Thames&Hudson
Количество страниц 368

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This much acclaimed book, newly available in paperback, is the definitive retrospective of the most popular serious artist in the world today, covering all media over almost fifty years. Presented thematically to show the evolution and diversity of Hockney's prolific paintings, drawings, watercolours, prints and photography, it also features quotes from the artist himself that illuminate the passionate thinking behind the works produced. Its huge international success confirms Hockney's position as the world's most popular living artist.

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Since its inception in a provincial town outside Paris some eight years ago, ArchiLab has established itself as one of the world's most important showcases of young architecture talent. Published to coincide with the major exhibition at Tokyo's Mori Art Museum, ArchiLab's Urban Experiments presents the very latest projects of the rising avant-garde alongside the pioneers of radical architecture. Featuring hundreds of seminal and influential works by ninety architects, ranging from the groundbreaking experiments of Rem Koolhaas, Zaha Hadid, Peter Cook, Daniel Libeskind alongside a new generation of rising geniuses, including Asymptote, NOX, UN Studios and Greg Lynn, this ambitious publication assembles several generations of visionary architecture in a single volume. With the city as the context and catalyst for the work, the book provides an indispensable resource for architectural and urban development and innovation for the third millennium. Packaged in a compact format that makes for useful student research and boundless inspiration for practitioners, ArchiLab's Urban Experiments continues the tradition of breaking conventions to explore new territories of design around the world.

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This volume provides a complete overview of the major exhibition of masterpieces by Giorgio Morandi at the Metropolitan Museum of Art in New York and the Museo d'Arte Moderna in Bologna (MAMbo). Over one hundred paintings, watercolors, drawings, and etchings illustrate the artist's entire creative and poetic course from the landscapes and still lifes of 1913-1914 to his final works of 1963-1964. Particular attention is focused on the masterpieces of the 1920s and 1930s, in which Morandi perfected his extraordinary approach to image making through in-depth investigation of the world and of human existence as filtered through the metaphor of the still life.

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This is one in a series of books to be published by Steidl that will explore Berenice Abbott’s oeuvre. Abbott began her photographic career in Paris in 1925, taking portraits of some the most celebrated artists and writers of the day, including Marie Laurencin, Jean Cocteau, Peggy Guggenheim, Coco Chanel, Max Ernst, André Gide, Philippe Soupault and James Joyce. Within a year her work was exhibited and acclaimed. Paris Portraits 1925–1930 features the results of Abbott’s earliest photographic...

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Christian Dior’s first collection in 1947 heralded the birth of a new fashion silhouette for women. Here, seventy of the most memorable looks created by Christian Dior and his successors?Yves Saint Laurent, Marc Bohan, Gianfranco Ferré, John Galliano, Raf Simons, and Maria Grazia Chiuri?have been specially selected and photographed in intimate detail. This essential volume also features those designs in original sketches, runway shots, and fashion shoots by the world’s greatest fashion photographers, including Irving Penn, Richard Avedon, Cecil Beaton, William Klein, Helmut Newton, Peter Lindbergh, Mario Testino, Paolo Roversi, and Nick Knight. Exploring the classic elements of Dior in depth, the book covers the concept of line and architecture in fashion; the influence of history and art; the use of color; gardens and landscapes as sources of inspiration; and, of course, the brand’s famous muses and clients: the Duchess of Windsor, Marlene Dietrich, Princess Grace of Monaco, Marilyn Monroe, Princess Diana, Natalie Portman, and Jennifer Lawrence, among many others. Published to mark seventy years of the House of Dior, Paris, Christian Dior: Designer of Dreams is a magnificent showcase of one of the world’s greatest couture houses.

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The Scythians were an ancient nomadic people who lived in the south Russian steppe from 900 to 200 BC. They established a rich nomadic culture originating in southern Siberia and extending to northern China and as far as the northern Black Sea. Mobility and mastery of local resources were central to their culture and their achievements. Forerunners of the Sarmatians, the Huns, the Turks, and the Mongols, the Scythians were feared adversaries and respected neighbors of the Assyrians, Persians, and ancient Greeks. They left no written records of their own and historians have previously relied on the descriptions by the ancient Greek historian Herodotus, but archaeological research now adds considerable new information about their origins and lifestyle. This book offers unique insights into the life and funerary customs of the Scythians with exceptionally well preserved organic objects buried in conditions of permanent frost in the high Altai mountains. Some of the objects are from new excavations and others come from the famous Siberian Collection of Peter the Great. They include many rare finds of personal garments and possessions made from gold, leather, fur, and felt and reveal the impact and achievements of one of the earliest great nomadic peoples.

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In the era of celebrity culture, we are now more fascinated than ever with the lives of our leading artists. Creative personalities are always intriguing, and to learn something new about the greatest artists of the 20th and 21st centuries be they eccentric or sober, outspoken or reclusive is compelling. Presented here are some of the most engaging life stories of our time, eventful, intimate and poignant. Lively short biographies, clearly grouped according to style and era, are illustrated with important works, self-portraits and photographs. Lucie-Smith vividly evokes the lives of these great personalities, from Picasso and Duchamp to Joseph Beuys and Louise Bourgeois, guiding the reader through the maze of different styles and movements with authority and verve. New entries on rising stars such as Marlene Dumas, Shirin Neshat and Zhang Xiaogang extend the books scope to reach from 1900 to today.

