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"Architects, sculptors, painters, we all must return to the crafts!" declared the architect Walter Gropius in his Bauhaus manifesto. Founded as an art school in 1919 and forced to close in 1933 by the Nazis, the Bauhaus established itself as a major influence on 20th-century art and design that continues to this day. The Bauhaus opened in Weimar, the progressive heart of Germany’s postwar republic. Under its first director, Walter Gropius, students were taught by some of the most celebrated artists of the time, including Paul Klee, Lyonel Feininger and Wassily Kandinsky. The school moved to Dessau in 1922, under its radical new director Hannes Meyer, and to Berlin in 1932 under architect Ludwig Mies van der Rohe. In 1933 the Gestapo forced the Bauhaus to close for the last time. This volume uncovers the sources of inspiration that brought the Bauhaus into existence, from medieval cathedrals of Europe and Hokusai prints to William Morris and Arts and Crafts. Each of the various workshops and courses at the Bauhaus is explored in detail, illustrating the extraordinary wealth of experimentation in every field: ceramics, woodwork, metalwork, textiles, glass-painting, sculpture, mural, printing and binding, typography and publicity, theatre, architecture and photography. This essential and accessible guide to the Bauhaus, its history and turbulent political context, provides the key to understanding why it is recognized as the most durable and influential source of modern ideas about art, design and craft.

The Spirit of the Bauhaus

Производитель: Thames&Hudson

Цена: 5065.00 руб.

Описание:
"Architects, sculptors, painters, we all must return to the crafts!" declared the architect Walter Gropius in his Bauhaus manifesto. Founded as an art school in 1919 and forced to close in 1933 by the Nazis, the Bauhaus established itself as a major influence on 20th-century art and design that continues to this day. The Bauhaus opened in Weimar, the progressive heart of Germany’s postwar republic. Under its first director, Walter Gropius, students were taught by some of the most celebrated artists of the time, including Paul Klee, Lyonel Feininger and Wassily Kandinsky. The school moved to Dessau in 1922, under its radical new director Hannes Meyer, and to Berlin in 1932 under architect Ludwig Mies van der Rohe. In 1933 the Gestapo forced the Bauhaus to close for the last time. This volume uncovers the sources of inspiration that brought the Bauhaus into existence, from medieval cathedrals of Europe and Hokusai prints to William Morris and Arts and Crafts. Each of the various workshops and courses at the Bauhaus is explored in detail, illustrating the extraordinary wealth of experimentation in every field: ceramics, woodwork, metalwork, textiles, glass-painting, sculpture, mural, printing and binding, typography and publicity, theatre, architecture and photography. This essential and accessible guide to the Bauhaus, its history and turbulent political context, provides the key to understanding why it is recognized as the most durable and influential source of modern ideas about art, design and craft.


Acclaimed for her intimate nudes, Mona Kuhn takes a new direction into abstraction in her latest series, Acido Dorado. Photographed at a golden modernist structure on the edge of Joshua Tree National Park, architectural lines, light reflections and a single figure have been carefully balanced against the backdrop of the Californian desert. The human figure in these images Kuhn's friend and collaborator Jacintha emerges like a surrealist mirage, fragmented and indistinct, at times submerged in shadows or overexposed. The building's facades of glass and mirrors serve as optical planes, an extension of the artist's camera and lens. Light is split into refracting colors, desert vegetation grows sideways, inside is outside and outside in. Kuhn pushes a certain disorienting effect by introducing metallic foils as an additional surface, at times producing purely abstract results. Acido Dorado marks Kuhn's increasing use of techniques that appear to merge the figure, abstraction and landscape into one. Mona Kuhn (born 1969) is best known for her large-scale, dreamlike photographs of the human form. Her pictures often reference classical themes with a light and insightful touch. Kuhn's approach to her work is distinguished by the close relationships she develops with her subjects, resulting in images of remarkable naturalness and intimacy. Born in Sao Paulo, Brazil, Kuhn lives and works in Los Angeles.

