscapes and buildings of Brittany, all of which he captured with his brushes and pens.

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The best of Klimt's drawings and watercolors, beautifully reproduced in full color. There is no doubt about Gustav Klimt's greatness as a draftsman. Remarkable above all is the intensely sensual mood that he establishes in his limpid, fluid drawings and watercolors: the pencil or crayon line with which his subjects are described explores and caresses as though the act of drawing was itself a seduction. Klimt's drawings are often highly erotic and explicit, many to such an extent that they have rarely been reproduced. This has made for an unbalanced representation of his work as a draftsman, and a comprehensive survey of his graphic output is long overdue. Rainer Metzger, a noted art historian, has brought together hundreds of Klimt's drawings and watercolors in a way that enriches our knowledge of the artist and enhances the visual impact of his oeuvre. Klimt's drawings and studies, and his elegantly direct and dangerously intoxicating preparatory sketches, reveal the underlying impetus for and structure of his elaborate canvases. 307 color illustrations.

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The geometric foundations, forms, and patterns in today’s architecture, design and, decorative arts can trace their origins in past cultures. From humankind’s first path-like doodles on cave walls through to the higher abstractions developed to make accurate measurements and predictions, the three-dimensional forms we design and build have always been dependent on available materials, human needs, and the limits of our imaginations. 3D Thinking in Design and Architecture tells the story of the intimate relationship between geometry, mathematics and man-made design throughout human history, from the Neolithic period through the Indian, Egyptian, Babylonian, Chinese, Greek, Celtic, Islamic and Renaissance cultures, to the present and the possible future. Presenting key principles that can be applied across all design disciplines, design expert Roger Burrows relates how geometry as a visual language has evolved to meet our needs, initiated new technologies, and changed the way we think about the world around us. With a wealth of original artwork by the author to explain his ideas, this book will be an essential reference and source of inspiration for students and design professionals.