Thames&Hudson
Длина 242

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Classic modern design never goes out of style: it is merely retired or subtly adapted to its given place and time. Having surveyed handwritten, new vintage, and new ornamental tendencies in type and lettering, graphic-design guru Steven Heller now turns his encyclopedic gaze on Modernism. New Modernist Type reveals how a graphic language of simplicity and economy has impacted contemporary design. Hundreds of examples by international designers are grouped into three thematic chapters: Old Modern (when...

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Magic Metal in Architecture ? no other material develops so many different facets in the application. Whether in the form of ?skin and bones? or as a high-tech fa ade, brilliant constructions always bring the quality of metal into focus.

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Ambitious in scope, democratic in nature, Magnum Streetwise is an unmissable tour through the photographs and practices that have helped define what street photography is and can be. Magnum photographers such as Henri Cartier-Bresson pioneered "modern" concepts of street photography before the term was even coined. But their influence is far from historic. A rich seam of street photography runs through the heart of Magnum to this day, both in the work of recognized masters of street photography - such as Erwitt, Parr, Gilden and Kalvar - and of those who might not even consider themselves street photographers; a continued influence that has not gone unnoticed among the current generation of budding street photographers and fans. Magnum Streetwise is a true visual feast, interleaving insightful texts and anecdotes within an intuitive blend of photographer and theme-based portfolios, exploring not only the work of outstanding photographers, but how common subject matter (places of leisure, marketplaces, travel) and locations (Paris, New York, Tokyo) have been addressed, conceptually and practically, across the agency and through the ages. Magnum Streetwise is an essential addition to the bibliography of street photography, showcasing hidden gems alongside many of the genre's most famous images.

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A testament to the art of colour composition, this book - art directed by Wong himself and produced to the highest printing standard - brings together a complete and refined body of images that are evocative, timeless and completely transporting. Rounding out the volume's special treatment is the first publication use of the 45/90 font, designed by Henrik Kubel, of London-based A2-TYPE. The book also features a section that reveals the creative and technical process of Wong's method, from identifying the right scene to making a good composition, from capturing the essence of a moment to enhancing colour values and deepening an image's impact - insights that will be invaluable to admirers and photography enthusiasts alike.

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The practice of ceramics is steeped in history and tradition. For thousands of years humans have exploited the versatile qualities of clay as a material to produce items ranging from humble utilitarian vessels integral to family living, right through to exquisite works of art. Ceramics Masterclass explores this diverse discipline by showcasing 100 of the most innovative and inspiring artists past and present, analysing the techniques and methods used to create the works, and the concepts which underpin their creative process. It shows how to recreate intricate still-life dioramas like 15th century artist Bernard Palissy, explore narrative like Grayson Perry and convey sensitivity to material like Phoebe Cummings. Arranged thematically, Ceramics Masterclass includes chapters on vessels, batch production, sculptures, figurative works, installation and expanded field. Perfect for students, amateur ceramicists and professionals, this book represents a global perspective of historical and contemporary approaches to clay and be a catalyst for discovery and intrigue.

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Drawing Masterclass explores the act of vision of the world's great artists, describing how the images were created to allow you to weave some of this magic into your own drawings. The book is organized into seven chapters covering important genres: nudes, figures, landscapes, still life and studies, heads, fantasy and abstraction. Each chapter selects a cross section of artists and examines their practice in detail, using key drawings. Each artist is described through one of 100 selected masterpieces, plus a biographical profile and a practical look at the way the drawing was made: the materials and technique, as well as an examination of the ideas and inspiration behind it's making and how the artist's life might reflect their concerns. Light and shade, rhythm, form, space, contour and composition are all covered in detail. The book covers a broad historical and geographic sweep, and includes many of the most celebrated male and female artists.

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The first woman to be awarded the distinguished Pritzker Architecture Prize, in 2004, Zaha Hadid is internationally known for projects that have literally "shifted the geometry of buildings". The Iraqi-born, London-based architect has collaborated with the Guggenheim on several projects leading up to this comprehensive retrospective, including the design for the museum's exhibition "The Great Utopia" in 1992. Each of Hadid's dynamic and innovative works builds on over 30 years of experimentation and research in the interrelated fields of urbanism, architecture and design. True to Hadid's interdisciplinary approach to architecture, all mediums will be covered here.

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Even non-graphic designers know that type is everywhere: fonts and typefaces fill everything we consume or inhabit. They communicate, inform, sell, explain... and yet finding serendipitous letterforms in the least likely locations can also excite and inspire. Once experienced, it is impossible not to see letters in anything from forests to housing projects, from leaves to brickwork. The eye becomes accustomed to seeing a world built of letters. Unlike most books on typography that present the best and most refined examples, the object here is to reveal the lost or unseen typographies in nature and our cities. From machine-made and sculptural forms to flora and fauna, from the fading ghost types on buildings from a pre-digital age to the subterranean forms found beneath our urban centers, from crowd-sourced creations to the popular vernacular, there is a universe of letterforms all around us.

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Provence is a land apart, a territory of outstanding beauty and distinction that has fascinated outsiders since earliest times. It is in it's smaller communities that the true Provencal spirit can be found. Hugh Palmer's radiant photographs and Michael Jacobs evocative accounts of the most beautiful villages of Provence opens with the villages of Vaucluse and the Bouches-du-Rhone, then moves east through the Var to the mountains of the Alpine departments and it's fortified hill villages, drawing together the special characteristics of the region. In the brilliant sunlight falling across the tightly grouped terracotta roofs and the velvety shade beneath great plane trees in an ancient square, the authors encounter the country of Marcel Pagnol and Jean de Florette, the best-loved of all French provinces. "The photographs of simple churches, fountains, shady squares and cobbled lanes demand leisurely observation... beautiful. Highly recommended for travel and architecture collections".

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Creations made of concrete about seventy projects from recent years present the new face of concrete in architecture. They show how architects knead concrete structures and which amazing qualities can be developed by the usage of exposed concrete. The publication Concrete Creations of the series Architecture and Materials demonstrates by using plans, drawings as well as pictures and texts that the popular construction material has more to offer than it is usually assumed and that it does not necessarily need to be grey.