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Leading twentieth-century Mexican artists Frida Kahlo and Diego Rivera were internationally acclaimed in their lifetime, and their art and lives have continued to provoke and captivate audiences.
The works of Kahlo and Rivera demonstrate their fierce independence and the uniqueness of their artistic visions. Rivera's art projected outward, often on a vast scale, and was concerned with the construction of a national identity in post-revolutionary Mexico; Kahlo's art turned inward and represented Mexicanidad through an exploration of the artist's own identity. Kahlo's poor health, compounded by a tragic trolley-bus accident in her teens, informs much of her work. Beyond their art, the lives of Kahlo and Rivera were socially and politically active and their union often volatile.
This book presents the pair in a "dialogue." It includes an introduction to their art and lives as well as an essay by Diego on Frida's art written in 1943 and an essay by Frida on Diego's art written in 1949. Each essay is followed by their artworks including outstanding self-portrait paintings and drawings by Frida Kahlo, and major examples of Diego Rivera's canvas paintings.

Frida Kahlo and Diego Rivera. From the Jacques and Natasha Gelman Collection

Производитель: Art Gallery New South Wales

Цена: 1512.00 руб.

Описание:
Leading twentieth-century Mexican artists Frida Kahlo and Diego Rivera were internationally acclaimed in their lifetime, and their art and lives have continued to provoke and captivate audiences. The works of Kahlo and Rivera demonstrate their fierce independence and the uniqueness of their artistic visions. Rivera's art projected outward, often on a vast scale, and was concerned with the construction of a national identity in post-revolutionary Mexico; Kahlo's art turned inward and represented Mexicanidad through an exploration of the artist's own identity. Kahlo's poor health, compounded by a tragic trolley-bus accident in her teens, informs much of her work. Beyond their art, the lives of Kahlo and Rivera were socially and politically active and their union often volatile. This book presents the pair in a "dialogue." It includes an introduction to their art and lives as well as an essay by Diego on Frida's art written in 1943 and an essay by Frida on Diego's art written in 1949. Each essay is followed by their artworks including outstanding self-portrait paintings and drawings by Frida Kahlo, and major examples of Diego Rivera's canvas paintings.


Laszlo Moholy-Nagy (1895-1946) was among modernist photography's most vocal theorists and ideologues, and a tireless explorer of it's outer limits. In 1930, he published 60 Fotos, an almost pedagogic visual treatise in which he performed virtuoso turns on all kinds of photographic possibilities, from camara-less pictures and photograms for which he squirted oil into developer and squeezed oil between sheets of glass during exposure (among other techniques) to photomontage, as well as more conventional photographs. 60 Fotos proposed photography as both a medium with intrinsic material properties to explore and as an instrument capable of surpassing the human eye in it's recording of the world. This classic treatise features some of the Bauhaus teacher's finest examples of photograms, negative prints and photomontage; Errata's spread-by-spread reproduction of the volume also includes a contemporary essay by noted photo-historian David Evans.

Laszlo Moholy-Nagy. 60 Fotos

Производитель: Errata Editions

Цена: 3502.00 руб.

Описание:
Laszlo Moholy-Nagy (1895-1946) was among modernist photography's most vocal theorists and ideologues, and a tireless explorer of it's outer limits. In 1930, he published 60 Fotos, an almost pedagogic visual treatise in which he performed virtuoso turns on all kinds of photographic possibilities, from camara-less pictures and photograms for which he squirted oil into developer and squeezed oil between sheets of glass during exposure (among other techniques) to photomontage, as well as more conventional photographs. 60 Fotos proposed photography as both a medium with intrinsic material properties to explore and as an instrument capable of surpassing the human eye in it's recording of the world. This classic treatise features some of the Bauhaus teacher's finest examples of photograms, negative prints and photomontage; Errata's spread-by-spread reproduction of the volume also includes a contemporary essay by noted photo-historian David Evans.


Lying deep within the urban metropolis of Hong Kong, Happy Valley is one of the most iconic racecourses in the world. It is also the chief source of inspiration for a new body of work by American artist Marcel Dzama. 
Jockeys ride through waves and cathedrals, Chinese symbols pulled from racing paraphernalia adorn the edges of paper, and bats swoop, hunting for prey. Dzama's distinct visions of the racetrack come alive through a series of large-scale paintings and drawings, transposing imagery from his prolific oeuvre into this adrenaline-filled sporting arena. His new works reflect on the culture of horseracing and how the track has become not only a symbol of sport, but also of commerce, class, and wealth. This publication includes a conversation between Dzama and Laila Pedro. Published on the occasion of his solo exhibition at David Zwirner, Hong Kong, in 2019, Marcel Dzama: Crossing the Line is available in both English only and bilingual English/traditional Chinese editions.

Crossing the Line

Производитель: David Zwirner

Цена: 1853.00 руб.

Описание:
Lying deep within the urban metropolis of Hong Kong, Happy Valley is one of the most iconic racecourses in the world. It is also the chief source of inspiration for a new body of work by American artist Marcel Dzama. Jockeys ride through waves and cathedrals, Chinese symbols pulled from racing paraphernalia adorn the edges of paper, and bats swoop, hunting for prey. Dzama's distinct visions of the racetrack come alive through a series of large-scale paintings and drawings, transposing imagery from his prolific oeuvre into this adrenaline-filled sporting arena. His new works reflect on the culture of horseracing and how the track has become not only a symbol of sport, but also of commerce, class, and wealth. This publication includes a conversation between Dzama and Laila Pedro. Published on the occasion of his solo exhibition at David Zwirner, Hong Kong, in 2019, Marcel Dzama: Crossing the Line is available in both English only and bilingual English/traditional Chinese editions.



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