She Disappeared into Complete Silence

Производитель: Thames&Hudson

Цена: 4395.00 руб.

Описание:
Acclaimed for her intimate nudes, Mona Kuhn takes a new direction into abstraction in her latest series, Acido Dorado. Photographed at a golden modernist structure on the edge of Joshua Tree National Park, architectural lines, light reflections and a single figure have been carefully balanced against the backdrop of the Californian desert. The human figure in these images Kuhn's friend and collaborator Jacintha emerges like a surrealist mirage, fragmented and indistinct, at times submerged in shadows or overexposed. The building's facades of glass and mirrors serve as optical planes, an extension of the artist's camera and lens. Light is split into refracting colors, desert vegetation grows sideways, inside is outside and outside in. Kuhn pushes a certain disorienting effect by introducing metallic foils as an additional surface, at times producing purely abstract results. Acido Dorado marks Kuhn's increasing use of techniques that appear to merge the figure, abstraction and landscape into one. Mona Kuhn (born 1969) is best known for her large-scale, dreamlike photographs of the human form. Her pictures often reference classical themes with a light and insightful touch. Kuhn's approach to her work is distinguished by the close relationships she develops with her subjects, resulting in images of remarkable naturalness and intimacy. Born in Sao Paulo, Brazil, Kuhn lives and works in Los Angeles.


The advent of railways in Britain was a fundamental part of it's economic and social revolution in the 19th century, with technical advances that were the envy of the world and chronicled from the beginning through meticulous drawings. Detailed plans were created of locomotives, carriages and wagons, as well as of stations, bridges and tunnels, to facilitate the manufacturing process and the maintenance of the rapidly expanding railway network.
Miraculously, about a million of these magnificent drawings have survived and are held in the National Railway Museum in York. Christopher Valkoinen has selected over 130 examples that tell the engineering history of great innovations and triumphs, such as the Forth Bridge, and reveal the work of famous pioneers, including Richard Trevithick, George Stephenson, and Nigel Gresley of Flying Scotsman fame. Other plans range from Queen Victoria's royal saloon and a travelling post office to a station tea-room at York and modern experiments with a hovertrain. There are also drawings for railways around the world: the USA, Russia, Japan, India, Australia and Egypt, among others, as well as contemporary photographs and posters.
Throughout, Valkoinen provides valuable insights into the social and political impact of the railways. He also reveals how these drawings are more than a reference tool for the historian or modelmaker; they are exquisite works of art, painstakingly produced by highly skilled artists, which can be appreciated in their own right.

Railways. A History in Drawings

Производитель: Thames&Hudson

Цена: 6331.00 руб.

Описание:
The advent of railways in Britain was a fundamental part of it's economic and social revolution in the 19th century, with technical advances that were the envy of the world and chronicled from the beginning through meticulous drawings. Detailed plans were created of locomotives, carriages and wagons, as well as of stations, bridges and tunnels, to facilitate the manufacturing process and the maintenance of the rapidly expanding railway network. Miraculously, about a million of these magnificent drawings have survived and are held in the National Railway Museum in York. Christopher Valkoinen has selected over 130 examples that tell the engineering history of great innovations and triumphs, such as the Forth Bridge, and reveal the work of famous pioneers, including Richard Trevithick, George Stephenson, and Nigel Gresley of Flying Scotsman fame. Other plans range from Queen Victoria's royal saloon and a travelling post office to a station tea-room at York and modern experiments with a hovertrain. There are also drawings for railways around the world: the USA, Russia, Japan, India, Australia and Egypt, among others, as well as contemporary photographs and posters. Throughout, Valkoinen provides valuable insights into the social and political impact of the railways. He also reveals how these drawings are more than a reference tool for the historian or modelmaker; they are exquisite works of art, painstakingly produced by highly skilled artists, which can be appreciated in their own right.



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