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The extraordinary story of Rome from its origins, through the Republic and Empire, to the period of its decline and fall.

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The Middle East: The Cradle of Civilization synthesizes the latest research and information from a range of disciplines to tell the compelling story, from the Neolithic period through to the Arab conquest, of how a group of linguistically disparate, nomadic tribes responded to specific social, economic and environmental factors to form the world's first complex societies. This is an authoritative, detailed and accessible story, divided into six easily navigable parts arranged chronologically, and then into chapters exploring the history, religion, political and social organization, art, science and architecture of the peoples of the region. The text is illustrated with more than 500 superb full colour images - artifacts, artworks, statues, reliefs, buildings and landscapes - as well as six detailed maps, which bring the region's dramatic past vividly to life.

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The relationship between art and life has been of overriding importance in the work of David Hockney, who has perhaps enjoyed greater popularity than any other British artist this century. Here Marco Livingstone traces those connections from the beginning of the artist's career in the early 1960s through the more recent works that have contributed to Hockney's international reputation. These include photocollages and highly acclaimed stage designs for the opera as well as his embrace of technology, which show the continuing preoccupation with invention and artifice that has made the artist's work at once popular and enduring.The fourth edition of this best-selling World of Art title includes updated information on Hockney's work in the past twenty years, such as his foray into the world of digital art including large-scale iPad drawings and video.

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Whether as a reaction to our technological present or as a manifestation of fears concerning our environmental future, depictions of the natural world in painting have never seemed more pertinent or urgent. Some of the most ambitious, crucial and intellectually vibrant paintings being created in this century involve the landscape - from a more traditional, perceptual based approach for rendering vistas to a looser, topography-inspired gestural abstraction that blurs the line between form and space, to many other modes in between. Surprisingly, there has not been an ambitious and wide-reaching publication on the subject - until now. The result of several years worth of research, Landscape Painting Now is the first book to explore the very best contemporary landscape painting. Featuring artists from nearly twenty five countries born over seven decades, it includes some of the brightest stars of the contemporary art world. It is introduced by an essay from Barry Schwabsky, who discusses the history of landscape painting, exploring how the genre developed through the 20th century to today, and how it has become increasingly relevant to art now. He also explores the notion of what is actually called a landscape painting today, and looks to expand beyond commonly held preconceptions concerning the genre.

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Spanning the Minoan and Mycenaean origins of Greece to its eventual conquest by Rome, this new single-author survey combines an authoritative and engaging retelling of the history of ancient Greece with an assessment of the relevance of the Greeks today. Beautifully illustrated with examples of art, archaeology and architecture - from the frescoes of Akrotiri to the spectacular discovery of the Tomb of the Griffin Warrior in 2015 - this account foregrounds the variety and diversity of what it meant to be Greek. Dedicated chapters on Athens and Sparta highlight the differences of culture and civic structure within the Greek world, as well as the political tensions that would precipitate the Peloponnesian War and the subsequent Macedonian Hellenistic Age. Numerous maps and timelines support the clear chronological narrative, while "Spotlight" features at the end of each chapter offer a visual commentary on specific concepts, places and institutions, such as the oracle of Delphi and the image of Alexander the Great. Greece in the Ancient World is the story of a culture that transformed the Western world. The Greeks' achievements and failures, their ideals and their faults, established a legacy that remains at the heart of our modern life.

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Surveys the history of changing tastes in food and fine dining - what was available for people to eat, and how it was prepared and served - from prehistory to the present day. Since earliest times food has encompassed so much more than just what we eat - whole societies can be revealed and analysed by their cusines. In this wide-ranging book, leading historians from Europe and America piece together from a myriad sources the culinary accomplishments of diverse civilizations, past and present, and the pleasures of dining. Ten chapters cover the food and taste of the hunter-gatherers and first farmers of Prehistory; the rich Mediterranean cultures of Ancient Greece and Rome; the development of gastronomy in Imperial China; Medieval Islamic cuisine; European food in the Middle Ages; the decisive changes in food fashions after the Renaissance; the effect of the Industrial Revolution on what people ate; the rise to dominance of French cuisine in the 19th and 20th centuries; the evolution of the restaurant; the contemporary situation where everything from slow to fast food vies for our attention. Throughout, the entertaining story of worldwide food traditions provides the ideal backdrop to today's roaming the globe for great gastronomic experiences.

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Drawings by Francisco de Goya presents the fruits of the research undertaken for the publication of a new catalogue raisonne of Goya's drawings, a subject to which the Museo del Prado has always devoted particular attention and which is one of the keystones of its collection. Since the publication of Gassier's catalogue in 1973 the number of drawings attributed to Goya has changed, giving rise to the need for a new catalogue raisonne which updates the enormous body of information accumulated over the course of two centuries of literature on this subject. This book brings together more than 100 drawings by Goya from the Prado's own collections and from public and private ones around the world. It is presented as a chronological survey of his work that includes drawings from throughout his career, ranging from the Italian Sketchbook to the Bordeaux Albums. It also offers an up-to-date vision of the ideas that recurrently appear in Goya's work, revealing the ongoing and long-lasting relevance of his thinking.